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Author: Associate Professor of Philosophy Karen Bennett
Publisher: Createspace Independent Publishing Platform
ISBN: 9781974229925
Category : Classroom environment
Languages : en
Pages : 0
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Book Description
"Teaching the Art of Filmmaking" is written by a classroom teacher and intended to give educators a detailed look at building a high functioning film program from scratch with little to no resources. In conversations with colleagues teaching filmmaking around the world, the same questions seem to consistently come up: How do you teach film students to write consistently successful short screenplays? How do you plan for a class film shoot during the busy school day? How do you foster a collaborative and supportive environment with your film students? How do you manage equipment and technology in the classroom? As filmmaking tools become more and more accessible, students become ready to explore this art form at an earlier age. This book is dedicated to teaching the youngest generation of filmmakers.
Author: Associate Professor of Philosophy Karen Bennett
Publisher: Createspace Independent Publishing Platform
ISBN: 9781974229925
Category : Classroom environment
Languages : en
Pages : 0
Get Book Here
Book Description
"Teaching the Art of Filmmaking" is written by a classroom teacher and intended to give educators a detailed look at building a high functioning film program from scratch with little to no resources. In conversations with colleagues teaching filmmaking around the world, the same questions seem to consistently come up: How do you teach film students to write consistently successful short screenplays? How do you plan for a class film shoot during the busy school day? How do you foster a collaborative and supportive environment with your film students? How do you manage equipment and technology in the classroom? As filmmaking tools become more and more accessible, students become ready to explore this art form at an earlier age. This book is dedicated to teaching the youngest generation of filmmakers.
Author: James D. Rauch
Publisher: Trafford Publishing
ISBN: 1426927843
Category : Performing Arts
Languages : en
Pages : 231
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Book Description
This book will teach you how to make a movie that won't break your bank account. Not only will it teach you how to make a movie for little or no money, but will teach you to potentially make a "box office hit" that won't require your first born, and two kidneys to do so. This book will take you through the whole process of filmmaking from Pre-Production, Production, and Post-Production. You'll learn all the key elements in which are forgotten that always cost more money in the long run then originally planned. If you are a first time filmmaker, seasoned professional, or just someone with a dream to make a movie one day, then this book will change your life.
Author: Marian H. Oken
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
Author: Gillian McIver
Publisher: Bloomsbury Publishing
ISBN: 1474246206
Category : Art
Languages : en
Pages : 647
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Book Description
Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.
Author: Peter Markham
Publisher: Routledge
ISBN: 1000173895
Category : Performing Arts
Languages : en
Pages : 285
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Book Description
A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director’s craft. Drawing on seventeen years of teaching filmmaking at a graduate level and on his prior career as a director and in production at the BBC, Markham shows how the filmmaker can apply rigorous analysis of the elements of dramatic narrative in a screenplay to their creative vision, whether of a short or feature, TV episode or season. Combining examination of such fundamental topics as story, premise, theme, genre, world and setting, tone, structure, and key images with the introduction of less familiar concepts such as cultural, social, and moral canvas, narrative point of view, and the journey of the audience, What’s The Story? The Director Meets Their Screenplay applies the insights of each chapter to a case study—the screenplay of the short film Contrapelo, nominated for the Jury Award at Tribeca in 2014. This book is an essential resource for any aspiring director who wants to understand exactly how to approach a screenplay in order to get the very best from it, and an invaluable resource for any filmmaker who wants to understand the important creative interplay between the director and screenplay in bringing a story to life.
Author: Kelly Schwarze
Publisher:
ISBN: 9780578809335
Category :
Languages : en
Pages :
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Book Description
Filmmaking is more than just picking up a camera or phone and shooting video. The true art of filmmaking is about understanding the process of telling a story through a visual form. Filmmaking for Kids is a step-by-step activity book to help parents introduce their children to the art of filmmaking and movie creation. This book offers steps on creating fun characters, developing a cool story and how to properly film and edit their video. The text also includes educational tips to help parents and teachers explain each part of the process, so children can comprehend.
Author: William Mims
Publisher: Createspace Independent Publishing Platform
ISBN: 9781456535520
Category : Cinematography
Languages : en
Pages : 0
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Book Description
Advanced Film and Video Production is a practical approach to the art of filmmaking from beginning to final release print or video master. The text begins with simple productions designed to teach you the basics while establishing professional production standards and moving on to more complicated projects. From writing your first script to final edited master, the topics include camera techniques, working with actors, professional lighting, recording and mixing sound, editing, professional directing, blocking a scene with actors and crew, conducting yourself in a professional film environment. Areas discussed include Producing commercials in a local market, making a music video, documentaries, professional script writing of dramatic stories, handling clients, promotional videos, advanced editing techniques including cutting on the beat and the rhythm of editing. The 300 page textbook of 30 chapters is suited for both senior high school and college level curriculum. Each chapter ends with class assignments designed to give each student a hands on experience. This textbook is now available for anyone to purchase so that if you do not have the benefit of attending a college or high school course, you now can follow this text to teach yourself the art of filmmaking. Because the author worked on countless 'Hollywood' productions with some of the biggest names in the business, it is stressed throughout the next the importance of conducing one's self as a professional so that when you work on a 'real' Hollywood movie you will be ready to do your job and be considered a peer.
Author: Michael Anderson
Publisher: Routledge
ISBN: 1000247783
Category : Education
Languages : en
Pages : 187
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Book Description
Digital video and film technologies are transforming classrooms across the world. Teaching the Screen looks beyond the buttons and knobs to explore ways of teaching video and film effectively in secondary classrooms. More and more young people have access to low-cost filming and editing technologies - mobile phones, computers, portable digital - which is changing the experience of digital storytelling. Approaches to classroom teaching and learning need to change too. The authors offer a new pedagogy of film storytelling that draws on research from effective classroom film learning practice. They contextualise screen learning within different educational settings, discuss how teachers can highlight aesthetics in film appreciation and filmmaking, and explore the impact of different technologies. Teaching the Screen is essential reading for educators who want to create engaging learning and teaching activities with screen technologies in secondary English and other subject areas. 'A well balanced and comprehensive account of the issues in filmmaking likely to be encountered by English teachers. It lifts engagement beyond the usual procedural knowledge level, to one of active critique.' - Sue Brindley, University of Cambridge 'This book has bridged the theoretical and practical without compromising either. It offers a thorough systematic account of theoretical issues and practical techniques in teaching film appreciation and filmmaking.' - Associate Professor George Belliveau, University of British Columbia
Author: Jed Dannenbaum
Publisher: Simon and Schuster
ISBN: 1451603606
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Pe?a, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense).
Author: Peter P. Schillaci
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 358
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Book Description
