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Author: Philip Stephan Barto
Publisher:
ISBN:
Category : Folk-songs, German
Languages : en
Pages : 314
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Book Description
Author: Philip Stephan Barto
Publisher:
ISBN:
Category : Folk-songs, German
Languages : en
Pages : 314
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Book Description
Author: PHILIP STEPHAN. BARTO
Publisher:
ISBN: 9781033721711
Category :
Languages : en
Pages : 0
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Book Description
Author: Philip Stephan Barto
Publisher:
ISBN:
Category : Folk songs, German
Languages : de
Pages : 316
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Book Description
Author: Philip Stephan Barto
Publisher: Forgotten Books
ISBN: 9780331822014
Category : Social Science
Languages : en
Pages : 292
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Book Description
Excerpt from Tannhauser and the Venusberg A. Williams for careful reading of the proof and many helpful suggestions, to Professor Arthur Kopp of Marburg for valuable additions to the Appendix, and to Professor Edward Fulton for a critical examination Of the text, I also wish here to express my gratitude. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Philip Stephan Barto
Publisher: Theclassics.Us
ISBN: 9781230273372
Category :
Languages : en
Pages : 70
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1913 edition. Excerpt: ... its court with everything needed and that, too, in greatest abundance and splendor; it is the center of an extraecclesiastical worship neither monastic nor ascetical and is guarded within a castle accessible only to those chosen of Heaven. As a natural result of Wolfram's different conception of the grail he has depicted a court of far more lavish magnificence than that of Chrestien, laying greater emphasis upon the manifold things which the grail supplies. "Wunschding," not holy relic, hovered before the poet's vision as he wrote.1 Chrestien's account reads: In both her hands a damsel holds A grail, and with the squires doth enter, Fair and richly garbed and slender. And as she comes so gleams the grail That all the candles pale, As when the sun or yet the moon Doth rout the stars at night or noon. Nor did the maiden come alone, Another in whose hands there shone A silver trencher came. The grail of purest gold did flame With precious stones upon its faces. On land or sea, among all races No stones so rich as these there are; The grail's gems outweighed by far All other stones without a doubt. Those of the lance likewise came out And passed before the guest From one room to the next. He saw them pass and did not dare Ask whom the grail served there. Within his mind he ever bore The warning of his counsellor. Who speaks too little harms forsooth As much as he who babbles truth. Well for him if he doth learn Or ill if he but yearn And do not ask nor yet demand. The lord his esquires doth command, And towels and water now are brought, They next perform all as they ought. The lord and guest now follow form, Do wash their hands in water warm. Two esquires entering An ivory table bring, In one wide piece; they set the board A space before the...
Author: Philip Barto
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530853823
Category :
Languages : en
Pages : 282
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Book Description
"Tannhäuser and the Mountain of Venus," by Prof. Philip S. Barto, of the Carnegie Institute of Technology. It is a rather closely knit piece of work which must be read in its entirety if its logic is to be appreciated. The author advocates an entirely new conception of the story. Hitherto discussion has centered upon the questions whether the Venusberg myth and the Tannhäuser legend are independent or connected motifs and whether they are of Italian or German origin. Professor Barto takes a wider view of the question. Finding no necessary link between the two parts of the story as we now have it, he seeks an explanation further and finds his solution in the idea of a beautiful Teutonic paradise and of a divine personage who issued from it, later to return thither. In this way the myths or legends of the Grail, of the Swan Knight, of the Venus Mountain, and of Tannhäuser all become variants of the same theme. The idea of the grail-realm can be shown to have rapidly deteriorated into that of a sensual hollow-mountain paradise, and thus to have coalesced with the Venusberg. So, too, Lohengrin became Tannhäuser, sharing his fate in departing never to be seen or heard of again. In conclusion, the author finds etymological evidence for identifying the names of Tannhäuser and his predecessor Daniel with Wodan, thereby bringing the group into relationship with the myth of the Furious Host (die wilde Jagd). Professor Barto's stimulating suggestions, for which he attributes the credit in large part to his teacher, Dr. Goebel, are presented with sufficient plausibility to require serious examination. Quotations from the source-poems are given in English translation in the body of the text, the originals being confined to the notes. A valuable appendix brings together the various versions of the folk-song of Tannhäuser. The book will undoubtedly provoke much discussion. -The Nation, Vol. 104
Author: Aubrey Beardsley
Publisher:
ISBN:
Category :
Languages : en
Pages : 96
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Book Description
Author: Anthony Powell
Publisher:
ISBN:
Category : Eccentrics and eccentricities
Languages : en
Pages : 0
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Book Description
Author: Leah Garrett
Publisher: Purdue University Press
ISBN: 1557536015
Category : Biography & Autobiography
Languages : en
Pages : 160
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Book Description
A Knight at the Opera examines the remarkable and unknown role that the medieval legend (and Wagner opera) Tannh user played in Jewish cultural life in the nineteenth and early twentieth centuries. The book analyzes how three of the greatest Jewish thinkers of that era, Heinrich Heine, Theodor Herzl, and I. L. Peretz, used this central myth of Germany to strengthen Jewish culture and to attack anti-Semitism. Readers will see how Tannh user evolves from a medieval knight to Peretz's pious Jewish scholar in the Land of Israel. The book also discusses how the founder of Zionism, Theodor Herzl, was so inspired by Wagner's opera that he wrote The Jewish State while attending performances of it. A Knight at the Opera uses Tannh user as a way to examine the changing relationship between Jews and the broader world during the advent of the modern era, and to question if any art, even that of a prominent anti-Semite, should be considered taboo.
Author: Gundula Kreuzer
Publisher: Univ of California Press
ISBN: 0520966554
Category : Music
Languages : en
Pages : 369
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Book Description
In this innovative book, Gundula Kreuzer argues for the foundational role of technologies in the conception, production, and study of nineteenth-century opera. She shows how composers increasingly incorporated novel audiovisual effects in their works and how the uses and meanings of the required apparatuses changed through the twentieth century, sometimes still resonating in stagings, performance art, and popular culture today. Focusing on devices (which she dubs “Wagnerian technologies”) intended to amalgamate opera’s various media while veiling their mechanics, Kreuzer offers a practical counternarrative to Wagner’s idealist theories of total illusionism. At the same time, Curtain, Gong, Steam’s multifaceted exploration of the three titular technologies repositions Wagner as catalyst more than inventor in the history of operatic production. With its broad chronological and geographical scope, this book deepens our understanding of the material and mechanical conditions of historical operatic practice as well as of individual works, both well known and obscure.
