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Author: Rivi Handler-Spitz
Publisher: University of Washington Press
ISBN: 029574197X
Category : History
Languages : en
Pages : 257
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Book Description
Symptoms of an Unruly Age compares the writings of Li Zhi (1527–1602) and his late-Ming compatriots to texts composed by their European contemporaries, including Montaigne, Shakespeare, and Cervantes. Emphasizing aesthetic patterns that transcend national boundaries, Rivi Handler-Spitz explores these works as culturally distinct responses to similar social and economic tensions affecting early modern cultures on both ends of Eurasia. The paradoxes, ironies, and self-contradictions that pervade these works are symptomatic of the hypocrisy, social posturing, and counterfeiting that afflicted both Chinese and European societies at the turn of the seventeenth century. Symptoms of an Unruly Age shows us that these texts, produced thousands of miles away from one another, each constitute cultural manifestations of early modernity.
Author: Rivi Handler-Spitz
Publisher: University of Washington Press
ISBN: 029574197X
Category : History
Languages : en
Pages : 257
Get Book
Book Description
Symptoms of an Unruly Age compares the writings of Li Zhi (1527–1602) and his late-Ming compatriots to texts composed by their European contemporaries, including Montaigne, Shakespeare, and Cervantes. Emphasizing aesthetic patterns that transcend national boundaries, Rivi Handler-Spitz explores these works as culturally distinct responses to similar social and economic tensions affecting early modern cultures on both ends of Eurasia. The paradoxes, ironies, and self-contradictions that pervade these works are symptomatic of the hypocrisy, social posturing, and counterfeiting that afflicted both Chinese and European societies at the turn of the seventeenth century. Symptoms of an Unruly Age shows us that these texts, produced thousands of miles away from one another, each constitute cultural manifestations of early modernity.
Author: Scott W. Gregory
Publisher: Cornell University Press
ISBN: 1501769219
Category : History
Languages : en
Pages : 192
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Book Description
Bandits in Print examines the world of print in early modern China, focusing on the classic novel The Water Margin (Shuihu zhuan). Depending on which edition a reader happened upon, The Water Margin could offer vastly different experiences, a characteristic of the early modern Chinese novel genre and the shifting print culture of the era. Scott W. Gregory argues that the traditional novel is best understood as a phenomenon of print. He traces the ways in which this particularly influential novel was adapted and altered in the early modern era as it crossed the boundaries of elite and popular, private and commercial, and civil and martial. Moving away from ultimately unanswerable questions about authorship and urtext, Gregory turns instead to the editor-publishers who shaped the novel by crafting their own print editions. By examining the novel in its various incarnations, Bandits in Print shows that print is not only a stabilizing force on literary texts; in particular circumstances and with particular genres, the print medium can be an agent of textual change.
Author: Dennis Wuerthner
Publisher: University of Hawaii Press
ISBN: 0824882598
Category : History
Languages : en
Pages : 403
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Book Description
One of the most important and celebrated works of premodern Korean prose fiction, Kŭmo sinhwa (New Tales of the Golden Turtle) is a collection of five tales of the strange artfully written in literary Chinese by Kim Sisŭp (1435–1493). Kim was a major intellectual and poet of the early Chosŏn dynasty (1392–1897), and this book is widely recognized as marking the beginning of classical fiction in Korea. The present volume features an extensive study of Kim and the Kŭmo sinhwa, followed by a copiously annotated, complete English translation of the tales from the oldest extant edition. The translation captures the vivaciousness of the original, while the annotations reveal the work’s complexity, unraveling the deep and diverse intertextual connections between the Kŭmo sinhwa and preceding works of Chinese and Korean literature and philosophy. The Kŭmo sinhwa can thus be read and appreciated as a hybrid work that is both distinctly Korean and Sino-centric East Asian. A translator’s introduction discusses this hybridity in detail, as well as the unusual life and tumultuous times of Kim Sisŭp; the Kŭmo sinhwa’s creation and its translation and transformation in early modern Japan and twentieth-century (especially North) Korea and beyond; and its characteristics as a work of dissent. Tales of the Strange by a Korean Confucian Monk will be welcomed by Korean and East Asian studies scholars and students, yet the body of the work—stories of strange affairs, fantastic realms, seductive ghosts, and majestic but eerie beings from the netherworld—will be enjoyed by academics and non-specialist readers alike.
