Technologies related to electronic music production PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Technologies related to electronic music production PDF full book. Access full book title Technologies related to electronic music production by Aaron Sequeira. Download full books in PDF and EPUB format.
Author: Aaron Sequeira
Publisher: Smart Audio IL Mexico SAS de CV
ISBN: 6075957375
Category : Music
Languages : en
Pages : 305
Get Book Here
Book Description
We will focus on the most outstanding technologies for modern electronic music production. Therefore, as in the previous book in which sections made the presentation of the instruments, this volume is made up of five of them for reasons of analytical practicality: 1. Audio recording and playback 2. Speakers 3. Communication protocols between electronic instruments 4. Modern electronic music production 5. DJing The first point will clarify how the ability to record sound in an analog mechanism was acquired just a moment ago if we compare that time with human existence. Therefore, since electronic music is intrinsically linked to the technique of sound recording and its playback, it is necessary to know about the technologies that have allowed this process since the 19th century. Subsequently, it will be explained what the speakers are and how their role and development in electronic music have been fundamental. As has already been elucidated throughout this series, it would be practically impossible for electronic music to exist without speakers. After that, we’ll see the two main protocols of communication between electronic instruments: MIDI and OSC, in addition to expressing my point of view about their transcendence because never, in the history of music in its entirety, the instruments had managed to sync through messages and time automation codes, under the master/ slave concept. Understanding the above, we will review all those technologies that facilitate modern electronic music production, such as a DAW, sound effects, sample manipulation, etc. Finally, we will explain the tools that the DJ uses to play, such as turntables, CD players, controllers, etc. Since each invention of these five points has its own story, I will limit myself to mentioning merely basic details so that the reader can investigate more for his account, topic by topic. As in the case of this series’ first and second volumes, the purpose is to establish a conceptual axis in which one can have a reference, not a detailed encyclopedia of each specific device.
Author: Aaron Sequeira
Publisher: Smart Audio IL Mexico SAS de CV
ISBN: 6075957375
Category : Music
Languages : en
Pages : 305
Get Book Here
Book Description
We will focus on the most outstanding technologies for modern electronic music production. Therefore, as in the previous book in which sections made the presentation of the instruments, this volume is made up of five of them for reasons of analytical practicality: 1. Audio recording and playback 2. Speakers 3. Communication protocols between electronic instruments 4. Modern electronic music production 5. DJing The first point will clarify how the ability to record sound in an analog mechanism was acquired just a moment ago if we compare that time with human existence. Therefore, since electronic music is intrinsically linked to the technique of sound recording and its playback, it is necessary to know about the technologies that have allowed this process since the 19th century. Subsequently, it will be explained what the speakers are and how their role and development in electronic music have been fundamental. As has already been elucidated throughout this series, it would be practically impossible for electronic music to exist without speakers. After that, we’ll see the two main protocols of communication between electronic instruments: MIDI and OSC, in addition to expressing my point of view about their transcendence because never, in the history of music in its entirety, the instruments had managed to sync through messages and time automation codes, under the master/ slave concept. Understanding the above, we will review all those technologies that facilitate modern electronic music production, such as a DAW, sound effects, sample manipulation, etc. Finally, we will explain the tools that the DJ uses to play, such as turntables, CD players, controllers, etc. Since each invention of these five points has its own story, I will limit myself to mentioning merely basic details so that the reader can investigate more for his account, topic by topic. As in the case of this series’ first and second volumes, the purpose is to establish a conceptual axis in which one can have a reference, not a detailed encyclopedia of each specific device.
Author: Aaron Sequeira
Publisher: Electronic Music & Djs
ISBN: 9786075984216
Category : Music
Languages : en
Pages : 0
Get Book Here
Book Description
We defined electronic music and its large branches in the two previous volumes, clarifying the difference between a DJ and a producer. We explained how electronic music is produced and the modern studio concept. Likewise, we addressed the historical development of the most relevant electronic instruments and briefly explained each. Now, in the third volume, we will focus on the most outstanding technologies for modern electronic music production. Therefore, as in the previous book in which sections made the presentation of the instruments, this volume is made up of five of them for reasons of analytical practicality: 1. Audio recording and playback 2. Speakers 3. Communication protocols between electronic instruments 4. Modern electronic music production 5. DJing The first point will clarify how the ability to record sound in an analog mechanism was acquired just a moment ago if we compare that time with human existence. Therefore, since electronic music is intrinsically linked to the technique of sound recording and its playback, it is necessary to know about the technologies that have allowed this process since the 19th century. Subsequently, it will be explained what the speakers are and how their role and development in electronic music have been fundamental. As has already been elucidated throughout this series, it would be practically impossible for electronic music to exist without speakers. After that, we'll see the two main protocols of communication between electronic instruments: MIDI and OSC, in addition to expressing my point of view about their transcendence because never, in the history of music in its entirety, the instruments had managed to sync through messages and time automation codes, under the master/ slave concept. Understanding the above, we will review all those technologies that facilitate modern electronic music production, such as a DAW, sound effects, sample manipulation, etc. Finally, we will explain the tools that the DJ uses to play, such as turntables, CD players, controllers, etc. Since each invention of these five points has its own story, I will limit myself to mentioning merely basic details so that the reader can investigate more for his account, topic by topic. As in the case of this series' first and second volumes, the purpose is to establish a conceptual axis in which one can have a reference, not a detailed encyclopedia of each specific device.
