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Author: Ē. En̲ Perumāḷ
Publisher:
ISBN:
Category : Tamil drama
Languages : en
Pages : 436
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Book Description
Author: Ē. En̲ Perumāḷ
Publisher:
ISBN:
Category : Tamil drama
Languages : en
Pages : 436
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Book Description
Author: Susan Seizer
Publisher: Duke University Press
ISBN: 0822386194
Category : Social Science
Languages : en
Pages : 473
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Book Description
A study of the lives of popular theater artists, Stigmas of the Tamil Stage is the first in-depth analysis of Special Drama, a genre of performance unique to the southernmost Indian state of Tamilnadu. Held in towns and villages throughout the region, Special Drama performances last from 10 p.m. until dawn. There are no theatrical troupes in Special Drama; individual artists are contracted “specially” for each event. The first two hours of each performance are filled with the kind of bawdy, improvisational comedy that is the primary focus of this study; the remaining hours present more markedly staid dramatic treatments of myth and history. Special Drama artists themselves are of all ages, castes, and ethnic and religious affiliations; the one common denominator in their lives is their lower-class status. Artists regularly speak of how poverty compelled their entrance into the field. Special Drama is looked down upon by the middle- and upper-classes as too popular, too vulgar, and too “mixed.” The artists are stigmatized: people insult them in public and landlords refuse to rent to them. Stigma falls most heavily, however, on actresses, who are marked as “public women” by their participation in Special Drama. As Susan Seizer’s sensitive study shows, one of the primary ways the performers deal with such stigma is through humor and linguistic play. Their comedic performances in particular directly address questions of class, culture, and gender deviations—the very issues that so stigmatize them. Seizer draws on extensive interviews with performers, sponsors, audience members, and drama agents as well as on careful readings of live Special Drama performances in considering the complexities of performers’ lives both on stage and off.
Author: K.V. Zvelebil
Publisher: BRILL
ISBN: 9004491732
Category : History
Languages : en
Pages : 813
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Book Description
Lexicon of Tamil Literature is a reference-dictionary of Tamil literature of South India from its early beginnings more than 2000 years ago until the present time (ca. 1980). It includes in the order of Roman alphabet names and short biographies of authors, lists of their works, anonymous literary works and most important matters of Tamil prosody, rhetoric and poetics. Whenever available, bibliographic data are given with individual entries in selection. Brief contents and evaluative statements are given with literary works of greater importance, whether ancient or modern. An introduction is included. The work is the first of its kind in a non-Indian language. It is an indispensable source of data and work of reference for Tamil literature in particular, and for the totality of Indic literatures in general.
Author: Hanne M. de Bruin
Publisher: Bloomsbury Publishing
ISBN: 1350236624
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
This is the first book to offer a clear introduction to Kattaikkuttu (or Terukkuttu), a vibrant, vocal and physical outdoor Tamil theatre tradition from India. It describes the theatre's characteristic heroic nature as expressed through its principal, male kattai characters, explores its history, social status and ritual context, and examines the production of all-night plays. After placing Kattaikkuttu in the wider, competitive context of the performing arts in India, Hanne M. de Bruin introduces readers to some of the debates about the form and provides an overview of the different elements that make up a Kattaikkuttu performance. It considers its performance spaces and the way the form has changed, such as its transition towards an independent and more professional theatre genre, as well as the opening up of the form to different castes and to women. It covers the production and frameworks of all-night performances, uses the Mahabharata play Karna Moksam as a case study and examines recent changes in the Kattaikkuttu repertory. In addition, the book looks in more detail at the role of the performer, including the training of a Kattaikkuttu novice, the performance score of actor-singers that underlie a specific role or vesam, and a seasoned performer's agency in interpreting well-known roles. Finally, the study turns to recent innovations, in particular the creation of new work and the Kattaikkuttu Gurukulam.
