Author: William Scott
Publisher: Merrell
ISBN:
Category : Art
Languages : en
Pages : 134
Book Description
William Scott has emerged as one of the greatest British artists of the 1950s and 1960s. Exhibiting in New York from 1954 he forged significant links with American Expressionists such as Pollock, Rothko and de Kooning. His work shows the extraordinary ability to straddle the dilemma between figuration and abstraction and this book is a superb presentation of the artists still lifes, landscapes, figure studies and works tending towards total abstraction. Includes essays, biographical details, artist's statements and contemporary reviews.
William Scott
Author: William Scott
Publisher: Merrell
ISBN:
Category : Art
Languages : en
Pages : 134
Book Description
William Scott has emerged as one of the greatest British artists of the 1950s and 1960s. Exhibiting in New York from 1954 he forged significant links with American Expressionists such as Pollock, Rothko and de Kooning. His work shows the extraordinary ability to straddle the dilemma between figuration and abstraction and this book is a superb presentation of the artists still lifes, landscapes, figure studies and works tending towards total abstraction. Includes essays, biographical details, artist's statements and contemporary reviews.
Publisher: Merrell
ISBN:
Category : Art
Languages : en
Pages : 134
Book Description
William Scott has emerged as one of the greatest British artists of the 1950s and 1960s. Exhibiting in New York from 1954 he forged significant links with American Expressionists such as Pollock, Rothko and de Kooning. His work shows the extraordinary ability to straddle the dilemma between figuration and abstraction and this book is a superb presentation of the artists still lifes, landscapes, figure studies and works tending towards total abstraction. Includes essays, biographical details, artist's statements and contemporary reviews.
Tate British Artists: William Scott
Author: Sarah Whitfield
Publisher: Tate
ISBN: 9781849760829
Category : Art
Languages : en
Pages : 0
Book Description
This book is a comprehensive introduction to the life and work of the important British abstract painter William Scott (1913-1989). After studying at Belfast College of Art and the Royal Academy of Arts in London, Scott began his painting career in 1946 while teaching at Bath Academy of Art, concentrating on still lifes of household objects. By 1951, the forms had begun to take on a life of their own, sometimes as metaphors of erotic encounters between male and female. Moving back and forth between abstract and representational styles, Scott gained international renown and has been the subject of exhibitions around the world, including a major retrospective at Tate in 1972.
Publisher: Tate
ISBN: 9781849760829
Category : Art
Languages : en
Pages : 0
Book Description
This book is a comprehensive introduction to the life and work of the important British abstract painter William Scott (1913-1989). After studying at Belfast College of Art and the Royal Academy of Arts in London, Scott began his painting career in 1946 while teaching at Bath Academy of Art, concentrating on still lifes of household objects. By 1951, the forms had begun to take on a life of their own, sometimes as metaphors of erotic encounters between male and female. Moving back and forth between abstract and representational styles, Scott gained international renown and has been the subject of exhibitions around the world, including a major retrospective at Tate in 1972.
Queer British Art
Author: Clare Barlow
Publisher: Tate Publishing
ISBN: 9781849764520
Category :
Languages : en
Pages : 192
Book Description
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).
Publisher: Tate Publishing
ISBN: 9781849764520
Category :
Languages : en
Pages : 192
Book Description
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).
