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Author: David Vivian Johnson
Publisher: Bloomsbury Publishing
ISBN: 1350107964
Category : Drama
Languages : en
Pages : 272
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Book Description
This book discusses the theatrical history of Talawa, the work of Dr Yvonne Brewster OBE, her contribution to the genre of contemporary black British theatre generally, and her founding and subsequent directing of Talawa from 1986 to 2001. The analysis details how Brewster's theatre helped forge a black British identity in Britain, both on and off the British stage, through its strategic presentation of black language and culture in performance. Following explanations of definitions and sociolinguistic methodology in Chapter One: Voicing an Identity, Talawa's theatrical roots are shown in Chapter Two: Post Traumatic Slavery Disorder, to have begun in Africa, developed in Jamaica and further progressed by British Caribbean post war artists in Britain. In Chapter Three: A Stanger in Non-Paradise, Brewster's early life, her significant contribution to contemporary black British theatre, her founding of Talawa and the company's three year residency in the West End are discussed. Talawa's work is then explored by genre as follows; Chapter Four: The Island Plays highlights Talawa's Caribbean productions. These are; An Echo In The Bone, Maskarade, The Black Jacobins, The Dragon Can't Dance, The Lion and Beef No Chicken. In Chapter Five: The Black South, Talawa's American productions; The Love Space Demands, From The Mississippi Delta and Flyin' West point to the relevance of African American work to Talawa's audience. Chapter Six: Stay in Your Box illustrates Brewster's ground breaking work in the British classical genre. The productions discussed are; Anthony and Cleopatra, King Lear, Tis Pity She's a Whore, The Importance of Being Earnest and Othello. The book ends with Chapter Seven: Don't Tell Massa. Brewster and her work at Talawa are summed up, followed by an insight into her final attempt to secure a permanent home for black theatre in Britain.
Author: David Vivian Johnson
Publisher: Bloomsbury Publishing
ISBN: 1350107964
Category : Drama
Languages : en
Pages : 272
Get Book Here
Book Description
This book discusses the theatrical history of Talawa, the work of Dr Yvonne Brewster OBE, her contribution to the genre of contemporary black British theatre generally, and her founding and subsequent directing of Talawa from 1986 to 2001. The analysis details how Brewster's theatre helped forge a black British identity in Britain, both on and off the British stage, through its strategic presentation of black language and culture in performance. Following explanations of definitions and sociolinguistic methodology in Chapter One: Voicing an Identity, Talawa's theatrical roots are shown in Chapter Two: Post Traumatic Slavery Disorder, to have begun in Africa, developed in Jamaica and further progressed by British Caribbean post war artists in Britain. In Chapter Three: A Stanger in Non-Paradise, Brewster's early life, her significant contribution to contemporary black British theatre, her founding of Talawa and the company's three year residency in the West End are discussed. Talawa's work is then explored by genre as follows; Chapter Four: The Island Plays highlights Talawa's Caribbean productions. These are; An Echo In The Bone, Maskarade, The Black Jacobins, The Dragon Can't Dance, The Lion and Beef No Chicken. In Chapter Five: The Black South, Talawa's American productions; The Love Space Demands, From The Mississippi Delta and Flyin' West point to the relevance of African American work to Talawa's audience. Chapter Six: Stay in Your Box illustrates Brewster's ground breaking work in the British classical genre. The productions discussed are; Anthony and Cleopatra, King Lear, Tis Pity She's a Whore, The Importance of Being Earnest and Othello. The book ends with Chapter Seven: Don't Tell Massa. Brewster and her work at Talawa are summed up, followed by an insight into her final attempt to secure a permanent home for black theatre in Britain.
Author: Theresa Ikoko
Publisher: Bloomsbury Publishing
ISBN: 1350005118
Category : Performing Arts
Languages : en
Pages : 122
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Book Description
Why is everyone so bloody obsessed with hashtags? What on earth do you want to do with a hashtag? Can you use it to shoot your way out of here? Tisana, Ruhab and Haleema are three normal teenage girls who have been best friends forever. But when they are kidnapped from their hometown, each must find their own way to survive. Girls explores enduring friendship, girlhood and the stories behind the headlines that quickly become yesterday's news. Theresa Ikoko's funny and fiercely passionate play is a Verity Bargate Award finalist and winner of the Alfred Fagon Award (2015) and George Devine Award (2016). Girls received its world premiere at HighTide Theatre Festival 2016 on 8 September 2016 in a production by HighTide, Soho Theatre and Talawa.
