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Author: Paul Barolsky
Publisher: John Wiley & Sons
ISBN: 0271032723
Category :
Languages : en
Pages : 194
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Book Description
An exploration of the ways in which Michelangelo created himself.
Author: Paul Barolsky
Publisher: John Wiley & Sons
ISBN: 0271032723
Category :
Languages : en
Pages : 194
Get Book Here
Book Description
An exploration of the ways in which Michelangelo created himself.
Author:
Publisher: Penn State Press
ISBN: 9780271044255
Category : Art
Languages : en
Pages : 240
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Book Description
After classical antiquity, the Italian Renaissance raised the portrait, whether literary or pictorial, to the status of an important art form. Among sixteenth-century Renaissance painters, Titian made his reputation, and much of his living, by portraiture. Titian's portraits were promoted by his friend, Pietro Aretino, an eminent poet and critic, who addressed his letters and sonnets to the same personages whom Titian portrayed. In many of these letters (which often included sonnets), Aretino described both an individual patron and Titian's portrait of that patron, thus stimulating the reciprocal relation between a verbal and pictorial portrait. By investigating this unprecedented historical phenomenon, Luba Freedman elucidates the meaning conveyed by the portrait as an artistic form in Renaissance Italy. Fusing iconographical analysis of the most famous Titian portraits with rhetorical analysis of Aretino's literary legacy as compared to contemporary reactions, Freedman demonstrates that it is due to Titian's many portraits and to Aretino's repeated simultaneous writings about them that the portrait ceased being primarily a social-historical document, preserving the sitter's likeness for posterity. It gradually became, as it is today, a work of art, the artist's invention, which gives its viewer an aesthetic pleasure.
Author: Clement Greenberg
Publisher: University of Chicago Press
ISBN: 0226306232
Category : Architecture
Languages : en
Pages : 339
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Book Description
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Author: Daniel Chapelle
Publisher: SUNY Press
ISBN: 9780791458631
Category : Psychology
Languages : en
Pages : 294
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Book Description
Argues that contemporary psychology neglects the soul and addresses ways to remedy this. The Soul in Everyday Life argues that modern psychology has given up on dealing with the idea of soul (or psyche), even though the field is named after it. If psychology wishes to be truly satisfying, it needs to be more than behavioral science, according to Daniel Chapelle. He concludes that psychology can only satisfy the deepest human needs when it can offer a sense of soul in everyday life. He explores ways of restoring this sense of soul to everyday life by examining how talk about something as elusive as the soul is possible and by reanimating a sense for what the notion of soul can mean. Working in the tradition of Nietzsche, Freud, Jung, and Jung's student James Hillman, Chapelle reaches back into millennia of Western thought to reanimate the dying sense of soul in everyday life and put the "psyche" back in "psychology."
Author: Carmen C. Bambach
Publisher: Metropolitan Museum of Art
ISBN: 1588396371
Category : Art
Languages : en
Pages : 395
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Book Description
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
Author: Lilian H. Zirpolo
Publisher: Rowman & Littlefield
ISBN: 1538123045
Category : Young Adult Nonfiction
Languages : en
Pages : 277
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Book Description
Michelangelo: A Reference Guide to His Life and Works cover the life and works of Michelangelo Buonarroti. Michelangelo is considered to be one of the greatest masters in history and he produced some of the most notable icons of civilization, including the Sistine Ceiling frescoes, the Moses, and the Pietà at St. Peter’s. Includes a detailed chronology of Michelangelo’s life, family, and work. The A to Z section includes the major events, places, and people in Michelangelo’s life and the complete works of his sculptures, paintings, architectural designs, drawings, and poetry. The bibliography includes a list of publications concerning his life and work. The index thoroughly cross-references the chronological and encyclopedic entries.
Author: August Hjalmar Edgren
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1048
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Book Description
Author: Patricia A. Emison
Publisher: BRILL
ISBN: 9004137092
Category : Art
Languages : en
Pages : 469
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Book Description
An investigation of why Michelangelo first, and then many other, Renaissance artists and works were called "divine" by contemporaries, this study ranges from fourteenth-century praise of Dante to a variety of sixteenth-century habits of courtly compliment.
Author: Thomas Puttfarken
Publisher: Yale University Press
ISBN: 9780300110005
Category : Art
Languages : en
Pages : 260
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Book Description
Late in his life Titian created a series of paintings--the "Four Sinners,” the "poesie” for his patron Philip II of Spain, and the "Final Tragedies”--that were dark in tone and content, full of pathos and physical suffering.In this major reinterpretation of Titian’s art, Thomas Puttfarken shows that the often dramatic and violent subject matter of these works was not, as is often argued, the consequence of the artist’s increasing age and sense of isolation and tragedy. Rather, these paintings were influenced by discussions of Aristotle’s Poetics that permeated learned discourse in Italy in the mid-sixteenth century. The Poetics led directly to a rich theory of the visual arts, and painting in particular, that enabled artists like Titian to consider themselves on equal footing with poets. Puttfarken investigates Titian’s late works in this context and analyzes his relations with his patrons, his intellectual and humanistic contacts, and his choices of subject matter, style, and technique.
Author: David Bowman
Publisher: Little, Brown
ISBN: 0316560227
Category : Fiction
Languages : en
Pages : 642
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Book Description
Set in the 1950's, this epic, Warholian novel presents a brilliant and wholly original take on the years leading up to the Kennedy assassination. Where were you when you first heard President Kennedy had been shot? This is a question most people can answer, even if the answer is "I wasn't born yet." In this epic novel, David Bowman makes the strong case that the shooting on November 22nd, 1963 was the major, defining turning point that catapulted the world into an entirely new stratosphere. It was the second big bang. In this hilarious, lightning-fast historical novel, Bowman follows the most famous couples of the decade as their lives are torn apart by post-war's new normal. We see Lucille Ball's bizarre interrogation by the House UnAmerican Activities Committee and Jackie Onassis' moonlight cruise with Frank Sinatra . We follow Norman Mailer and Arthur Miller as they attempt to get quickie divorces together at a loophole resort in Nevada and watch a young Howard Hunt snoop around South America with the newly founded CIA. A young Jimi Hendrix, now the epitome of counterculture cool, tries his luck as a clean cut army recruit. Written with an almost documentary film like intensity, BIG BANG is a posthumous work from the award-winning author of Let the Dog Drive. A riotous account of a country, perhaps, at the beginning of the end.
