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Author: Michael Praetorius
Publisher: OUP USA
ISBN: 9780195145632
Category : Music
Languages : en
Pages : 304
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Book Description
Volume III deals with terminology and offers us the most detailed commentary available from the 17th century about the performance of particular pieces of music.
Author: Michael Praetorius
Publisher: OUP USA
ISBN: 9780195145632
Category : Music
Languages : en
Pages : 304
Get Book
Book Description
Volume III deals with terminology and offers us the most detailed commentary available from the 17th century about the performance of particular pieces of music.
Author: Michael Praetorius
Publisher: OUP USA
ISBN: 0195145631
Category : Music
Languages : en
Pages : 296
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Book Description
Volume III deals with terminology and offers us the most detailed commentary available from the 17th century about the performance of particular pieces of music.
Author: Quentin Faulkner
Publisher: Lulu.com
ISBN: 160962050X
Category : Music
Languages : en
Pages : 343
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Book Description
Michael Praetorius (1571-1621) was a musician, organist, and Kapellmeister. His three-volume Syntagma musicum (Musical Encyclopedia, 1614-1619) was the first comprehensive treatment of music in the German language. This publication is the first English translation of Volume II, Parts III-V, specifically on the organ, which Praetorius declares "a perfect (indeed one might also say 'most perfect') musical instrument ... which ... takes pride of place above all other musical instruments, most of which can be incorporated into this single instrument." This work includes "A precise description of ancient and modern organs, their manual and pedal keyboards, bellows, stoplists, and various kinds of stops, as well as how to tune regals and harpsichords easily and precisely; and what to consider when accepting a [newly built] organ, together with with an appended detailed table ... " This edition shows the German original on the left and the English translation on the facing right-hand pages.
Author: Michael Praetorius
Publisher: Oxford : Clarendon Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 184
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Book Description
Syntagma Musicum is a book by the German musicologist Michael Praetorius, published in Wittenberg and Wolfenbüttel in three parts between 1614 and 1620. It is one of the most commonly used research sources for the music theory of the seventeenth century. The second work De Organographia illustrates and describes musical instruments and their use; becoming a valuable resource for the research and reconstruction of early instruments.
Author: University of Michigan
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
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Book Description
Author: Willi Apel
Publisher: Harvard University Press
ISBN: 9780674375017
Category : Music
Languages : en
Pages : 968
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Book Description
Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Author: Michael Praetorius
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 294
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Book Description
Author: Michael Praetorius
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 958
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Book Description
Author: Michael Praetorius
Publisher: Da Capo Press, Incorporated
ISBN:
Category : Music
Languages : en
Pages : 184
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Book Description
Author: Trevor Herbert
Publisher: Yale University Press
ISBN: 9780300100952
Category : Music
Languages : en
Pages : 426
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Book Description
This is the first comprehensive study of the trombone in English. It covers the instrument, its repertoire, the way it has been played, and the social, cultural, and aesthetic contexts within which it has developed. The book explores the origins of the instrument, its invention in the fifteenth century, and its story up to modern times, also revealing hidden aspects of the trombone in different eras and countries. The book looks not only at the trombone within classical music but also at its place in jazz, popular music, popular religion, and light music. Trevor Herbert examines each century of the trombone's development and details the fundamental impact of jazz on the modern trombone. By the late twentieth century, he shows, jazz techniques had filtered into the performance idioms of almost all styles of music and transformed ideas about virtuosity and lyricism in trombone playing.