Technique and Meaning in the Paintings of Paul Gauguin PDF Download
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Author: Vojtěch Jirat-Wasiutyński
Publisher: Cambridge : Cambridge University Press
ISBN: 9780521642903
Category : Art
Languages : en
Pages : 286
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Book Description
Reconstructing the artist's painting techniques, Jirat-Wasiutynski and Newton demonstrate that Gauguin's technical choices were meaningful.
Author: Vojtěch Jirat-Wasiutyński
Publisher: Cambridge : Cambridge University Press
ISBN: 9780521642903
Category : Art
Languages : en
Pages : 286
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Book Description
Reconstructing the artist's painting techniques, Jirat-Wasiutynski and Newton demonstrate that Gauguin's technical choices were meaningful.
Author: Debora Silverman
Publisher: Macmillan
ISBN: 9780374529321
Category : Art
Languages : en
Pages : 518
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Book Description
An original account of the tortuous and revealing relationship between two seminal figures of modern painting, Vincent van Gogh and Paul Gauguin.
Author: Henri Dorra
Publisher: Univ of California Press
ISBN: 0520241304
Category : Art
Languages : en
Pages : 370
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Book Description
"Modern Gauguin studies—complex interpretations of the works based on the identification of the artist's sources in ancient sacred art from around the world—began in the early 1950s with the pioneering research of Bernard Dorival and Henri Dorra. The Symbolism of Paul Gauguin: Erotica, Exotica, and the Great Dilemmas of Humanity, Dorra's ultimate meditation on the art of Gauguin, constitutes a milestone in the history of Post-Impressionism."—Charles Stuckey is an independent scholar and consultant
Author: Paul Gauguin
Publisher:
ISBN:
Category : Paintings, French
Languages : en
Pages : 184
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Book Description
Author: Gloria Lynn Groom
Publisher: Yale University Press
ISBN: 0300217013
Category : Art
Languages : en
Pages : 336
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Book Description
An unprecedented exploration of Gauguin's works in various media, from works on paper to clay and furniture Paul Gauguin (1848-1903) was a creative force above and beyond his legendary work as a painter. Surveying the full scope of his career-spanning experiments in different media and formats--clay, works on paper, wood, and paint, as well as furniture and decorative friezes--this volume delves into his enduring interest in craft and applied arts, reflecting on their significance to his creative process. Gauguin: Artist as Alchemist draws on extensive new research into the artist's working methods, presenting him as a consummate craftsman--one whose transmutations of the ordinary yielded new and remarkable forms. Beautifully designed and illustrated, this book includes essays by an international team of scholars who offer a rich analysis of Gauguin's oeuvre beyond painting. By embracing other art forms, which offered fewer dominant models to guide his work, Gauguin freed himself from the burden of artistic precedent. In turn, these groundbreaking creative forays, especially in ceramics, gave new direction to his paintings. The authors' insightful emphasis on craftsmanship deepens our understanding of Gauguin's considerable achievements as a painter, draftsman, sculptor, ceramist, and printmaker within the history of modern art.
Author: Paul Gauguin
Publisher: Yale University Press
ISBN: 0300089546
Category : Art
Languages : en
Pages : 196
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Book Description
Shortly before Gauguin made his first Tahitian journey in 1891, he spent nearly two years in the remote Breton fishing village of Le Pouldu. Seeking creative isolation in a "primitive" setting, he pursued his art accompanied by several followers. One of them was the Dutch painter Meyer de Haan, who was able to pay the living expenses in Le Pouldu and was also knowledgeable in literary and philosophical matters that fascinated Gauguin. Their association resulted in some of Gauguin's most remarkable works, including the Wadsworth Atheneum's symbolist portrait of de Haan inscribed "Nirvana." This and the rich variety of paintings and sculpture by Gauguin produced in 1889-90 are the focus of this beautiful book. Gauguin and de Haan settled into an inn at Le Pouldu run by an attractive unwed mother named Marie Henry, who began a liaison with de Haan despite the fact that he was a sickly hunchback. The intensity of relations between Gauguin and de Haan is reflected in many of the works, including frescoes, which they installed in the inn. Gauguin's time in Le Pouldu was crucial to the advancement of his art, and the vivid Breton subjects and personality of Meyer de Haan remained in his imagination to reappear even during his later Tahitian period. In this book several distinguished experts draw on previously unavailable sources to examine in depth the history of this period, Gauguin's relationship with de Haan, their interest in religion and exotic cultures, and the meaning of the many innovative symbolist works they produced.
