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Author: Charles-Marie Widor
Publisher: A-R Editions, Inc.
ISBN: 0895795418
Category : Music
Languages : en
Pages : 74
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Book Description
Author: Charles-Marie Widor
Publisher: A-R Editions, Inc.
ISBN: 0895795418
Category : Music
Languages : en
Pages : 74
Get Book Here
Book Description
Author: Charles-Marie Widor
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 40
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Book Description
Author: Charles Marie Widor
Publisher: Courier Corporation
ISBN: 0486266923
Category : Music
Languages : en
Pages : 243
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Book Description
The greatest French organist of his day, Widor (1844–1937) composed 10 organ "symphonies" — actually solo compositions usually consisting of 6 or 7 short movements, that treat the organ as a kind of self-contained orchestra. Series II includes Symphonies 6–8, Symphonie "Gothique" and Symphonie "Romane." Frequently performed today. Glossary of French terms.
Author: Charles-Marie Widor
Publisher: A-R Editions, Inc.
ISBN: 0895792508
Category : Music
Languages : en
Pages : 120
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Book Description
Author: University of Michigan. School of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 654
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Book Description
Author: James Mitchell
Publisher: Oxford University Press
ISBN: 0197645283
Category : Music
Languages : en
Pages : 201
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Book Description
The organ is one of the oldest instruments in Western music, and its sound has inspired many of the greatest composers from the past half a millennium from Bach through to Messiaen. The full possibilities of the instrument, however, have often been overlooked. Orchestration textbooks tend to mention the organ only in passing, with little practical advice for the composer to latch onto. Many organ books will explain technical jargon and how the organ is designed, but do not discuss what should actually be written in the score. This book, on the other hand, offers a practical guide for composers on how to write idiomatically for the instrument with the aim of helping them exploit the instrument's full timbral and technical potential. It provides in depth advice not only on notation but also the full resources of the modern organ, including dedicated chapters on registration, writing for manuals and pedals, and using the organ in ensembles, among others. Multiple musical examples are quoted from across the history of organ repertoire, with a particular focus on contemporary composers and music. There is advice tailored to non-classical musicians, such as guidance on virtual instruments. The online companion website to this book provides video demonstrations, chapter summaries, sample organ stop-lists and other useful further resources. In summary, the goal of this book is to show not just what organ music was, or what it is, but what it can be.
Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1078
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 360
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Book Description
Author: Christopher Anderson
Publisher: Routledge
ISBN: 1351558757
Category : Music
Languages : en
Pages : 422
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Book Description
Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger?s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger?s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger?s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.