Nat Tate
Author: William Boyd
Publisher: Bloomsbury Publishing USA
ISBN: 1608197263
Category : Biography & Autobiography
Languages : en
Pages : 74
Book Description
When William Boyd published his biography of New York modern artist Nat Tate, a huge reception of critics and artists arrived for the launch party, hosted by David Bowie, to toast the late artist's life. Little did they know that the painter Nat Tate, a depressive genius who burned almost all his output before his suicide, never existed. The book was a hoax, and the art world had fallen for it. Nat Tate is a work of art unto itself-an investigation of the blurry line between the invented and the authentic, and a thoughtful tour through the spirited and occasionally ludicrous American art scene of the 1950s. William Boyd is the author of nine novels, including A Good Man in Africa, winner of the Whitbread Award and the Somerset Maugham Award; An Ice-Cream War, winner of the John Llewellyn Rhys Memorial Prize and shortlisted for the Booker Prize; Brazzaville Beach, winner of the James Tait Black Memorial Prize; and Restless, winner of the Costa Novel of the Year Award. Praise for Nat Tate: "William Boyd's description of Tate's working procedure is so vivid that it convinces me that the small oil I picked up on Prince Street, New York, in the late '60s must indeed be one of the lost Third Panel Triptychs. The great sadness of this quiet and moving monograph is that the artist's most profound dread-that God will make you an artist but only a mediocre artist-did not in retrospect apply to Nat Tate."-David Bowie "A moving account of an artist too well understood by his time."-Gore Vidal
Publisher: Bloomsbury Publishing USA
ISBN: 1608197263
Category : Biography & Autobiography
Languages : en
Pages : 74
Book Description
When William Boyd published his biography of New York modern artist Nat Tate, a huge reception of critics and artists arrived for the launch party, hosted by David Bowie, to toast the late artist's life. Little did they know that the painter Nat Tate, a depressive genius who burned almost all his output before his suicide, never existed. The book was a hoax, and the art world had fallen for it. Nat Tate is a work of art unto itself-an investigation of the blurry line between the invented and the authentic, and a thoughtful tour through the spirited and occasionally ludicrous American art scene of the 1950s. William Boyd is the author of nine novels, including A Good Man in Africa, winner of the Whitbread Award and the Somerset Maugham Award; An Ice-Cream War, winner of the John Llewellyn Rhys Memorial Prize and shortlisted for the Booker Prize; Brazzaville Beach, winner of the James Tait Black Memorial Prize; and Restless, winner of the Costa Novel of the Year Award. Praise for Nat Tate: "William Boyd's description of Tate's working procedure is so vivid that it convinces me that the small oil I picked up on Prince Street, New York, in the late '60s must indeed be one of the lost Third Panel Triptychs. The great sadness of this quiet and moving monograph is that the artist's most profound dread-that God will make you an artist but only a mediocre artist-did not in retrospect apply to Nat Tate."-David Bowie "A moving account of an artist too well understood by his time."-Gore Vidal
Conversations with Turner: The Watercolors
Author: Alexander Nemerov
Publisher: Skira Editore
ISBN: 9788857240916
Category : Art
Languages : en
Pages : 208
Book Description
Turner's daringly loose brushwork and dazzling colors shine in his watercolors J.M.W. Turner, one of Britain's greatest painters, is perhaps known best for his oil paintings. But he was a lifelong watercolorist, and he fundamentally reshaped what would be understood as possible within the medium, both during his lifetime and after. Edited in partnership with Tate Britain, where the majority of the artist's works are conserved, Conversations with Turner: The Watercolorsis published on the occasion of a major exhibition spanning the entirety of Turner's career. Divided into six thematic sections, it focuses on the critical role played by watercolors in defining Turner's personal style. The book brings together texts by prominent scholars of Turner's art, including the art historians and curators Tim Barringer, Alexander Nemerov, Oliver Meslay and Susan Grace Galassi. Comprised of 100 works (all of which are reproduced in this volume), the exhibition was selected from upward of 30,000 works on paper, 300 oil paintings, and 280 sketchbooks donated after the artist's death in 1851, as part of the collection known as the "Turner Bequest." Turner's innovations in watercolor are illustrated in this book through an emphasis on landscapes and seascapes, many of which were painted during Turner's long stays abroad in continental Europe and beyond. The works showcase the development of Turner's stylistic language, focused on experimentation with the expressive potential of light and color, which anticipated trends in late-19th-century painting. J.M.W. Turner(1775-1851) was a controversial figure throughout his career, despite being championed by Ruskin and having played a key role in the elevation of pure landscape painting as a genre, which he took to unprecedented levels of abstraction. He traveled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year, and later making many visits to Venice.
Publisher: Skira Editore
ISBN: 9788857240916
Category : Art
Languages : en
Pages : 208
Book Description
Turner's daringly loose brushwork and dazzling colors shine in his watercolors J.M.W. Turner, one of Britain's greatest painters, is perhaps known best for his oil paintings. But he was a lifelong watercolorist, and he fundamentally reshaped what would be understood as possible within the medium, both during his lifetime and after. Edited in partnership with Tate Britain, where the majority of the artist's works are conserved, Conversations with Turner: The Watercolorsis published on the occasion of a major exhibition spanning the entirety of Turner's career. Divided into six thematic sections, it focuses on the critical role played by watercolors in defining Turner's personal style. The book brings together texts by prominent scholars of Turner's art, including the art historians and curators Tim Barringer, Alexander Nemerov, Oliver Meslay and Susan Grace Galassi. Comprised of 100 works (all of which are reproduced in this volume), the exhibition was selected from upward of 30,000 works on paper, 300 oil paintings, and 280 sketchbooks donated after the artist's death in 1851, as part of the collection known as the "Turner Bequest." Turner's innovations in watercolor are illustrated in this book through an emphasis on landscapes and seascapes, many of which were painted during Turner's long stays abroad in continental Europe and beyond. The works showcase the development of Turner's stylistic language, focused on experimentation with the expressive potential of light and color, which anticipated trends in late-19th-century painting. J.M.W. Turner(1775-1851) was a controversial figure throughout his career, despite being championed by Ruskin and having played a key role in the elevation of pure landscape painting as a genre, which he took to unprecedented levels of abstraction. He traveled widely in Europe, starting with France and Switzerland in 1802 and studying in the Louvre in Paris in the same year, and later making many visits to Venice.