Author: Thomas W. Gaehtgens
Publisher: Getty Publications
ISBN: 1606061135
Category : Antiques & Collectibles
Languages : en
Pages : 238
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Book Description
The Getty Research Journal showcases the remarkable original research underway at the Getty. Articles explore the rich collections of the J. Paul Getty Museum and Research Institute, as well as the Research Institute's research projects and annual theme of its scholar program. Shorter texts highlight new acquisitions and discoveries in the collections, and focus on the diverse tools for scholarship being developed at the Research Institute. This issue includes essays by Scott Allan, Adriano Amendola, Valérie Bajou, Alessia Frassani, Alden R. Gordon, Natilee Harren, Sigrid Hofer, Christopher R. Lakey, Vimalin Rujivacharakul, and David Saunders; the short texts examine a Nuremberg festival book, translations of a seventeenth-century rhyming inventory, the print innovations of Maria Sibylla Merian, Karl Schneider's Sears designs, Clement Greenberg's copy of T. S. Eliot's The Waste Land, the Marcia Tucker papers, a mail art project by William Pope.L, the L.A. Art Girls' reinvention of Allan Kaprow's Fluids, and Jennifer Bornstein's investigations into the archives of women performance artists.
Author: Belinda Thomson
Publisher: Thames & Hudson
ISBN: 0500775125
Category : Art
Languages : en
Pages : 345
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Book Description
This authoritative account of the life and work of Paul Gauguin, one of the most original artists of the late nineteenth century, is revised and updated with color illustrations throughout. Artist Paul Gauguin achieved a high public profile during his lifetime and was one of the first artists of his generation to achieve international recognition. But his prominence has always been tangled up with the dramatic and problematic events of his life—his self-imposed exile on a remote South Sea island and his turbulent relationships with his peers—as with the appeal of his art. In this revised and updated edition, art historian Belinda Thomson gives a comprehensive and accessible account of the life and work of one of the most complicated artists of the late nineteenth century. Gauguin’s painting, sculpture, prints, and ceramics are discussed in the light of his public persona, his relations with his contemporaries, his exhibitions, and their critical reception. His private world, beliefs, and aspirations emerge through his extensive cache of journals, letters, and other writings. Fully illustrated in color, and drawing on the new, more global conversation surrounding the artist, Gauguin is the definitive volume on this controversial and often contradictory figure.
Author: Paul Gauguin
Publisher: Museum of Modern Art
ISBN: 9780870709050
Category : Art
Languages : en
Pages : 247
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Book Description
Gauguin: Metamorphoses explores the remarkable relationship between Paul Gauguin's rare and extraordinary prints and transfer drawings, and his better-known paintings and sculptures in wood and ceramic. Created in several discrete bursts of activity from 1889 until his death in 1903, these remarkable works on paper reflect Gauguin's experiments with a range of media, from radically "primitive" woodcuts that extend from the sculptural gouging of his carved wood reliefs, to jewel-like watercolor monotypes and large mysterious transfer drawings. Gauguin's creative process often involved repeating and recombining key motifs from one image to another, allowing them to metamorphose over time and across mediums. Printmaking in particular provided him with many new and fertile possibilities for transposing his imagery. Though Gauguin is best known as a pioneer of modernist painting, this publication reveals a lesser-known but arguably even more innovative aspect of his practice. Richly illustrated with more than 200 works, Gauguin: Metamorphoses explores the artist's radically experimental approach to techniques and demonstrates how his engagement with media other than painting--including sculpture, printmaking and drawing--ignited his creativity. Painter, printmaker, sculptor and ceramicist, Paul Gauguin (1848-1903) left his job as a stockbroker in Paris for a peripatetic life traveling to Martinique, Brittany, Arles, Tahiti and, finally, the Marquesas Islands. After exhibiting with the Impressionists in Paris and acting as a leading voice in the Pont-Aven group, Gauguin's efforts to achieve a "primitive" expression proved highly influential for the next generation of artists.
Author: Norma Broude
Publisher: Bloomsbury Publishing USA
ISBN: 1501325175
Category : Art
Languages : en
Pages : 337
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Book Description
Several decades have now passed since postcolonial and feminist critiques presented the art-historical world with a demythologized Paul Gauguin (1848-1903), a much-diminished image of the artist/hero who had once been universally admired as “the father of modernist primitivism.” In this volume, both long-established and more recent Gauguin scholars offer a provocative picture of the evolution of Gauguin scholarship in the recent postmodern era, as they confront and consider how the dismantling of the longstanding Gauguin myth positions us now in the 21st century to deal with and assess the life, work, and legacy of this still perennially popular artist. To reassess the challenges that Gauguin faced in his own day as well as those that he continues to present to current and future scholarship, they explore the multiple contexts that influenced Gauguin's thought and behavior as well as his art and incorporate a variety of interdisciplinary approaches, from anthropology, philosophy, and the history of science to gender studies and the study of Pacific cultural history. Dealing with a wide range of Gauguin's production, they challenge conventional art-historical thinking, highlight transnational perspectives, and offer clues to the direction of future scholarship, as audiences worldwide seek to make multicultural peace with Gauguin and his art. Broude has raised the bar of Gauguin scholarship ever higher in this groundbreaking volume, which will be necessary reading for students and scholars of art history, late 19th-century French and Pacific culture, gender studies, and beyond.