Author: Thomas Brett
Publisher: CRC Press
ISBN: 1000405427
Category : Computers
Languages : en
Pages : 291
Get Book Here
Book Description
The Creative Electronic Music Producer examines the creative processes of electronic music production, from idea discovery and perception to the power of improvising, editing, effects processing, and sound design. Featuring case studies from across the globe on musical systems and workflows used in the production process, this book highlights how to pursue creative breakthroughs through exploration, trial and error tinkering, recombination, and transformation. The Creative Electronic Music Producer maps production's enchanting pathways in a way that will fascinate and inspire students of electronic music production, professionals already working in the industry, and hobbyists.
Author: Nicolas Collins
Publisher: Taylor & Francis
ISBN: 0415996090
Category : Music
Languages : en
Pages : 340
Get Book Here
Book Description
No further information has been provided for this title.
Author: Thom Holmes
Publisher: Routledge
ISBN: 1317410238
Category : Music
Languages : en
Pages : 585
Get Book Here
Book Description
Electronic and Experimental Music: Technology, Music, and Culture provides a comprehensive history of electronic music, covering key composers, genres, and techniques used in analog and digital synthesis. This textbook has been extensively revised with the needs of students and instructors in mind. The reader-friendly style, logical organization, and pedagogical features of the fifth edition allow easy access to key ideas, milestones, and concepts. New to this edition: • A companion website, featuring key examples of electronic music, both historical and contemporary. • Listening Guides providing a moment-by-moment annotated exploration of key works of electronic music. • A new chapter—Contemporary Practices in Composing Electronic Music. • Updated presentation of classic electronic music in the United Kingdom, Italy, Latin America, and Asia, covering the history of electronic music globally. • An expanded discussion of early experiments with jazz and electronic music, and the roots of electronic rock. • Additional accounts of the vastly under-reported contributions of women composers in the field. • More photos, scores, and illustrations throughout. The companion website features a number of student and instructor resources, such as additional Listening Guides, links to streaming audio examples and online video resources, PowerPoint slides, and interactive quizzes.
Author: Russ Hepworth-Sawyer
Publisher: Routledge
ISBN: 1351016709
Category : Technology & Engineering
Languages : en
Pages : 544
Get Book Here
Book Description
Innovation in Music: Performance, Production, Technology and Business is an exciting collection comprising of cutting-edge articles on a range of topics, presented under the main themes of artistry, technology, production and industry. Each chapter is written by a leader in the field and contains insights and discoveries not yet shared. Innovation in Music covers new developments in standard practice of sound design, engineering and acoustics. It also reaches into areas of innovation, both in technology and business practice, even into cross-discipline areas. This book is the perfect companion for professionals and researchers alike with an interest in the Music industry. Chapter 31 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license. https://tandfbis.s3-us-west-2.amazonaws.com/rt-files/docs/Open+Access+Chapters/9781138498211_oachapter31.pdf
Author: Wendy Magee
Publisher: Jessica Kingsley Publishers
ISBN: 0857005707
Category : Psychology
Languages : en
Pages : 404
Get Book Here
Book Description
There is a rapidly emerging and developing area of music therapy practice that uses electronic music technologies in a range of therapeutic and clinical settings to help clients with complex needs. This edited volume explains cutting edge technologies and how to apply these tools in practice. With contributions from leading experts in the field, the book takes the reader through the equipment that is available including computer-based software; electronic devices which produce musical sounds with minimal movement or skill; assistive devices such as switches and sensors; and recording and listening equipment. Clinical case studies are then offered that show these technologies being used successfully with a broad range of child and adult populations, including those with visual impairments, autism spectrum disorders, medical needs, physical challenges, and mental health issues, and within a variety of settings, including a neonatal intensive care unit, schools, hospital environments, and palliative care settings. The final section looks toward the future and examines philosophical and theoretical perspectives on the use of technology and its relationship to aesthetics, gender and identity. This book will be a key resource for all music therapists, special needs educators, and professionals from the field of assistive technology, as well as allied health professionals such as occupational therapists and speech and language therapists.
Author: Miller Puckette
Publisher: World Scientific
ISBN: 9812700773
Category : Music
Languages : en
Pages : 346
Get Book Here
Book Description
Develops both the theory and the practice of synthesizing musical sounds using computers. This work contains chapters that starts with a theoretical description of one technique or problem area and ends with a series of working examples, covering a range of applications. It is also suitable for computer music researchers.
Author: Hans-Joachim Braun
Publisher: JHU Press
ISBN: 9780801868856
Category : Music
Languages : en
Pages : 268
Get Book Here
Book Description
Braun (Universitat der Bundeswehr) presents 13 contributions by scholars in two fields of history--musicology and technology. Topics include the role of Yamaha in Japan's musical development, the social construction of the synthesizer, the player piano as a precursor of computer music, the musical role of airplanes and locomotives, the origins of the 45-RPM record, violin vibrato and the phonograph, Jimi Hendrix, the aesthetic challenge of sound sampling, and others. Originally published in 2000 as I Sing the Body Electric: Music and Technology in the 20th Century. Annotation copyrighted by Book News, Inc., Portland, OR.
Author: Dennis DeSantis
Publisher:
ISBN: 9783981716504
Category :
Languages : en
Pages : 341
Get Book Here
Book Description
