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Author: William R. Lipman
Publisher:
ISBN:
Category :
Languages : en
Pages : 262
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Book Description
Author: William R. Lipman
Publisher:
ISBN:
Category :
Languages : en
Pages : 262
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : de
Pages :
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Book Description
Author: Farah Sepanlou
Publisher: Independently Published
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
In "Tarzan Goes to New York to Save Hid Friend" readers are whisked away from the familiar wilds of Africa to the concrete jungle of New York City, following the iconic character Tarzan on an unexpected adventure. The story kicks off with Tarzan's urgent quest to rescue a dear friend who has been kidnapped and taken to the bustling metropolis. This mission thrusts him into an alien world of towering skyscrapers, endless noise, and a maze of streets that challenge his instincts honed in the natural jungles.
Author: Roy Thomas
Publisher: Dark Horse Comics
ISBN: 1506718078
Category : Comics & Graphic Novels
Languages : en
Pages : 112
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Book Description
Previously available only to subscribers of the Edgar Rice Burroughs' website, Tarzan: The New Adventures is at last available in print. This incarnation of the Jungle Lord is presented in Sunday newspaper landscape format, with all-new stories penned by comics legend Roy Thomas (Conan the Barbarian, Avengers, X-Men) with stunning illustration by Thomas Grindberg, whose work stands alongside classic Tarzan illustrators such as Hal Foster, J. Allen St. John, and Frank Frazetta. No Tarzan comics collection is complete without Tarzan: The New Adventures.
Author: John Taliaferro
Publisher: Simon and Schuster
ISBN: 0743236505
Category : Biography & Autobiography
Languages : en
Pages : 408
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Book Description
A biography that takes a penetrating look at Edgar Rice Burroughs, the writer who invented the superhero of the century--Tarzan--whose adventures continue to enthrall audiences. of photos.
Author: Gyan Prakash
Publisher: Princeton University Press
ISBN: 1400839300
Category : Political Science
Languages : en
Pages : 469
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Book Description
By United Nations estimates, 60 percent of the world's population will be urban by 2030. With the increasing speed of urbanization, especially in the developing world, scholars are now rethinking standard concepts and histories of modern cities. The Spaces of the Modern City historicizes the contemporary discussion of urbanism, highlighting the local and global breadth of the city landscape. This interdisciplinary collection examines how the city develops in the interactions of space and imagination. The essays focus on issues such as street design in Vienna, the motion picture industry in Los Angeles, architecture in Marseilles and Algiers, and the kaleidoscopic paradox of post-apartheid Johannesburg. They explore the nature of spatial politics, examining the disparate worlds of eighteenth-century Baghdad, nineteenth-century Morelia, Cold War-era West Berlin, and postwar Los Angeles. They also show the meaning of everyday spaces to urban life, illuminating issues such as crime in metropolitan London, youth culture in Dakar, "memory projects" in Tokyo, and Bombay cinema. Informed by a range of theoretical writings, this collection offers a fresh and truly global perspective on the nature of the modern city. The contributors are Sheila Crane, Belinda Davis, Mamadou Diouf, Philip J. Ethington, David Frisby, Christina M. Jiménez, Dina Rizk Khoury, Ranjani Mazumdar, Frank Mort, Martin Murray, Jordan Sand, and Sarah Schrank.
Author: Jeffrey Richards
Publisher: Manchester University Press
ISBN: 1526141248
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Cinema and radio in Britain and America, 1920-60 charts the evolving relationship between the two principal mass media of the period. It explores the creative symbiosis that developed between the two, including regular film versions of popular radio series as well as radio versions of hit films. This fascinating volume examines specific genres (comedy and detective stories) to identify similarities and differences in their media appearances, and in particular issues arising from the nature of film as predominantly visual and radio as exclusively aural. Richards also highlights the interchange of personnel, such as Orson Welles, between the two media. Throughout the book runs the theme of comparison and contrast between the experiences of the two media in Britain and America. The book culminates with an in-depth analysis of the media appearances of three enduring mythic figures in popular culture: Sherlock Holmes, Tarzan and The Scarlet Pimpernel. Students, scholars and lay enthusiasts of cinema history, cultural history and media studies will find this an accessible yet scholarly read.
Author: Johnny Weissmuller
Publisher: ECW Press
ISBN: 1554905354
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
The son of the Olympic swimmer who became a Hollywood star reveals the real story of his famous father’s life. Johnny Weissmuller’s name has become synonymous with Tarzan—the role he played in the 1930s and ’40s to the delight of millions. Many don’t know that he also earned five Olympic gold medals for swimming before his renowned acting career—or that he had five marriages. This authoritative biography of the first Tarzan, written by his only son, offers an intimate look at Weissmuller’s early life, middle years, and later decline, covering his experiences from swimming training and Olympic triumphs to failed marriages, phenomenal stardom, and a subsequent career as Jungle Jim. A sensitive yet unsentimental portrayal of the man who was Tarzan to movie fans around the world, Tarzan, My Father includes interviews with his father’s celebrity friends and former wives, recollections of conversations with his father over the years, and family stories involving Hollywood stars such as Humphrey Bogart.
Author: Barbara Tepa Lupack
Publisher: University Rochester Press
ISBN: 9781580461030
Category : Biography & Autobiography
Languages : en
Pages : 596
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Book Description
By contrast, in the works of black writers from Oscar Micheaux to Toni Morrison, the black experience has been more fully, more accurately, and usually more sympathetically realized; and from the early days of film, select filmmakers have looked to that literature as the basis for their productions.".
Author: Peter C. Rollins
Publisher: Columbia University Press
ISBN: 0231508395
Category : History
Languages : en
Pages : 695
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Book Description
American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories—Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes—the volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: What are the key films on this topic? What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? How have film interpretations of a particular historical topic changed, and what sorts of factors—technological, social, political, historiographical—have affected their evolution? Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?
