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![Symphony no. 4 [i. e. 8] in G major PDF](https://books.google.com/books/content/images/frontcover/MO8QAAAAYAAJ?fife=w150-h200)
Author: Antonín Dvořák
Publisher:
ISBN:
Category : Symphonies (Piano, 4 hands), Arranged
Languages : en
Pages : 114
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![Symphony no. 4 [i. e. 8] in G major PDF](https://books.google.com/books/content/images/frontcover/MO8QAAAAYAAJ?fife=w80-h100)
Author: Antonín Dvořák
Publisher:
ISBN:
Category : Symphonies (Piano, 4 hands), Arranged
Languages : en
Pages : 114
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![Symphony no. 4 [i.e. no. 8] in G major op. 88 PDF](https://books.google.com/books/content/images/frontcover/_BFPAQAAMAAJ?fife=w80-h100)
Author: Antonín Dvořák
Publisher:
ISBN:
Category : Symphonies
Languages : de
Pages : 172
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![Symphony No. 4 [i.e. 8] in G Major for Full Orchestra, Op. 88 PDF](https://books.google.com/books/content/images/frontcover/qJnIsgEACAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category : Symphonies
Languages : en
Pages :
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![Symphony no. 4 [i.e. no. 8] in G major op. 88 PDF](https://books.google.com/books/content/images/frontcover/ioG-zwEACAAJ?fife=w80-h100)
Author: Antonin Dvořák
Publisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 0
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Author: A. Peter Brown
Publisher: Indiana University Press
ISBN: 0253072115
Category : Music
Languages : en
Pages : 1026
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Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.
Author: Antonín Dvořák
Publisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 160
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Author: Peter Ilich Tchaikovsky
Publisher:
ISBN:
Category : Symphonies (Piano), Arranged
Languages : en
Pages : 84
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Author: North Texas State University. Music Library
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 202
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Author: Nick Bryan-Kinns
Publisher: Springer Science & Business Media
ISBN: 1846286646
Category : Computers
Languages : en
Pages : 287
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Book Description
Reading has arguably the longest and richest history of any domain for scientifically considering the impact of technology on the user. From the 1920s to the 1950s, Miles Tinker [1963] and other researchers ran hundreds of user tests that examined the effects of different fonts and text layout variables, such as the amount of vertical space between each line of text (called leading). Their research focused on user performance, and reading speed was the favoured measure. They charted the effect of the manipulated variables on reading speed, looking for the point at which their participants could read the fastest. Their assumption was that faster reading speeds created a more optimal experience. Printers and publishers eagerly consumed this research. In recent years, some of these variables have been reexamined as the technology and capabilities evolve with the advent of computers and computer screens. Dillon [1992] examined how to design textual information for an electronic environment. Boyarski et al. [1998] examined the effect of fonts that were designed for computer screens. Dyson & Kipping [1998] examined the effect of line length on computer screens. Larson et al. [2000] examined the effect of 3-D rotation on reading. Gugerty et al. [2004] demonstrated a reading performance advantage with the Microsoft ClearType display technology.
Author: Iowa State Traveling Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 884
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