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Author: Everett Zimmerman
Publisher:
ISBN:
Category : History
Languages : en
Pages : 192
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Book Description
Swift's Narrative Satires is an analysis of one of the major critical controversies about Swift's works: the relationship of author to text. Everett Zimmerman questions the conventional claim that narrative satire is necessarily a vehicle for conveying final judgments. He maintains instead that Swift requires the reader to search for the principle of authority that validates the satire, thereby implicitly challenging the authority of any author.
Author: Everett Zimmerman
Publisher:
ISBN:
Category : History
Languages : en
Pages : 192
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Book Description
Swift's Narrative Satires is an analysis of one of the major critical controversies about Swift's works: the relationship of author to text. Everett Zimmerman questions the conventional claim that narrative satire is necessarily a vehicle for conveying final judgments. He maintains instead that Swift requires the reader to search for the principle of authority that validates the satire, thereby implicitly challenging the authority of any author.
Author: Jonathan Swift
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 126
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Book Description
DigiCat Publishing presents to you this special edition of "A Tale of a Tub" by Jonathan Swift. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Frank Palmeri
Publisher: University of Texas Press
ISBN: 1477301607
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Virtually all theories of satire define it as a criticism of contemporary society. Some argue that satire criticizes the present in favor of a standard of values that has been superseded, and thus that satire is generally backward-looking and conservative. While this is often true of poetic satire, in this study Frank Palmeri asserts that narrative satire performs a different function, that it parodies both the established view of the world and that of its opponents, offering its own distinctive critical perspective. This theory of satire builds on the idea of dialogical parody in the work of Russian theorist Mikhail Bakhtin, while revising Bakhtin's estimate of carnival. In Palmeri's view, the carnivalesque offers only an inverted mirror image of authoritative discourse, while parodic narrative satire suggests an alternative to both the official world and its inverted opposite. Palmeri applies this theory of narrative satire to five works of world literature, each of which has generated sharp controversy about the genre to which it rightly belongs: Petronius' Satyricon, Jonathan Swift's A Tale of a Tub, Edward Gibbon's Decline and Fall of the Roman Empire, Herman Melville's The Confidence-Man, and Thomas Pynchon's The Crying of Lot 49. He analyzes the features that link these works and shows how the changing pairs of alternatives that are parodied in these satires reflect changes in the terms of social and cultural oppositions. Satire in Narrative will appeal to comparatists, specialists in eighteenth-century and American literature, and others interested in theories of genre and the relations between literary forms and social history.
Author: Jonathan Swift
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
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Book Description
Author: Edward W. Rosenheim
Publisher:
ISBN:
Category : Humor
Languages : en
Pages : 270
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Book Description
Author: Jonathan Swift
Publisher: Echo Library
ISBN: 9781603037228
Category : Fiction
Languages : en
Pages : 204
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Author: Fredric V. Bogel
Publisher: Cornell University Press
ISBN: 1501722255
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
Offering both the first major revision of satiric rhetoric in decades and a critical account of the modern history of satire criticism, Fredric V. Bogel maintains that the central structure of the satiric mode has been misunderstood. Devoting attention to Augustan satiric texts and other examples of satire—from writings by Ben Jonson and Lord Byron to recent performance art—Bogel finds a complicated interaction between identification and distance, intimacy and repudiation.Drawing on anthropological insights and the writings of Kenneth Burke, Bogel articulates a rigorous, richly developed theory of satire. While accepting the view that the mode is built on the tension between satirist and satiric object, he asserts that an equally crucial relationship between the two is that of intimacy and identification; satire does not merely register a difference and proceed to attack in light of that difference. Rather, it must establish or produce difference.The book provides fresh analyses of eighteenth-century texts by Jonathan Swift, John Gay, Alexander Pope, Henry Fielding, and others. Bogel believes that the obsessive play between identification and distance and the fascination with imitation, parody, and mimicry which mark eighteenth-century satire are part of a larger cultural phenomenon in the Augustan era—a questioning of the very status of the category and of categorical distinctness and opposition.
Author: Reni Ernst
Publisher: GRIN Verlag
ISBN: 3638883965
Category : Literary Criticism
Languages : en
Pages : 14
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Book Description
Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,0, University College Dublin (Faculty of Arts; School of English and Drama), course: Gulliver’s Travels, language: English, abstract: In 1726 Jonathan Swift published Gulliver’s Travels, a book which on the surface appeared to be a travel log to chronicle the adventures of Lemuel Gulliver on his voyages to four separate countries, but primarily serves as a satire on different aspects of human society and humankind itself. Swift’s main purpose in using the satirical element in this book, as well as in most of his other works, is to “(...) vex the world rather than divert it (...)” (Swift 264) and thus to appeal to human’s ability to change situations for the better. This believe derived from Swift’s misanthropic worldview, not in the sense that he didn’t have faith in human nature and had given up on any notion of ideals, but he rather, arisen out of disappointment in humankind, believed that man nevertheless was capable of reform. Swift himself laid bare his radically negative view of human beings in a letter to his friend Alexander Pope in 1725: “I have ever hated all Nations professions and Communityes and all my love is towards individualls for instance I hate the tribe of Lawyers, but I love Councellor such a one (...) and the rest principally I hate and detest that animal called man, although I hartily love John, Peter, Thomas and so forth.” (Swift 264/ 265) Accordingly Swift’s focus lies on the individual himself to realize unjust circumstances and to change them by acting. In order to achieve changes in society or even in human beings themselves, Swift makes use of different satirical techniques, which will be closer looked at in each of the four books of Gulliver’s Travels, paying attention to Swifts targets and consequently to the effectiveness of his satire.
Author: Jonathan Swift
Publisher: Modernista
ISBN: 9180949193
Category : Literary Collections
Languages : en
Pages : 14
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Book Description
In one of the most powerful and darkly satirical works of the 18th century, a chilling solution is proposed to address the dire poverty and overpopulation plaguing Ireland. Jonathan Swift presents a shockingly calculated and seemingly rational argument for using the children of the poor as a food source, thereby addressing both the economic burden on society and the issue of hunger. This provocative piece is a masterful example of irony and social criticism, as it exposes the cruel attitudes and policies of the British ruling class towards the Irish populace. Jonathan Swift's incisive critique not only underscores the absurdity of the proposed solution but also serves as a profound commentary on the exploitation and mistreatment of the oppressed. A Modest Proposal remains a quintessential example of satirical literature, its biting wit and moral indignation as relevant today as it was at the time of its publication. JONATHAN SWIFT [1667-1745] was an Anglo-Irish author, poet, and satirist. His deadpan satire led to the coining of the term »Swiftian«, describing satire of similarly ironic writing style. He is most famous for the novel Gulliver’s Travels [1726] and the essay A Modest Proposal [1729].
Author: Jonathan Swift
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
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Book Description