Author: Cosima Bruno
Publisher: Bloomsbury Publishing
ISBN: 1350215317
Category : Literary Criticism
Languages : en
Pages : 473
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Book Description
Offering the first systematic overview of modern and contemporary Chinese literature from a translation studies perspective, this handbook provides students, researchers and teachers with a context in which to read and appreciate the effects of linguistic and cultural transfer in Chinese literary works. Translation matters. It always has, of course, but more so when we want to reap the benefits of intercultural communication. In many universities Chinese literature in English translation is taught as if it had been written in English. As a result, students submit what they read to their own cultural expectations; they do not read in translation and do not attend to the protocols of knowing, engagements and contestations that bind literature and society to each other. The Bloomsbury Handbook of Modern Chinese Literature in Translation squarely addresses this pedagogical lack. Organised in a tripartite structure around considerations of textual, social, and large-scale spatial and historical circumstances, its thirty plus essays each deal with a theme of translation studies, as emerged from the translation of one or more Chinese literary works. In doing so, it offers new tools for reading and appreciating modern and contemporary Chinese literature in the global context of its translation, offering in-depth studies about eminent Chinese authors and their literary masterpieces in translation. The first of its kind, this book is essential reading for anyone studying or researching Chinese literature in translation.
Author: Dagmar Schafer
Publisher: MIT Press
ISBN: 0262374633
Category : Law
Languages : en
Pages : 395
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Book Description
A framework for knowledge ownership that challenges the mechanisms of inequality in modern society. Scholars of science, technology, medicine, and law have all tended to emphasize knowledge as the sum of human understanding, and its ownership as possession by law. Breaking with traditional discourse on knowledge property as something that concerns mainly words and intellectual history, or science and law, Dagmar Schäfer, Annapurna Mamidipudi, and Marius Buning propose technology as a central heuristic for studying the many implications of knowledge ownership. Toward this end, they focus on the notions of knowledge and ownership in courtrooms, workshops, policy, and research practices, while also shedding light on scholarship itself as a powerful tool for making explicit the politics inherent in knowledge practices and social order. The book presents case studies showing how diverse knowledge economies are created and how inequalities arise from them. Unlike scholars who have fragmented this discourse across the disciplines of anthropology, sociology, and history, the editors highlight recent developments in the emerging field of the global history of knowledge—as science, as economy, and as culture. The case studies reveal how notions of knowing and owning emerge because they reciprocally produce and determine each other’s limits and possibilities; that is, how we know inevitably affects how we can own what we know; and how we own always impacts how and what we are able to know. Contributors Dagmar Schäfer, Annapurna Mamidipudi, Cynthia Brokaw, Marius Buning, Viren Murthy, Marjolijn Bol, Amy E. Slaton, James Leach, Myles W. Jackson, Lissant Bolton, Vivek S. Oak, Jörn Oeder
Author: Claudine Ang
Publisher: BRILL
ISBN: 1684175976
Category : History
Languages : en
Pages : 308
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Book Description
In the eighteenth century, multiple migratory groups with competing political ambitions converged on the Mekong plains. In the frontier region, literati‐officials of a territorially-expanding Vietnamese state crossed paths with a network of diasporic Chinese Ming loyalists closely affiliated with the coastal trading network. Drawing on vernacular Vietnamese and classical Chinese sources, Claudine Ang identifies the different ways two leading statesmen of the time employed literature to transform the frontier region. In their rival cultural projects, we see the clash between the aspirations of Vietnamese and Chinese migrants. Ang shows how a bawdy play, in which a lascivious monk turns his charms on an unsuspecting nun, acted as a vehicle for differentiating Vietnamese lowlanders from their neighbors, and she uncovers in a suite of landscape poems coded messages aimed at founding a new Ming loyalist stronghold on the Mekong delta. Through its close reading of satirical drama and landscape poetry, Poetic Transformations captures a historical moment of overlapping visions, frustrated schemes, and contested desires on the Mekong plains.
