Tennyson and Tradition PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Tennyson and Tradition PDF full book. Access full book title Tennyson and Tradition by Robert Pattison. Download full books in PDF and EPUB format.
Author: Robert Pattison
Publisher: Harvard University Press
ISBN: 9780674874152
Category : Literary Criticism
Languages : en
Pages : 204
Get Book Here
Book Description
Here is an analysis of Tennyson's major poetry that clarifies the poet's relationship to the artistic traditions he so extensively exploited and so radically modified. It is a portrait of Tennyson as manipulator, not mere borrower, of forms. Tennyson and Tradition traces the threads that at the same time unite Tennyson's work and tie it to the traditions the poet believed he had inherited. Pattison shows why Tennyson considered the venerable idyll form a fitting vehicle for his modern portraits--above all the Idylls of the King. Analysis of In Memoriam brings further understanding of Tennyson's poetic credo.
Author: Robert Pattison
Publisher: Harvard University Press
ISBN: 9780674874152
Category : Literary Criticism
Languages : en
Pages : 204
Get Book Here
Book Description
Here is an analysis of Tennyson's major poetry that clarifies the poet's relationship to the artistic traditions he so extensively exploited and so radically modified. It is a portrait of Tennyson as manipulator, not mere borrower, of forms. Tennyson and Tradition traces the threads that at the same time unite Tennyson's work and tie it to the traditions the poet believed he had inherited. Pattison shows why Tennyson considered the venerable idyll form a fitting vehicle for his modern portraits--above all the Idylls of the King. Analysis of In Memoriam brings further understanding of Tennyson's poetic credo.
Author: Timothy J. Lovelace
Publisher: Routledge
ISBN: 1135886016
Category : Literary Criticism
Languages : en
Pages : 198
Get Book Here
Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Cornelia D. J. Pearsall
Publisher: Oxford University Press
ISBN: 0198034288
Category : Literary Criticism
Languages : en
Pages : 408
Get Book Here
Book Description
In the wake of the death of his friend Arthur Henry Hallam, the subject of In Memoriam, Alfred Tennyson wrote a range of intricately connected poems, many of which feature pivotal scenes of rapture, or being carried away. This book explores Tennyson's representation of rapture as a radical mechanism of transformation-theological, social, political, or personal-and as a figure for critical processes in his own poetics. The poet's fascination with transformation is figured formally in the genre he is credited with inventing, the dramatic monologue. Tennyson's Rapture investigates the poet's previously unrecognized intimacy with the theological movements in early Victorian Britain that are the acknowledged roots of contemporary Pentacostalism, with its belief in the oncoming Rapture, and its formative relation to his poetic innovation. Tennyson's work recurs persistently as well to classical instances of rapture, of mortals being borne away by immortals. Pearsall develops original readings of Tennyson's major classical poems through concentrated attention to his profound intellectual investments in advances in philological scholarship and archeological exploration, including pressing Victorian debates over whether Homer's raptured Troy was a verifiable site, or the province of the poet's imagination. Tennyson's attraction to processes of personal and social change is bound to his significant but generally overlooked Whig ideological commitments, which are illuminated by Hallam's political and philosophical writings, and a half-century of interaction with William Gladstone. Pearsall shows the comprehensive engagement of seemingly apolitical monologues with the rise of democracy over the course of Tennyson's long career. Offering a new approach to reading all Victorian dramatic monologues, this book argues against a critical tradition that sees speakers as unintentionally self-revealing and ignorant of the implications of their speech. Tennyson's Rapture probes the complex aims of these discursive performances, and shows how the ambitions of speakers for vital transformations in themselves and their circumstances are not only articulated in, but attained through, the medium of their monologues.
Author: Seamus Perry
Publisher: Northcote House Pub Limited
ISBN: 0746311079
Category : Literary Criticism
Languages : en
Pages : 209
Get Book Here
Book Description
W.H. Auden said of Tennyson that 'he had the finest ear, perhaps, of any English poet'. Many readers have relished his opulent word-music, but less simply admiring critics have sometimes regarded that marvellous verbal gift with something like suspicion - as though it were merely a matter of beautifully empty words, or worse, a distracting screen used to pass off disreputable Victorian values. In this study, Seamus Perry returns to the extraordinary language of Tennyson's verse, and finds in the intricacies of his greatest poetry, not an evasion of responsibilities, but rather the memorably intricate expression of hesitancies and honest doubts - including doubts, not least, about the charms and obligations of his own art. Covering the great range of the poet's long career, Perry describes the rich life of Tennyson's lyrical imagination, exploring in turn its complex and paradoxical fascinations with recurrence, progress, narrative, and loss.
