Recherches Sur L'art Statuaire Considéré Chez Les Anciens Et Les Modernes Ou Mémoire Sur Cette Question Proposée Par L'Institut National de France PDF Download
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Author: Toussaint-Bernard Emeric-David
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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Book Description
Author: Toussaint-Bernard Emeric-David
Publisher:
ISBN:
Category :
Languages : en
Pages : 364
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Book Description
Author: Thierry Lenain
Publisher: Reaktion Books
ISBN: 1861899599
Category : Art
Languages : en
Pages : 386
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Book Description
With the recent advent of technologies that make detecting art forgeries easier, the art world has become increasingly obsessed with verifying and ensuring artistic authenticity. In this unique history, Thierry Lenain examines the genealogy of faking and interrogates the anxious, often neurotic, reactions triggered in the modern art world by these clever frauds. Lenain begins his history in the Middle Ages, when the issue of false relics and miracles often arose. But during this time, if a relic gave rise to a cult, it would be considered as genuine even if it obviously had been forged. In the Renaissance, forgery was initially hailed as a true artistic feat. Even Michelangelo, the most revered artist of the time, copied drawings by other masters, many of which were lent to him by unsuspecting collectors. Michelangelo would keep the originals himself and return the copies in their place. As Lenain shows, authenticity, as we think of it, is a purely modern concept. And the recent innovations in scientific attribution, archaeology, graphology, medical science, and criminology have all contributed to making forgery more detectable—and thus more compelling and essential to detect. He also analyzes the work of master forgers like Eric Hebborn, Thomas Keating, and Han van Meegeren in order to describe how pieces baffled the art world. Ultimately, Lenain argues that the science of accurately deciphering an individual artist’s unique characteristics has reached a level of forensic sophistication matched only by the forger’s skill and the art world’s paranoia.
Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
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Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 958
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Book Description
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 150
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Book Description
Author: National Art Library (Great Britain)
Publisher: New York : B. Franklin
ISBN:
Category : Art
Languages : en
Pages : 1046
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Book Description
Author: Thomas Curtis
Publisher:
ISBN:
Category : Aeronautics
Languages : en
Pages : 824
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1094
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Book Description
Author: Rochelle Ziskin
Publisher: BRILL
ISBN: 9004526943
Category : Art
Languages : en
Pages : 349
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Book Description
Rochelle Ziskin explores two remarkable private gatherings generating significant art criticism during the middle of the eighteenth century, assessing how the sites harboring them embodied and disseminated their judgments.