Author:
Publisher: Bloomsbury Publishing
ISBN: 1350030481
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
This ground breaking collection of essays is the first to examine the phenomenon of how, in the twenty-first century, Shakespeare has been experienced as a 'live' or 'as-live' theatre broadcast by audiences around the world. Shakespeare and the 'Live' Theatre Broadcast Experience explores the precursors of this phenomenon and its role in Shakespeare's continuing globalization. It considers some of the most important companies that have produced such broadcasts since 2009, including NT Live, Globe on Screen, RSC Live from Stratford-upon-Avon, Stratford Festival HD, Kenneth Branagh Theatre Company Live, and Cheek by Jowl, and examines the impact these broadcasts have had on branding, ideology, style and access to Shakespeare for international audiences. Contributors from around the world reflect on how broadcasts impact on actors' performances, changing viewing practices, local and international Shakespearean fan cultures and the use of social media by audience members for whom “liveness” is increasingly tied up in the experience economy. The book tackles vexing questions regarding the 'presentness' and 'liveness' of performance in the 21st century, the reception of Shakespeare in a globally-connected environment, the challenges of sustaining an audience for stage Shakespeare, and the ideological implications of consuming theatre on screen. It will be crucial reading for scholars of the 'live' theatre broadcast, and enormously helpful for scholars of Shakespeare on screen and in performance more broadly.
Author: D. Keith Peacock
Publisher: Bloomsbury Publishing USA
ISBN: 0313031770
Category : Social Science
Languages : en
Pages : 244
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Book Description
The Thatcher administration of 1979 to 1990 had a profound and apparently lasting effect on British theatre and drama. It is now roughly a decade since the fall of Margaret Thatcher and, with the benefit of hindsight, it has become possible to disentangle fact from fantasy concerning her effect on the British theatre. During her administration, there was a significant cultural shift which affected drama in Britain. While some critics have argued that the theatre was simply affected by financial cutbacks in arts subsidies, this volume challenges that view. While it looks at the economic influence of Thatcher's policies, it also examines how her ideology shaped theatrical and dramatic discourse. It begins by defining Thatcherism and illustrating its cultural influence. It then examines the consequences of Thatcherite policies through the agency of the Arts Council of Great Britain. Having established this political and cultural environment, the book considers in detail the effect of Thatcher's administration on the subject-matter and dramatic and theatrical discourse of left-wing drama and on the subsidized political theatre companies which proliferated during the 1970s. Attention is then given to the development of constituency theatres, such as Women's and Black Theatre, which assumed an oppositional cultural stance and, in some cases, attempted to develop characteristic theatrical and dramatic discourses. The penultimate chapter deals with the effect of Thatcherite economic policy and ideology on new writing and performance, while the final chapter draws conclusions and suggests that the cultural shift perpetrated by the Thatcher regime has altered the status of subsidized theatre from an agency of cultural, spiritual, social, or psychological welfare to an entertainment industry which is viewed as largely irrelevant to the workings of society.
Author: Lizbeth Goodman
Publisher: Routledge
ISBN: 113490696X
Category : Art
Languages : en
Pages : 326
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Book Description
A much-needed analysis of the development of feminist theatre in different cultures and on several continents in the past quarter-century.
Author: Geoffrey V. Davis
Publisher: Peter Lang
ISBN: 9789052010427
Category : Drama
Languages : en
Pages : 354
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Book Description
"Edited by Geoffrey V. Davis and Anne Fuchs"--T.p.
Author: Lizbeth Goodman
Publisher: Routledge
ISBN: 1000672980
Category : Psychology
Languages : en
Pages : 356
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Book Description
This volume is a collection of interviews that spans feminist views from 1968 to the 1990s. Including over eight years of research. Part of the Comtemporary Theatre Studies series, it will be of special interest to everyone involved in theatre and useful to students and those who oare interested in women's theatre.
Author:
Publisher: Bloomsbury Publishing
ISBN: 1350408212
Category : Performing Arts
Languages : en
Pages : 483
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Book Description
This well-established and respected directory supports actors in their training and search for work in theatre, film, TV, radio and comedy. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the industry. Covering training and working in theatre, film, radio, TV and comedy, it contains invaluable resources such as a casting calendar and articles on a range of topics from your social media profile to what drama schools are looking for to financial and tax issues. With the listings updated every year, the Actors' and Performers' Yearbook continues to be the go-to guide for help with auditions, interviews and securing/sustaining work within the industry. Actors' and Performers' Yearbook 2024 is fully updated and includes a newly commissioned article by actor Mark Weinman, a new foreword, 4 new interviews by casting director Sam Stevenson, giving timely advice in response to today's fast-changing industry landscape, and an article by Paterson Joseph.
