Library Catalog of the Metropolitan Museum of Art, New York

Library Catalog of the Metropolitan Museum of Art, New York PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704

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Library Catalog of the Metropolitan Museum of Art, New York

Library Catalog of the Metropolitan Museum of Art, New York PDF Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 704

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The Studio

The Studio PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 152

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Dictionary Catalog of the Art and Architecture Division

Dictionary Catalog of the Art and Architecture Division PDF Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 732

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The National Union Catalog, Pre-1956 Imprints

The National Union Catalog, Pre-1956 Imprints PDF Author: Library of Congress
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 712

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Cataloghi di collezioni d'arte nelle biblioteche fiorentine (1840-1940)

Cataloghi di collezioni d'arte nelle biblioteche fiorentine (1840-1940) PDF Author: Giovanna De Lorenzi
Publisher:
ISBN:
Category : Art
Languages : un
Pages : 726

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French Rococo Ébénisterie in the J. Paul Getty Museum

French Rococo Ébénisterie in the J. Paul Getty Museum PDF Author: Gillian Wilson
Publisher: J. Paul Getty Museum
ISBN: 9781606066300
Category : Design
Languages : en
Pages : 0

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The first comprehensive catalogue of the Getty Museum’s significant collection of French Rococo ébénisterie furniture. This catalogue focuses on French ébénisterie furniture in the Rococo style dating from 1735 to 1760. These splendid objects directly reflect the tastes of the Museum’s founder, J. Paul Getty, who started collecting in this area in 1938 and continued until his death in 1976. The Museum’s collection is particularly rich in examples created by the most talented cabinet masters then active in Paris, including Bernard van Risenburgh II (after 1696–ca. 1766), Jacques Dubois (1694–1763), and Jean-François Oeben (1721–1763). Working for members of the French royal family and aristocracy, these craftsmen excelled at producing veneered and marquetried pieces of furniture (tables, cabinets, and chests of drawers) fashionable for their lavish surfaces, refined gilt-bronze mounts, and elaborate design. These objects were renowned throughout Europe at a time when Paris was considered the capital of good taste. The entry on each work comprises both a curatorial section, with description and commentary, and a conservation report, with construction diagrams. An introduction by Anne-Lise Desmas traces the collection’s acquisition history, and two technical essays by Arlen Heginbotham present methodologies and findings on the analysis of gilt-bronze mounts and lacquer. The free online edition of this open-access publication is available at www.getty.edu/publications/rococo/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book, and JPG downloads of the main catalogue images.

Catalogue, 1906

Catalogue, 1906 PDF Author: Staten Island Academy, New Brighton, N.Y. Arthur Winter Memorial Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 114

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The Work of Art

The Work of Art PDF Author: Anthea Callen
Publisher: Reaktion Books
ISBN: 178023418X
Category : Art
Languages : en
Pages : 338

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Book Description
In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.

The Symbolist Roots of Modern Art

The Symbolist Roots of Modern Art PDF Author: Professor Michelle Facos
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472419626
Category : Art
Languages : en
Pages : 265

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Book Description
The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.

Delacroix and the Rise of Modern Art

Delacroix and the Rise of Modern Art PDF Author: Patrick J. Noon
Publisher: National Gallery London
ISBN: 9781857095753
Category : Art
Languages : en
Pages : 0

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A handsome volume exploring Delacroix's works, his artistic contemporaries, and the generations of great artists he inspired Eugène Delacroix (1789-1863), a dominant figure in 19th-century French art, was a complex and contradictory painter whose legacy is deep and enduring. This important, beautifully illustrated book considers Delacroix in his own time, alongside contemporaries such as Courbet, Fromentin, and the poet Charles Baudelaire, as well as his significant influence on successive generations of artists. Delacroix's paintings and his posthumously published Journals laid crucial groundwork for immediate successors including Cézanne, Degas, Manet, Monet, and Renoir. Later admirers including Seurat, Gauguin, Moreau, Redon, Van Gogh, and Matisse renewed the obsession with his work. Through essays and catalogue entries, the authors demonstrate how Delacroix became mentor and archetype to younger generations who sought direction for their own creative experiments, and found inspiration in Delacroix's brilliant use of color, audacious technique, and rebellious nature. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: Minneapolis Institute of Arts (10/18/15-01/10/16) National Gallery, London (02/17/16-05/22/16)