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Author: Barbara Arnett Melchiori
Publisher: Routledge
ISBN: 1317208625
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
First published in 1985, this book looks at the ways in which the spate of terrorist activity in the 1880s was reflected in the novels of the time. Oscar Wilde, George Gissing, Henry James and George Bernard Shaw among others gave the terrorist venture a position in one or more of their novels. This book examines what these novelists made of terrorism and the way they presented it to their readers. Not all of these novels are high literature or take a committed line on the outrages they describe; nevertheless they accept the assumption that terrorism and social protest were synonymous. This book aims to explain how such a view could be held in the context of Victorian society.
Author: Barbara Arnett Melchiori
Publisher: Routledge
ISBN: 1317208625
Category : Literary Criticism
Languages : en
Pages : 240
Get Book Here
Book Description
First published in 1985, this book looks at the ways in which the spate of terrorist activity in the 1880s was reflected in the novels of the time. Oscar Wilde, George Gissing, Henry James and George Bernard Shaw among others gave the terrorist venture a position in one or more of their novels. This book examines what these novelists made of terrorism and the way they presented it to their readers. Not all of these novels are high literature or take a committed line on the outrages they describe; nevertheless they accept the assumption that terrorism and social protest were synonymous. This book aims to explain how such a view could be held in the context of Victorian society.
Author: Michael Frank
Publisher: Routledge
ISBN: 1134837364
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
This study investigates the overlaps between political discourse and literary and cinematic fiction, arguing that both are informed by, and contribute to, the cultural imaginary of terrorism. Whenever mass-mediated acts of terrorism occur, they tend to trigger a proliferation of threat scenarios not only in the realm of literature and film but also in the statements of policymakers, security experts, and journalists. In the process, the discursive boundary between the factual and the speculative can become difficult to discern. To elucidate this phenomenon, this book proposes that terror is a halfway house between the real and the imaginary. For what characterizes terrorism is less the single act of violence than it is the fact that this act is perceived to be the beginning, or part, of a potential series, and that further acts are expected to occur. As turn-of-the-century writers such as Stevenson and Conrad were the first to point out, this gives terror a fantastical dimension, a fact reinforced by the clandestine nature of both terrorist and counter-terrorist operations. Supported by contextual readings of selected texts and films from The Dynamiter and The Secret Agent through late-Victorian science fiction to post-9/11 novels and cinema, this study explores the complex interplay between actual incidents of political violence, the surrounding discourse, and fictional engagement with the issue to show how terrorism becomes an object of fantasy. Drawing on research from a variety of disciplines, The Cultural Imaginary of Terrorism will be a valuable resource for those with interests in the areas of Literature and Film, Terrorism Studies, Peace and Conflict Studies, Trauma Studies, and Cultural Studies.
Author: Patrick Brantlinger
Publisher: Indiana University Press
ISBN: 9780253212498
Category : Language Arts & Disciplines
Languages : en
Pages : 270
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Book Description
"[Brantlinger's] writing is admirably lucid, his knowledge impressive and his thesis a welcome reminder of the class bias that so often accompanies denunciations of popular fiction." —Publishers Weekly "Brantlinger is adept at discussing both the fiction itself and the social environment in which that fiction was produced and disseminated. He brings to his study a thorough knowledge of traditional and contemporary scholarship, which results in an important scholarly book on Victorian fiction and its production." —Choice "Timely, scrupulously researched, thoroughly enlightening, and steadily readable. . . . A work of agenda-setting historical scholarship." —Garrett Stewart Fear of mass literacy stalks the pages of Patrick Brantlinger's latest book. Its central plot involves the many ways in which novels and novel reading were viewed—especially by novelists themselves—as both causes and symptoms of rotting minds and moral decay among nineteenth-century readers.
Author: Julia Hoydis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311061541X
Category : Literary Criticism
Languages : en
Pages : 674
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Book Description
Taking the cue from the currency of risk in popular and interdisciplinary academic discourse, this book explores the development of the English novel in relation to the emergence and institutionalization of risk, from its origins in probability theory in the late seventeenth century to the global ‘risk society’ in the twenty-first century. Focussing on 29 novels from Defoe to McEwan, this book argues for the contemporaneity of the rise of risk and the novel and suggests that there is much to gain from reading the risk society from a diachronic, literary-cultural perspective. Tracing changes and continuities, the fictional case studies reveal the human preoccupation with safety and control of the future. They show the struggle with uncertainties and the construction of individual or collective ‘logics’ of risk, which oscillate between rational calculation and emotion, helplessness and denial, and an enabling or destructive sense of adventure and danger. Advancing the study of risk in fiction beyond the confinement to dystopian disaster narratives, this book shows how topical notions, such as chance and probability, uncertainty and responsibility, fears of decline and transgression, all cluster around risk.
