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Author: Padma Sudhi
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 356
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Book Description
Tries To Analyse 9 Symbols As Represented In The Art Forms, Religion And Philosophies Of India-These Symbols Are; Rudraksha, Cakra, Prabha-Mandlas, Mudra, Salagrama, Svastika, Sikhara, Circumambulation And Philosopher`S Stone. In Short This Book Tries To Discover India Through Symbols.
Author: Padma Sudhi
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 356
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Book Description
Tries To Analyse 9 Symbols As Represented In The Art Forms, Religion And Philosophies Of India-These Symbols Are; Rudraksha, Cakra, Prabha-Mandlas, Mudra, Salagrama, Svastika, Sikhara, Circumambulation And Philosopher`S Stone. In Short This Book Tries To Discover India Through Symbols.
Author: Farrin Chwalkowski
Publisher: Cambridge Scholars Publishing
ISBN: 1443857289
Category : Art
Languages : en
Pages : 620
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Book Description
We are a product of nature. Every single cell of our body is made of, and depends, on nature. Our inner soul is heavily influenced by nature. We feel sad if the sun is not shining for a few days, and feel pleasure when drawn to the wonder of flowers and uplifted by the song of birds. We came from nature; we are part of nature. In short, we are nature. Nature has been an intimate part of the human experience from the earliest times. Different religions and cultures, from all corners of the world, have honoured and worshipped nature in art, ritual and literature in their own unique ways. This book shows how we learn about our own human nature, our own sense of identity and how we fit into the larger scheme of life and spirit when we come to better understand how our human ancestors, through art, symbol and myth, expressed their relationship with the natural world.
Author: Emile Boutroux
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 424
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Book Description
Author: Michael R. Slater
Publisher: Cambridge University Press
ISBN: 1107077273
Category : Philosophy
Languages : en
Pages : 219
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Book Description
Michael R. Slater argues for the contemporary relevance of pragmatist views in the philosophy of religion.
Author: Warren Breckman
Publisher: Columbia University Press
ISBN: 023114394X
Category : Philosophy
Languages : en
Pages : 378
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Book Description
Warren Breckman critically revisits thrilling experiments in the aftermath of Marxism.
Author: George Ferguson
Publisher: New York : Oxford University Press
ISBN: 9780195014327
Category : Art
Languages : en
Pages : 308
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Book Description
Examines the use and meaning of Christian symbols found in Renaissance art.
Author: Philip Melanchthon
Publisher: Lulu.com
ISBN: 0557008247
Category : Lutheran Church
Languages : en
Pages : 54
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Book Description
Author: Andrei Pop
Publisher: Zone Books
ISBN: 1935408364
Category : Art
Languages : en
Pages : 321
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Book Description
In this groundbreaking book, Andrei Pop presents a lucid reassessment of those writers and artists in the late nineteenth century whose work merits the adjective “symbolist.” For Pop, this term denotes an art that is self-conscious about its modes of making meaning and he argues that these symbolist practices, which sought to provide more direct access to the viewer by constant revision of its material means of meaning-making (brushstrokes on a canvas, words on a page), are crucial to understanding the genesis of modern art. The symbolists saw art not as a social revolution, but a revolution in sense and in how we conceptualize the world. At the same time, the concerns of symbolist painters and poets were shared to a remarkable degree by theoretical scientists of the period, especially by mathematicians and logicians who were dissatisfied with the strict empiricism dominant in their disciplines, and which made shared knowledge seem unattainable. A crisis of sense made art and science look for conceptual foundations underlying the diverging subjective responses and perceptions of individuals. Unlike other studies of this period, Pop’s focus is not on how individual artists may have absorbed bits of scientific theories, but rather on the philosophical questions that were relevant to both domains. The problem of subjectivity in particular, of what in one’s experience can and cannot be shared, was crucial to the possibility of collaboration within science and to the communication of artistic innovation. Pop’s brilliant close readings of the literary and visual practices of Manet and Mallarmé, of drawings by Ernst Mach, William James and Wittgenstein, of experiments with color by Bracquemond and Van Gogh, and of the philosophical systems of Frege and Russell add up to a startling but coherent picture of the symbolist heritage of modernity and its consequences.
Author: Ananda K. Coomaraswamy
Publisher: Pickle Partners Publishing
ISBN: 1787208486
Category : Art
Languages : en
Pages : 195
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Book Description
The late Ananda K. Coomaraswamy, curator of Indian art at the Boston Museum of Fine Arts, uniquely combined art historian, philosopher, orientalist, linguist, and expositor in his person. His knowledge of the arts and handcrafts of the Orient was unexcelled and his numerous monographs on Oriental art either established or revolutionized entire fields. He was also a great Orientalist, with an almost unmatched understanding of traditional culture. He covered the philosophic and religious experience of the entire premodern world, east and west, and for him primitive, medieval European, and classical Indian experiences of truth and art were only different dialects in a common language. Finally, Coomaraswamy was a provocative writer, whose erudition was expressed in a delightful, aphoristic style. The nine essays in this book are among his most stimulating. They discuss such matters as the true function of aesthetics in art, the importance of symbolism, and the importance of intellectual and philosophical background to the artist; they analyze the role of traditional culture in enriching art; they demonstrate that abstract art and primitive art, despite superficial resemblances, are completely divergent; and they deal with the common philosophy which pervades all great art, the nature of medieval art, folklore and modern art, the beauty inherent in mathematics, and the union of traditional symbolism and individual portraiture in premodern cultures.
Author: Raymond Klibansky
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773559523
Category : Philosophy
Languages : en
Pages : 633
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Book Description
Saturn and Melancholy remains an iconic text in art history, intellectual history, and the study of culture, despite being long out of print in English. Rooted in the tradition established by Aby Warburg and the Warburg Library, this book has deeply influenced understandings of the interrelations between the humanities disciplines since its first publication in English in 1964. This new edition makes the original English text available for the first time in decades. Saturn and Melancholy offers an unparalleled inquiry into the origin and development of the philosophical and medical theories on which the ancient conception of the temperaments was based and discusses their connections to astrological and religious ideas. It also traces representations of melancholy in literature and the arts up to the sixteenth century, culminating in a landmark analysis of Dürer's most famous engraving, Melencolia I. This edition features Raymond Klibansky's additional introduction and bibliographical amendments for the German edition, as well as translations of source material and 155 original illustrations. An essay on the complex publication history of this pathbreaking project - which almost did not see the light of day - covers more than eighty years, including its more recent heritage. Making new a classic book that has been out of print for over four decades, this expanded edition presents fresh insights about Saturn and Melancholy and its legacy as a precursor to modern interdisciplinary studies.
