Texas in Bloom : Introduction by Glen Evans ; Foreword by Lady Bird Johnson ; Preface by Frank Lively and Tommie Pinkard PDF Download
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Author:
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Category : Texas highways--Illustrations
Languages : en
Pages : 0
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Author:
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ISBN:
Category : Texas highways--Illustrations
Languages : en
Pages : 0
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Author:
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ISBN:
Category : Nature
Languages : en
Pages : 156
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Book Description
A collection of color photographs that showcase the beauty of the wildflowers of Texas, drawn from the pages of "Texas Highways" magazine.
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Category : Government publications
Languages : en
Pages : 520
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Category : United States
Languages : en
Pages : 1394
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Book Description
Author: Louise Pecquet du Bellet
Publisher: Genealogical Publishing Com
ISBN: 0806307226
Category : Virginia
Languages : en
Pages : 1756
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Book Description
Author: E. C. Morris
Publisher:
ISBN:
Category : African American Baptists
Languages : en
Pages :
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Book Description
A collection of sermons, addresses, question and answer formatted lessons, catechisms, and other documents addressed to the members and officers of the National Baptist Convention. There is a section containing biographical sketches of prominent Baptists, as well as an autobiographical sketch of Morris' life and works. The book contains a directory of ordained African-American ministers in the Southern states and territories.
Author: Sheldon Harris
Publisher: New York, N.Y. : Da Capo Press
ISBN: 9780306801556
Category : Blues (Music)
Languages : en
Pages : 775
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Book Description
Rarely has a book received such unanimous praise as the Blue's Who's Who. Eighteen years of research and writing, most of it done by Sheldon Harris alone, have produced a reference book that has been accepted in the U.S., England, and Europe, as truly indispensable for anyone seriously interested in the history of country, city, folk, and rock blues. Covering all eras and styles, it features detailed biographies of 571 blues artists, 450 photographs, and hundreds of pages of carefully researched facts.
Author: Joseph Lyon Miller
Publisher:
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Category :
Languages : en
Pages : 580
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Book Description
Author: Maud Cuney-Hare
Publisher: Library of Alexandria
ISBN: 1465604782
Category : Fiction
Languages : en
Pages : 406
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Book Description
In offering this study of Negro music, I do so with the admission that there is no consistent development as found in national schools of music. The Negro, a musical force, through his own distinct racial characteristics has made an artistic contribution which is racial but not yet national. Rather has the influence of musical stylistic traits termed Negro, spread over many nations wherever the colonies of the New World have become homes of Negro people. These expressions in melody and rhythm have been a compelling force in American music Ð tragic and joyful in emotion, pathetic and ludicrous in melody, primitive and barbaric in rhythm. The welding of these expressions has brought about a harmonic effect which is now influencing thoughtful musicians throughout the world. At present there is evidenced a new movement far from academic, which plays an important technical part in the music of this and other lands. The question as to whether there exists a pure Negro art in America is warmly debated. Many Negroes as well as Anglo-Americans admit that the so-called American Negro is no longer an African Negro. Apart from the fusion of blood he has for centuries been moved by the same stimuli which have affected all citizens of the United States. They argue rightly that he is a product of a vital American civilization with all its daring, its progress, its ruthlessness, and unlovely speed. As an integral part of the nation, the Negro is influenced by like social environment and governed by the same political institutions; thus page vi we may expect the ultimate result of his musical endeavors to be an art-music which embodies national characteristics exercised upon by his soul's expression. In the field of composition, the early sporadic efforts by people of African descent, while not without historic importance, have been succeeded by contributions from a rising group of talented composers of color who are beginning to find a listening public. The tendency of this music is toward the development of an American symphonic, operatic and ballet school led for the moment by a few lone Negro musicians of vision and high ideals. The story of those working toward this end is herein treated. Facts for this volume have been obtained from educated African scholars with whom the author sought acquaintanceship and from printed sources found in the Boston Public Library, the New York Public Library and the Music Division of the Library of Congress. The author has also had access to rare collections and private libraries which include her own. Folk material has been gathered in personal travel.
Author: David A. Jasen
Publisher: Routledge
ISBN: 1135949018
Category : Art
Languages : en
Pages : 492
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Book Description
For nearly a century, New York's famous "Tin Pan Alley" was the center of popular music publishing in this country. It was where songwriting became a profession, and songs were made-to-order for the biggest stars. Selling popular music to a mass audience from coast-to-coast involved the greatest entertainment media of the day, from minstrelsy to Broadway, to vaudeville, dance palaces, radio, and motion pictures. Successful songwriting became an art, with a host of men and women becoming famous by writing famous songs.