Author: Michael Bhim
Publisher: Methuen Drama
ISBN:
Category : Drama
Languages : en
Pages : 124
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Book Description
Opening at Soho Theatre, London, in September 2007 in a co-production with Talawa Theatre Company, Pure Gold is the debut work by Michael Bhim, winner of the Alfred Fagon Award.
Author: Sonja Linden
Publisher: Aurora Metro Publications Ltd.
ISBN: 1906582874
Category : Drama
Languages : en
Pages : 117
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Book Description
A play for older actors. This play presents a kaleidoscope of stories about war, displacement, revolution and liberation taking us on an emotional journey across three continents. Based on the actors’ personal and family experiences, the stories interweave and overlap, exploring moments of joy, sadness and laughter set against key historical events over the last hundred years. Poignant, moving, funny, inspiring, this is the first piece of work created by the Visible Ensemble, dedicated to putting older performers and their rich lives centre stage. Reviews ‘Memories are picked up like dropped stitches... by a company of older actors of defiant talent’ – The Observer ‘At once charming, funny, touching, surprising and sad, this is a ride through the gamut of emotion that is life, or in this case, many lives’ – Everything Theatre ‘This is endlessly, endlessly moving theatre — go see’ – A Younger Theatre ‘A beautiful production — there is an immediacy to the stories that is intoxicating’ – Entertainment Focus ‘This is an ensemble work in which every performance is magnificent and as a whole a wonderful accomplishment. Don’t miss it.’ – British Theatre Guide ‘...by the time I left the theatre, I was having difficulty selecting favourite scenes to pick out in this review. And that would be my conclusion: you have to see this play, because there’s just so much of it that you can’t afford to miss.’ – A Theatre Blog ‘All of which makes the mission statement of ‘Visible’ – a new ensemble company formed of older actors – even more urgent and necessary’ – Exeunt Magazine Audience feedback ‘It was so refreshing to see older performers depicted not in the narrow ways we generally see them on stage and screen – as doddering fools, terribly nice little old ladies, or bit-part players. The evening very much made me think about how terribly out of step we are in our industry in terms of how we present older people. So if that was – in part – the ensemble’s intention, then job well done!’ – Lucy Kerbel Director, Tonic Theatre ‘It was as very moving performance, as the memories were totally personal and beautifully delivered. And a brave and long-overdue venture. Please keep me on your mailing list.’ – Katharine Sathe, University of 3rd Age ‘A superbly energetic production – not just physically, but in its wealth of ideas too. I do hope it gets the recognition it deserves.’ – Jane Dorner General Audience via Feedback Wall ‘The best night’s theatre I have experienced in years. A master lesson in acting.’ ‘As a 20 year old, I feel this show was an out of this world way of showing what came before phones and the internet. I don’t think I quite realised how different your childhoods were to how mine has been – how different my own late grandmother’s must have been. Congratulations on a fab show!’ ‘A very inspiring and polished production. Older people are the people we all must learn from – this is a wonderful example.’ ‘An endearing performance about hopes, dreams and the power of memory. Excellently told by a talented cast. Well done! Could feel history coming alive. Love from a 20 year old American, Katie.’ ‘To put it very simply: thank you for sharing this universal story made of your individual memories in such a way everyone can connect with it. Moving. Funny. An open window for reflection on how we all carry our stories, memories, family bonds.’ Sonja Linden Born in London to German refugee parents, Sonja is a theatre producer and writer whose plays have been produced on radio and on stage throughout the UK and the United States. She is the founding artistic director of Visible Theatre Ensemble, having previously founded iceandfire theatre (www.iceandfire.co.uk), a company that explores human rights through performance (nominated for a Liberty award in 2010). Sonja's plays for iceandfire include: On A Clear Day You Can See Dover (Wilton's Music Hall, Crucible Theatre, Sheffield and UK national tour), Welcome to Ramallah, co-written with Adah Kay, and its companion piece, Palestine Monologues, (Arcola Theatre, York Theatre Royal, Compass Theatre, San Diego); Crocodile Seeking Refuge (Lyric Hammersmith, UK national tour), Asylum Dialogues (Tricycle Theatre and UK national tour), I Have Before Me a Remarkable Document Given to Me by a Young Lady from Rwanda (Finborough Theatre, UK and USA tours, BBC World Service Radio), and Asylum Monologues (UK national tour). Previous work includes: The Strange Passenger (Paines Plough, Battersea Arts Centre and UK National Tour); The Jewish Daughter, sequel to Brecht's The Jewish Wife (New End Theatre); Call Me Judas (Paines Plough, Finborough Theatre) and Present Continuous (Edinburgh Festival, Fringe First, BBC Radio 4)