Author: Laurence W. Mazzeno
Publisher: Camden House
ISBN: 9781571132628
Category : Literary Collections
Languages : en
Pages : 260
Get Book Here
Book Description
The poet's reputation has weathered even the most vitriolic attempts to discredit both the man and his writings; and as criticism of the late twentieth century demonstrates, Tennyson's claim to pre-eminence among the Victorians is now unchallenged."
Author: R. H. Winnick
Publisher: Open Book Publishers
ISBN: 1783746645
Category : Literary Criticism
Languages : en
Pages : 190
Get Book Here
Book Description
In Tennyson’s Poems: New Textual Parallels, R. H. Winnick identifies more than a thousand previously unknown instances in which Tennyson phrases of two or three to as many as several words are similar or identical to those occurring in prior works by other hands—discoveries aided by the proliferation of digitized texts and the related development of powerful search tools over the three decades since the most recent major edition of Tennyson’s poems was published. Each of these instances may be deemed an allusion (meant to be recognized as such and pointing, for definable purposes, to a particular antecedent text), an echo (conscious or not, deliberate or not, meant to be noticed or not, meaningful or not), or merely accidental. Unless accidental, Winnick writes, these new textual parallels significantly expand our knowledge both of Tennyson’s reading and of his thematic intentions and artistic technique. Coupled with the thousand-plus textual parallels previously reported by Christopher Ricks and other scholars, he says, they suggest that a fundamental and lifelong aspect of Tennyson’s art was his habit of echoing any work, ancient or modern, which had the potential to enhance the resonance or deepen the meaning of his poems. The new textual parallels Winnick has identified point most often to the King James Bible and to such canonical authors as Shakespeare, Milton, Dryden, Pope, Thomson, Cowper, Shelley, Byron, and Wordsworth. But they also point to many authors rarely if ever previously cited in Tennyson editions and studies, including Michael Drayton, Richard Blackmore, Isaac Watts, Erasmus Darwin, John Ogilvie, Anna Lætitia Barbauld, Letitia Elizabeth Landon, John Wilson, and—with surprising frequency—Felicia Hemans. Tennyson’s Poems: New Textual Parallels is thus a major new resource for Tennyson scholars and students, an indispensable adjunct to the 1987 edition of Tennyson’s complete poems edited by Christopher Ricks.
Author: John Batchelor
Publisher: Simon and Schuster
ISBN: 1639360824
Category : Biography & Autobiography
Languages : en
Pages : 709
Get Book Here
Book Description
Alfred Lord Tennyson, Queen Victoria's favorite poet, commanded a wider readership than any other of his time. His ascendancy was neither the triumph of pure genius nor an accident of history: he skillfully crafted his own career and his relationships with his audience. Fame and recognition came, lavishly and in abundance, but the hunger for more never left him. Resolving never to be anything except 'a poet', he wore his hair long, smoked incessantly, and sported a cloak and wide-brimmed Spanish hat.Tennyson ranged widely in his poetry, turning his interests in geology, evolution and Arthurian legend into verse, but much of his work relates to his personal life. The poet who wrote The Lady of Shalott and The Charge of the Light Brigade has become a permanent part of our culture. This enjoyable and thoughtful new biography shows him as a Romantic as well as a Victorian, exploring both the poems and the pressures of his era, and the personal relationships that made the man.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 534
Get Book Here
Book Description
Author: B. Ifor Evans
Publisher: Routledge
ISBN: 1351045016
Category : Literary Criticism
Languages : en
Pages : 144
Get Book Here
Book Description
First published in 1940. This title examines the tradition of Romantic literature, and the conception of poetry held by poets and critics throughout the centuries. Evans explores the writings of Chaucer, Shakespeare, Wordsworth and Coleridge, up until the modernist movement and the works of W. B. Yeats and T. S. Eliot. This title will be of interest to students of literature.
Author: Jeffrey C. Stewart
Publisher: Oxford University Press
ISBN: 019508957X
Category : Biography & Autobiography
Languages : en
Pages : 945
Get Book Here
Book Description
The definitive biography of Alain Locke, the first African American Rhodes Scholar and Harvard PhD in philosophy, Howard University philosophy scholar, and architect of the Harlem Renaissance, who mentored a generation of artists including Langston Hughes and Zora Neale Nurston and promoted the work of African Americans as the quintessential creators of American modernism. This biography explores his professional and private life, including his relationships with white patrons and his lifelong search for love as a gay man.
