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Author: Leela Prasad
Publisher: Cornell University Press
ISBN: 1501752286
Category : Performing Arts
Languages : en
Pages : 219
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Book Description
Can a subject be sovereign in a hegemony? Can creativity be reined in by forces of empire? Studying closely the oral narrations and writings of four Indian authors in colonial India, The Audacious Raconteur argues that even the most hegemonic circumstances cannot suppress "audacious raconteurs": skilled storytellers who fashion narrative spaces that allow themselves to remain sovereign and beyond subjugation. By drawing attention to the vigorous orality, maverick use of photography, literary ventriloquism, and bilingualism in the narratives of these raconteurs, Leela Prasad shows how the ideological bulwark of colonialism—formed by concepts of colonial modernity, history, science, and native knowledge—is dismantled. Audacious raconteurs wrest back meanings of religion, culture, and history that are closer to their lived understandings. The figure of the audacious raconteur does not only hover in an archive but suffuses everyday life. Underlying these ideas, Prasad's personal interactions with the narrators' descendants give weight to her innovative argument that the audacious raconteur is a necessary ethical and artistic figure in human experience. Thanks to generous funding from Duke University, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
Author: Leela Prasad
Publisher: Cornell University Press
ISBN: 1501752286
Category : Performing Arts
Languages : en
Pages : 219
Get Book Here
Book Description
Can a subject be sovereign in a hegemony? Can creativity be reined in by forces of empire? Studying closely the oral narrations and writings of four Indian authors in colonial India, The Audacious Raconteur argues that even the most hegemonic circumstances cannot suppress "audacious raconteurs": skilled storytellers who fashion narrative spaces that allow themselves to remain sovereign and beyond subjugation. By drawing attention to the vigorous orality, maverick use of photography, literary ventriloquism, and bilingualism in the narratives of these raconteurs, Leela Prasad shows how the ideological bulwark of colonialism—formed by concepts of colonial modernity, history, science, and native knowledge—is dismantled. Audacious raconteurs wrest back meanings of religion, culture, and history that are closer to their lived understandings. The figure of the audacious raconteur does not only hover in an archive but suffuses everyday life. Underlying these ideas, Prasad's personal interactions with the narrators' descendants give weight to her innovative argument that the audacious raconteur is a necessary ethical and artistic figure in human experience. Thanks to generous funding from Duke University, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
Author: Harish Damodaran
Publisher: Hachette India
ISBN: 9351952800
Category : Business & Economics
Languages : en
Pages : 464
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Book Description
It?s no secret that certain social groups have predominated India?s business and trading history, with business traditionally being the preserve of particular `Bania? communities. However, the past four or so decades have seen a widening of the social base of Indian capital, such that the social profile of Indian business has expanded beyond recognition, and entrepreneurship and commerce in India are no longer the exclusive bastion of the old mercantile castes. In this meticulously researched book ? acclaimed for being the first social history to document and understand India?s new entrepreneurial groups ? Harish Damodaran looks to answer who the new `wealth creators? are, as he traces the transitional entry of India?s middle and lower peasant castes into the business world. Combining analytical rigour with journalistic flair, India?s New Capitalists is an essential read for anyone seeking to understand the culture and evolution of business in contemporary South Asia.
Author: S. V. Srinivas
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
An interdisciplinary analysis of popular culture and the different ways in which our daily lives are mediated by the circulating power of film, this book studies South Indian cinema, particularly Telugu cinema: its economics, its on-screen manifestations, its consumption, and the Cinema Politics Association.
Author: D. P. Mishra
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 206
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Book Description
On the life sketches and contributions of Dadasaheb Phalke Awardees.
Author: R. G. Bhandarkar
Publisher:
ISBN: 9788120601208
Category :
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category : Andhra Pradesh (India)
Languages : en
Pages : 620
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Book Description
Author: Selvaraj Velayutham
Publisher: Routledge
ISBN: 042952076X
Category : Social Science
Languages : en
Pages : 212
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Book Description
Tamil Cinema in the Twenty-First Century explores the current state of Tamil cinema, one of India’s largest film industries. Since its inception a century ago, Tamil cinema has undergone major transformations, and today it stands as a foremost cultural institution that profoundly shapes Tamil culture and identity. This book investigates the structural, ideological, and societal cleavages that continue to be reproduced, new ideas, modes of representation and narratives that are being created, and the impact of new technologies on Tamil cinema. It advances a critical interdisciplinary approach that challenges the narratives of Tamil cinema to reveal the social forces at work.
Author: Charles Bradlaugh
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author: Mary Frere
Publisher:
ISBN:
Category : Fairy tales
Languages : en
Pages : 366
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Book Description
Author: Amitava Chatterjee
Publisher: Pearson Education India
ISBN: 9332537046
Category :
Languages : en
Pages : 577
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Book Description
History: UGC-NET/SET/JRF (Paper II and III) has been structured strictly in accordance with the prescribed syllabus of the University Grants Commission. The book is divided into three sections—ancient, medieval and modern Indian history. The chronologies of different dynasties of ancient and medieval Indian history have been incorporated along with a section on world concepts. Almost all probable Multiple-choice Questions (MCQs), which are indispensable for Paper II and Paper III in the NET/SET examination, have been included in this book.