Author: Nathan Vedal
Publisher: Columbia University Press
ISBN: 0231553765
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Winner, 2023 Morris D. Forkosch Prize, Journal of the History of Ideas The scholarly culture of Ming dynasty China (1368–1644) is often seen as prioritizing philosophy over concrete textual study. Nathan Vedal uncovers the preoccupation among Ming thinkers with specialized linguistic learning, a field typically associated with the intellectual revolution of the eighteenth century. He explores the collaboration of Confucian classicists and Buddhist monks, opera librettists and cosmological theorists, who joined forces in the pursuit of a universal theory of language. Drawing on a wide range of overlooked scholarly texts, literary commentaries, and pedagogical materials, Vedal examines how Ming scholars positioned the study of language within an interconnected nexus of learning. He argues that for sixteenth- and seventeenth-century thinkers, the boundaries among the worlds of classicism, literature, music, cosmology, and religion were far more fluid and porous than they became later. In the eighteenth century, Qing thinkers pared away these other fields from linguistic learning, creating a discipline focused on corroborating the linguistic features of ancient texts. Documenting a major transformation in knowledge production, this book provides a framework for rethinking global early modern intellectual developments. It offers a powerful alternative to the conventional understanding of late imperial Chinese intellectual history by focusing on the methods of scholarly practice and the boundaries by which contemporary thinkers defined their field of study.
Author: David C. Atherton
Publisher: Columbia University Press
ISBN: 0231558961
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm’s length. David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence reveals the essential role of literary form in constructing the world—and in seeing it anew.
Author: Li Wai-yee
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882371191
Category : Literary Collections
Languages : en
Pages : 360
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Book Description
Like every major culture, Chinese has its set of keywords: pivotal terms of political, ethical, literary and philosophical discourse. Tracing the origins, development, polysemy, and usages of keywords is one of the best ways to chart cultural and historical changes. This volume analyzes some of these keywords from different disciplinary and temporal perspectives, offering a new integrative study of their semantic richness, development trajectory, and distinct usages in Chinese culture. The authors of the volume explore different keywords and focus on different periods and genres, ranging from philosophical and historical texts of the Warring States period (453-V221 BCE) to late imperial (ca. 6th?V18th centuries CE) literature and philosophy. They are guided by a similar set of questions: What elevates a mere word to the status of keyword? What sort of resonance and reverberations do we expect a keyword to have? How much does the semantic range of a keyword explain its significance? What kinds of arguments does it generate? What are the stories told to illustrate its meanings? What are political and intellectual implications of the keyword's reevaluation? What does it mean to translate a keyword and map its meaning against other languages? Throughout Chinese history, new ideas and new approaches often mean reinterpreting important words; rupture, continuities, and inflection points are inseparable from the linguistic history of specific terms. The premise of this book is that taking the long view and encompassing different disciplines yield new insights and unexpected connections. The authors, who come from the fields of history,
Author: Rivi Handler-Spitz
Publisher: University of Washington Press
ISBN: 0295748397
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
Iconoclastic scholar Li Zhi (1527–1602) was a central figure in the cultural world of the late Ming dynasty. His provocative and controversial words and actions shaped print culture, literary practice, attitudes toward gender, and perspectives on Buddhism and the afterlife. Although banned, his writings were never fully suppressed, because they tapped into issues of vital significance to generations of readers. His incisive remarks, along with the emotional intensity and rhetorical power with which he delivered them, made him an icon of his cultural moment and an emblem of early modern Chinese intellectual dissent. In this volume, leading China scholars demonstrate the interrelatedness of seemingly discrete aspects of Li Zhi’s thought and emphasize his far-reaching impact on his contemporaries and successors. In doing so, they challenge the myth that there was no tradition of dissidence in premodern China.