Author: Arthur Berriedale Keith
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 420
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Book Description
Author: Bruno Nettl
Publisher: Taylor & Francis
ISBN: 9780824049461
Category : History
Languages : en
Pages : 1126
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Book Description
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Alf Hiltebeitel
Publisher: Motilal Banarsidass Publishe
ISBN: 9788120810006
Category : Draupadī (Hindu mythology)
Languages : en
Pages : 520
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Book Description
This is the first volume of a projected three-volume work on the little known South Indian folk cult of the goddess Draupadi and on the classical epic, the Mahabharata, that the cult brings to life in mythic, ritual and dramatic forms. It focuses on the Draupadi cult's own double mythology, moving from its storieis about Draupadi's 'primal temple' near the capital of the medieval South Indian Kingdom of Gingee to its version of the Mahabharata war on the North Indian plain of Kuruksetra. Throughout, Hiltebeitel intertwines 'regional' data, gathered from both oral and written sources, with the 'epic', drawn from the cult's own performative traditions as well as from classical versions of the Mahabharata in both Tamil and Sanskrit. He re-examines many issues critical to Indological studies and takes up them while breaking new ground in investigating the further rapport between the Hindu goddess and the Indian epic. Future volumes will treat the rituals of the Draupadi cult and the Mahabharata as seen through a Draupadi cult retrospective. Contents List of Maps, List of Plates, List of Tables, Preface, Acknowledgements, Conventions, PART I: From Gingee: Introduction: Invocatory Songs to Draupadi, 'The Lady Who Resides in Gingee', The Draupadi Cult: Its Historical and Regional Settings, Social Background, Diffusion, Variation, and Change, The Sources of the Gingee Kingdom: The Living River and the Tree of Gold, Myths of the Melacceri Draupadi Temple, Muttal Ravuttan: Draupadi's Muslim Devotee, PART II: To Kuruksetra: The Draupadi Cult's Mahabharata: An Introduction, The Death of Baka: Prelude to the Drama Cycle, Additional Marriages, The two Sabhas: 'The Rajasuya Sacrifice' and 'Dice Match and Disrobing' , Arjuna's Tapas, Draupadi's Forest Exile and the Period in Disguise: Virapancali, Puvalicci, and Kuravanci, Krsna the Messenger, Aravan's Sacrifice, Pormannan's Fight: Pottu Raja at Kuruksetra, Pormannan's Flight: The War Kings Weapons and Their Mythical Sources, Kuruksetra: The Mahabharata War, When Draupadi Walked on fire, Appendix 1: The Lunar Dynasty from its origins to draupadi's Second Advent at Gingee, Appendix 2. An outline History of Gingee, Abbreviations, Bibliography, Index.
Author: Dr. Arvind Kumar
Publisher: Booksclinic Publishing
ISBN: 9358230878
Category : Juvenile Nonfiction
Languages : en
Pages : 199
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Book Description
This book contains nineteen essays focused on diverse literature of Indian and English authors with tradition, religion, ritual concerns, circumstances, art and culture – the main critical formations by multidisciplinary way. The compendiums of Indian Folklore such as Panchatantra, Hitopadesha, Kathasaritsagara, Jataka and others narrations have filled with knowledge and wisdom which lead us in right path – “Good wins over evil,” To obey your elders,” “Life is a long lesson in humanity,” “Humans as slave of circumstances,” “Back to the Vedas,” “The path of glory leads but to the grave” – are some quotes remain popular and valuable in all times to read, to understand, and to follow.
Author: Kristen Rudisill
Publisher: State University of New York Press
ISBN: 1438489773
Category : Social Science
Languages : en
Pages : 291
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Book Description
Honeymoon Couples and Jurassic Babies is the first in-depth study of Sabha Theater, a type of Tamil-language popular theater that started in Chennai (Madras) in the period following India's independence, thriving especially between 1965 and 1985. Breaking new ground in the study of stage and performance, this interdisciplinary book presents a complex view of a significant genre, using historical research and ethnographic information obtained through interviews with performers, writers, and audience members, as well as observations of rehearsals, performances, and television and film shootings. This careful coverage not only contextualizes Sabha Theatre historically, politically, and aesthetically within the wider history of the Tamil stage and a performance scene that includes classical dance and mass media but also reveals how its plays express a Tamil Brahmin identity that is at once traditional and modern. Analyzing what particular plays mean to the specific, urban, elite Brahmin community that produces and consumes them, Kristen Rudisill examines humor that reveals a complex Brahmin identity and surveys markers of moral superiority.
Author: Brenda Deen Schildgen
Publisher: Springer
ISBN: 1137558857
Category : Literary Criticism
Languages : en
Pages : 383
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Book Description
Featuring leading scholars in their fields, this book examines receptions of ancient and early modern literary works from around the world (China, Japan, Ancient Maya, Ancient Mediterranean, Ancient India, Ancient Mesopotamia) that have circulated globally across time and space (from East to West, North to South, South to West). Beginning with the premise of an enduring and revered cultural past, the essays go on to show how the circulation of literature through translation and other forms of reception in fact long predates modern global society; the idea of national literary canons have existed just over a hundred years and emerged with the idea of national educational curricula. Highlighting the relationship of culture and politics in which canons are created, translated, promulgated, and preserved, this book argues that such nationally-defined curricula were challenged by critics and writers in the wake of the Second World War.