Author: Adam Parkes
Publisher: Oxford University Press
ISBN: 0190452498
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
What does modern British and Irish literature have to do with French impressionist painting? And what does Henry James have to do with the legal dispute between John Ruskin and J.M.W. Whistler? What links Walter Pater with Conrad's portrait of a genocidal maniac in Heart of Darkness? Or George Moore with Irish nationalism, Virginia Woolf with modern distraction, and Ford Madox Ford with the Great Depression? Adam Parkes argues that we must answer such questions if we are to appreciate the full impact of impressionist aesthetics on modern British and Irish writers. Complicating previous accounts of the influence of painting and philosophy on literary impressionism, A Sense of Shock highlights the role of politics, uncovering new and deeper linkages. In the hands of such practitioners as Conrad, Ford, James, Moore, Pater, and Woolf, literary impressionism was shaped by its engagement with important social issues and political events that defined the modern age. As Parkes demonstrates, the formal and stylistic practices that distinguish impressionist writing were the result of dynamic and often provocative interactions between aesthetic and historical factors. Parkes ultimately suggests that it was through this incendiary combination of aesthetics and history that impressionist writing forced significant change on the literary culture of its time. A Sense of Shock will appeal to students and scholars of nineteenth- and twentieth-century literature, as well as the growing readership for books that explore problems of literary history and interdisciplinarity.
Author: Susheela Bhan
Publisher: Concept Publishing Company
ISBN: 9788170222569
Category : Political Science
Languages : en
Pages : 364
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Book Description
Author: Gail Fincham
Publisher: Juta and Company Ltd
ISBN: 9780799216486
Category : History
Languages : en
Pages : 252
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Book Description
Author: Ouida
Publisher: Broadview Press
ISBN: 1460403886
Category : Fiction
Languages : en
Pages : 636
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Book Description
First published in 1880, Moths addresses such Victorian taboos as adultery, domestic violence, and divorce in vivid and flamboyant prose. The beautiful young heroine, Vere Herbert, suffers at the hands of both her tyrannical mother and her dissipated husband, and is finally united with her beloved, a famous opera singer. Moths was Ouida’s most popular work, and its melodramatic plot, glamorous European settings, and controversial treatment of marriage make it an important, as well as a highly entertaining, example of the nineteenth-century “high society” novel. This Broadview edition includes a critical introduction and a broad range of contextual documents, including contemporary reactions to Ouida’s fiction and a selection of nineteenth-century writings on marriage, feminism, and the aristocracy.
Author: Charles Jones
Publisher: Routledge
ISBN: 1136677151
Category : Political Science
Languages : en
Pages : 225
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Book Description
This book raises questions about the just war tradition through a critical examination of its revival and by juxtaposing it with a literary phenomenology of war. Recent public debate about war has leaned heavily on a just-war tradition dating back many centuries. This book examines the recent revival of that tradition in the United States and Britain, arguing that it is less coherent and comprehensive as an approach to the ethical issues arising from war than is generally supposed, and that it is inconsistent in important ways with the theology on which it was originally based. A second line of criticism is mounted through close readings of modern texts in English - from Britain, Australia and the USA – that together constitute a more subjective, bottom-up understanding of the moral dilemmas of military life. In this second tradition the task of representing war is seen as more problematic, and its rationality more questionable, than in just war discourse. Works by William Shakespeare, Sir Walter Scott, James Fennimore Cooper, Stephen Crane, John Buchan, Robert Louis Stevenson, Joseph Conrad, Tim O’Brien and Kurt Vonnegut are featured. The book will be of great interest to students and scholars of security studies, military studies, theology and international relations.
Author: James Crossland
Publisher: Manchester University Press
ISBN: 1526160684
Category : History
Languages : en
Pages : 274
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Book Description
'Punctuated by the stories of a host of interesting and extraordinary characters, Crossland has produced a fascinating exploration of the long nineteenth century’s development of terrorism and counterterrorism, highlighting the role of fear and the paranoia, repression, and overreaction it engendered.' Michael Stohl, Professor at the University of California Author of Crime and Terrorism 'By applying an innovative historical lens, The Rise of the Devils by James Crossland offers a remarkable perspective on the history of terrorism that is not overdetermined by the events of 9/11 and explores a "violent strain of nihilism intoxicated by a whiff of martyrdom." The book reads like the prequel to the "National Treasure" movie franchise and offers a completely unique understanding of Terrorism’s First Wave.' Mia Bloom, Georgia State University Author of Dying to Kill: the Allure of Suicide Terror In the dying light of the nineteenth century, the world came to know and fear terrorism. Much like today, this was a time of progress and dread, in which breakthroughs in communications and weapons were made, political reforms were implemented and immigration waves bolstered the populations of ever-expanding cities. This era also simmered with political rage and social inequalities, which drove nationalists, nihilists, anarchists and republicans to dynamite cities and discharge pistols into the bodies of presidents, police chiefs and emperors. This wave of terrorism was seized upon by an outrage-hungry press that peddled hysteria, conspiracy theories and, sometimes, fake news in response, convincing many a reader that they were living through the end of days. Against the backdrop of this world of fear and disorder, The rise of devils chronicles the journeys of the men and women who evoked this panic and created modern terrorism – revolutionary philosophers, cult leaders, criminals and charlatans, as well as the paranoid police chiefs and unscrupulous spies who tried to thwart them. In doing so, this book explains how radicals once thought just in their causes became, as Pope Pius IX denounced them, little more than ‘devils risen up from Hell’.
