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Author: John Morton
Publisher: Bloomsbury Publishing
ISBN: 1441176624
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Until now, the study of literary allusion has focused on allusions made by poets to other poets. In Tennyson Among the Novelists, John Morton presents the first book-length account of the presence of a poet's work in works of prose fiction. As well as shedding new light on the poems of Tennyson and their reception history, Morton covers a wide variety of novelists including Thomas Hardy, James Joyce, Evelyn Waugh, and Andrew O'Hagan, offering a fresh look at their approach to writing. Morton shows how Tennyson's poetry, despite its frequent depreciation by critics, has survived as a vivifying presence in the novel from the Victorian period to the present day.
Author: John Morton
Publisher: Bloomsbury Publishing
ISBN: 1441176624
Category : Literary Criticism
Languages : en
Pages : 209
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Book Description
Until now, the study of literary allusion has focused on allusions made by poets to other poets. In Tennyson Among the Novelists, John Morton presents the first book-length account of the presence of a poet's work in works of prose fiction. As well as shedding new light on the poems of Tennyson and their reception history, Morton covers a wide variety of novelists including Thomas Hardy, James Joyce, Evelyn Waugh, and Andrew O'Hagan, offering a fresh look at their approach to writing. Morton shows how Tennyson's poetry, despite its frequent depreciation by critics, has survived as a vivifying presence in the novel from the Victorian period to the present day.
Author: Clyde de L. Ryals
Publisher: University of Pennsylvania Press
ISBN: 151280620X
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
One of Keats' finest sonnets begins: "Much have I traveled," yet Keats traveled very little, only to Italy where he died. Shelley, also an introspective and intellectual, dabbled in politics, often with a comic effect and although he could not swim, he was devoted to sailing. Wordsworth marched to France, praising the Revolution, which he later regretted. Coleridge wandered to Germany and German metaphysics. Later he created the Ancient Mariner which is the mythic centerpiece of the Romantic period. Each of these poets feels that the occupation of a poet demand a dedication to a life of action as well as inward discovery. Consequently, the image of "the journey," with its double reference to natural and psychic realities, is one of the unifying motifs of nineteenth-century poetry. Alfred Tennyson, the author claims, was one of the last poets able to make both voyages, but he could only do so with great effort and at great expense. By nature introspective , he found the life of the mind far more appealing than the life of action; yet he knew, like Milton and Keats before him, that great poetry demands the voyage without as well as the voyage within. His early poetry, then, is concerned with the pull of the two voyages, and thus it becomes, in Arnold's worlds, the dialogue of the mind with itself. There is for modern readers something intensely interesting about such a divided personality, for we see in Tennyson almost the same dilemma that faces contemporary artists. Often when we read his poems we feel that Tennyson is of our age. But then at times he seems as remote from us as Bishop Wilberforce and his anti-Darwin fulminations. What, then, is there about Tennyson that makes him appear so modern and yet so dated? The answer is not easily given, although this has been one of the primary concerns of Tennyson's critics. In this book, the author shows how Tennyson became the mental voyager exploring both the inner and outer worlds, and further, how in making the two voyages he followed the pattern of development of other Romantic artists of the nineteenth century. He examines certain themes and images in Tennyson's early verse which in their frequent recurrence attain symbolic status, and by doing so, he shows that there is a very clear-cut pattern in Tennyson's poetry, one which is repeated time and again throughout the poet's work to 1850.
Author: John Batchelor
Publisher: Simon and Schuster
ISBN: 1639360824
Category : Biography & Autobiography
Languages : en
Pages : 709
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Book Description
Alfred Lord Tennyson, Queen Victoria's favorite poet, commanded a wider readership than any other of his time. His ascendancy was neither the triumph of pure genius nor an accident of history: he skillfully crafted his own career and his relationships with his audience. Fame and recognition came, lavishly and in abundance, but the hunger for more never left him. Resolving never to be anything except 'a poet', he wore his hair long, smoked incessantly, and sported a cloak and wide-brimmed Spanish hat.Tennyson ranged widely in his poetry, turning his interests in geology, evolution and Arthurian legend into verse, but much of his work relates to his personal life. The poet who wrote The Lady of Shalott and The Charge of the Light Brigade has become a permanent part of our culture. This enjoyable and thoughtful new biography shows him as a Romantic as well as a Victorian, exploring both the poems and the pressures of his era, and the personal relationships that made the man.
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 1410343464
Category : Literary Criticism
Languages : en
Pages : 29
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Book Description
Author: David Staines
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554587948
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
As the principal narrative poem of nineteenth-century England, Tennyson's Idylls of the King is an ambitious and widely influential reworking of the Arthurian legends of the Middle Ages, which have provided a great body of myth and symbol to writers, painters, and composers for the past hundred years. Tennyson's treatment of these legends is now valued as a deeply significant oblique commentary on cultural decadence and the precarious balance of civilization. Drawing upon published and unpublished materials, Tennyson's Camelot studies the Idylls of the King from the perspective of all its medieval sources. In noting the Arthurian literature Tennyson knew and paying special attention to the works that became central to his Arthurian creation, the volume reveals the poet's immense knowledge of the medieval legends and his varied approaches to his sources. The author follows the chronology of composition of the Idylls, allowing the reader to see Tennyson's evolving conception of his poem and his changing attitudes to the medieval accounts. The Idylls of the King stands, ultimately, as the poet's own Camelot, his legacy to his generation, an indictment of his society through a vindication of his idealism.
Author: Harold Nicolson
Publisher:
ISBN:
Category :
Languages : en
Pages : 368
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Book Description
Author: Clifford Smyth
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 942
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Book Description
Author: W. H. Auden
Publisher: Vintage
ISBN: 0679724850
Category : Literary Collections
Languages : en
Pages : 546
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Book Description
The essays in this collection were written as reviews, mainly for The New York Review of Books and The New Yorker, on books by or about Alexander Pope, Vincent van Gogh, Thomas Mann, Virginia Woolf, Oscar Wilde, and A. E. Housman, or as introductions to editions of the classical Greek writers, the Protestant mystics, Shakespeare, Goethe, Kierkegaard, Tennyson, Grimm and Andersen, Poe, G. K. Chesterton, Paul Valéry, and others. Throughout, these prose pieces reveal the same wit and intelligence--as well as the vision--that sparked the brilliance of Auden's poetry.
Author: Michael Allis
Publisher: Boydell Press
ISBN: 1843837307
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain--particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how a literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth-century British music, literature and Victorian studies will enjoy this thought-provoking and perceptive book.
Author: Reinard Willem Zandvoort
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 236
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Book Description
