J. M. W. Turner PDF Download
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Author: Sam Smiles
Publisher: Manchester University Press
ISBN: 9780719077081
Category : Art
Languages : en
Pages : 242
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Book Description
Examines the posthumous reception of Turner's work.
Author: Sam Smiles
Publisher: Manchester University Press
ISBN: 9780719077081
Category : Art
Languages : en
Pages : 242
Get Book Here
Book Description
Examines the posthumous reception of Turner's work.
Author: Richard Humphreys
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
Wyndham Lewis (1882-1957), the self-styled 'Enemy', was arguably the most significant British artist-writer of the twentieth century. As well as creating a unique oeuvre of paintings and drawings, he wrote short stories, novels, essays and books on philosophy, literature, politics and cultural criticism. A draughtsman of exceptional skill and verve, he also pioneered cutting-edge modernism in Britain before the First World War, leading the Vorticist movement and editing its typographically startling journal Blast. Lewis, along wth figures including and sculptor Gaudier-Brzeska and poet Ezra Pound, turned London into an international 'vortex' of creative activity. His cultural revolution was brought to a halt by the First World War, in which he served as an artillery officer and as a major official war artist.
Author: Robin Spencer
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
Contrary to the myth which divorces modernist painting from literature, this new interpretation of Whistler shows that his art was profoundly influenced by it. The book also examines the nature of Whistler's modernity, his relationship with English and French painting, and throws new light on the famous libel trial with Ruskin. Forms part of Tate Publishing's British Artists series.
Author: Rianna Jade Parker
Publisher: Tate Publishing
ISBN: 9781849767569
Category : Art
Languages : en
Pages : 160
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Book Description
Black artists of African and Caribbean descent and major contributions to the British art scene Black artists have been making major contributions to the global art scene since at least the middle of the 20th century. While some of these artists of African and Caribbean descent have been embraced at times by the art world, they have mostly been neglected or have not received the recognition they deserve. Taking its starting point as the Windrush-era Caribbean Artists Movement, and considering and contextualizing the political, cultural, and artistic climate from which it emerged, this concise introduction showcases the work of 70 Black-British artists from the 1930s to the present. Artwork in a range of media offer a lens through which to understand some of the events and issues confronted and explored, shedding light on the Black-British experience. Constructed around contemporary ideas on race, national identity, citizenship, gender, sexuality, and aesthetics in Britain, this book interrogates themes at the heart of Black-British art, revealing art in dialogue with a complex past and present. Featuring some of the most prominent and influential Black-British artists of recent decades, as well as less well-known artists, it also includes work from a new generation of artists on the cutting edge of contemporary art. At a time when visibility within the art world has taken on a renewed urgency, this is a timely and accessible introduction celebrating Black-British artists and their outstanding contribution to art history.
Author: Alicia Foster
Publisher: Tate
ISBN: 9781849762748
Category : Art
Languages : en
Pages : 0
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Book Description
Gwen John (1876-1939) was an artist with a singular vision, one whose intense gaze produced some of the most beguiling and atmospheric paintings of the late 19th and early 20th centuries. This concise survey of her life and work places John--often unfairly thought of as a recluse--at the artistic heart of London and Paris. A seminal figure within these circles, her work is reappraised in that context and explored in terms of the alliances and differences John had with her contemporaries. Gwen John's representation of the female nude, her paintings of interiors, and the effect of her Catholic faith on her work are all discussed. The author also discusses the key relationship between John's position as a woman artist and her lifelong fascination with the portrayal of the female sitter.
Author: Tate Gallery
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 832
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Book Description
Author: Clare Barlow
Publisher: Tate Publishing
ISBN: 9781849764520
Category :
Languages : en
Pages : 192
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Book Description
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).
Author: Christine Riding
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
Christine Riding analyzes Millais' artistic career, his critics and his audience, exploring the broader issues which preoccupied Victorian Britain on the subject of art itself.
Author: Andrew Brighton
Publisher: British Artists Series
ISBN: 9781849760416
Category : Figurative expressionism
Languages : en
Pages : 0
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Book Description
*When Three Studies for Figures at the Base of a Crucufixion was exhibited in 1945 Francis Bacon (1909 - 1992) instantly became the most controversial painter in the country. By the end of his life his status as one of the giants of modern art was established, as was his reputation for hard drinking and heavy gambling. Andrew Brighton casts fresh light on Bacon's formation as an artist in gay and aristocratic bohemian London circles. He locates Bacon at the core of contesting ideas and values, while firmly grounding his reading of Bacon's work in an understanding of his working methods and technique. Penetrating the seeming horror of Bacon's painting this book reveals the ideas, the beliefs and the life that formed one of the most successful artists of the twentieth century.
Author: Monique Kerman
Publisher: Springer
ISBN: 3319651994
Category : Art
Languages : en
Pages : 262
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Book Description
This book explores the notable roles that contemporary British artists of African descent have played in the multicultural context of postwar Britain. In four key case studies— Magdalene Odundo, Veronica Ryan, Mary Evans, and Maria Amidu—Monique Kerman charts their impact through analysis of works, activities, and exhibitions. The author elucidates each of the artists’ creative response to their unique experience and examines how their work engages with issues of history, identity, diaspora, and the distillation of diverse cultural sources. The study also includes a comparative discussion of art broadly defined as “black British,” in order to question assumptions concerning racial and ethnic identities that the artists often negotiate through their works—particularly the expectation or “burden” of representing minority or marginalized communities. Readers are thus challenged to unburden the artists herein and celebrate their work on its own terms.