Grayson Perry: The Vanity of Small Differences
Author: Perry Grayson
Publisher:
ISBN: 9780863557606
Category :
Languages : en
Pages : 14
Book Description
Publisher:
ISBN: 9780863557606
Category :
Languages : en
Pages : 14
Book Description
The Royal Portrait
Author: Jennifer Anne Scott
Publisher: Royal Collection Trust
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
Anglophiles and students of portraiture will find that The Royal Portrait fills a surprising void in the literature, as Scott (Royal Collection) presents for the first time a survey of British portraits housed in the various venues of the Royal Collection. The broad scope ranges from Richard II (the first British king portrayed) to Queen Elizabeth II; the latter monarch, along with Queen Victoria, is the subject of an independent chapter, while other chapters focus on images of royals from a particular dynastic house, such as the Stuart and the Hanoverian. Through an interesting selection of diverse media and formats employed in different periods, Scott explores the central question of "what constitutes a royal portrait?" The answers are multifaceted and contingent on such factors as patronage, function, royal control, and artistic intention; nevertheless symbolic visual conventions can still be traced in the representations of British monarchs over the centuries. This is a clearly written, well-illustrated survey; for more in-depth analyses of particular works one will need to turn to specialized sources, e.g., D. Howarth's Images of Rule (1997). Summing Up: Highly recommended. Lower-division undergraduates through researchers/faculty; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by J. K. Dabbs.
Publisher: Royal Collection Trust
ISBN:
Category : Art
Languages : en
Pages : 208
Book Description
Anglophiles and students of portraiture will find that The Royal Portrait fills a surprising void in the literature, as Scott (Royal Collection) presents for the first time a survey of British portraits housed in the various venues of the Royal Collection. The broad scope ranges from Richard II (the first British king portrayed) to Queen Elizabeth II; the latter monarch, along with Queen Victoria, is the subject of an independent chapter, while other chapters focus on images of royals from a particular dynastic house, such as the Stuart and the Hanoverian. Through an interesting selection of diverse media and formats employed in different periods, Scott explores the central question of "what constitutes a royal portrait?" The answers are multifaceted and contingent on such factors as patronage, function, royal control, and artistic intention; nevertheless symbolic visual conventions can still be traced in the representations of British monarchs over the centuries. This is a clearly written, well-illustrated survey; for more in-depth analyses of particular works one will need to turn to specialized sources, e.g., D. Howarth's Images of Rule (1997). Summing Up: Highly recommended. Lower-division undergraduates through researchers/faculty; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by J. K. Dabbs.
Rossetti and His Circle
Author: Sir Max Beerbohm
Publisher: London : W. Heinemann
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 9
Book Description
Publisher: London : W. Heinemann
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 9
Book Description
Ben Nicholson
Author: DR LEE. STEPHENS BEARD (CHRIS. KHOROCHE, PETER.)
Publisher:
ISBN: 9781901192568
Category :
Languages : en
Pages : 88
Book Description
Publisher:
ISBN: 9781901192568
Category :
Languages : en
Pages : 88
Book Description
It Jes' Happened
Author: Don Tate
Publisher:
ISBN: 9781600602603
Category : Juvenile Nonfiction
Languages : en
Pages : 32
Book Description
"A biography of twentieth-century African American folk artist Bill Traylor, a former slave who at the age of eighty-five began to draw pictures based on his memories and observations of rural and urban life in Alabama. Includes an afterword, author's note, and sources"--Provided by publisher.
Publisher:
ISBN: 9781600602603
Category : Juvenile Nonfiction
Languages : en
Pages : 32
Book Description
"A biography of twentieth-century African American folk artist Bill Traylor, a former slave who at the age of eighty-five began to draw pictures based on his memories and observations of rural and urban life in Alabama. Includes an afterword, author's note, and sources"--Provided by publisher.