Author:
Publisher: NORDISC Music & Text
ISBN: 8788619850
Category :
Languages : en
Pages : 1658
Book Description
Swastika, rock opera
Author:
Publisher: NORDISC Music & Text
ISBN: 8788619850
Category :
Languages : en
Pages : 1658
Book Description
Publisher: NORDISC Music & Text
ISBN: 8788619850
Category :
Languages : en
Pages : 1658
Book Description
All Aspects of ROCK & JAZZ /4, Drums
Author:
Publisher: NORDISC Music & Text
ISBN: 8788619524
Category :
Languages : en
Pages : 829
Book Description
Publisher: NORDISC Music & Text
ISBN: 8788619524
Category :
Languages : en
Pages : 829
Book Description
All Aspects of ROCK & JAZZ /2, The Electrical Bass
Author:
Publisher: NORDISC Music & Text
ISBN: 8788619702
Category :
Languages : en
Pages : 519
Book Description
Publisher: NORDISC Music & Text
ISBN: 8788619702
Category :
Languages : en
Pages : 519
Book Description
Jewish Opera Under the Swastika
Author: Carl H. Hiller
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 8
Book Description
Publisher:
ISBN:
Category : Jews
Languages : en
Pages : 8
Book Description
Swastikas on Stage
Author: Bernd Weikl
Publisher:
ISBN: 9783864603051
Category :
Languages : en
Pages : 222
Book Description
Publisher:
ISBN: 9783864603051
Category :
Languages : en
Pages : 222
Book Description
Gypsies Under the Swastika
Author: Donald Kenrick
Publisher: Univ of Hertfordshire Press
ISBN: 9781902806808
Category : History
Languages : en
Pages : 196
Book Description
non-Gypsies who tried to protect the innocent victims of fascism at the risk of their own lives." "This revised edition contains an expanded section on Romania as well as new illustrations and reference notes. The text has been updated to reflect newly available source material." --Book Jacket.
Publisher: Univ of Hertfordshire Press
ISBN: 9781902806808
Category : History
Languages : en
Pages : 196
Book Description
non-Gypsies who tried to protect the innocent victims of fascism at the risk of their own lives." "This revised edition contains an expanded section on Romania as well as new illustrations and reference notes. The text has been updated to reflect newly available source material." --Book Jacket.
Stella, rock opera
Author:
Publisher: NORDISC Music & Text
ISBN: 8788619311
Category :
Languages : en
Pages : 1571
Book Description
Publisher: NORDISC Music & Text
ISBN: 8788619311
Category :
Languages : en
Pages : 1571
Book Description
The Buddhist Swastika and Hitler's Cross
Author: T. K. Nakagaki
Publisher: Stone Bridge Press, Inc.
ISBN: 1611729335
Category : Religion
Languages : en
Pages : 309
Book Description
The swastika has been used for over three thousand years by billions of people in many cultures and religions—including Buddhism, Jainism and Hinduism—as an auspicious symbol of the sun and good fortune. However, beginning with its hijacking and misappropriation by Nazi Germany, it has also been used, and continues to be used, as a symbol of hate in the Western World. Hitler's device is in fact a "hooked cross." Rev. Nakagaki's book explains how and why these symbols got confused, and offers a path to peace, understanding, and reconciliation. Please note: Photographs in the digital edition of the books are in color. Photographs in the print edition are in black and white.
Publisher: Stone Bridge Press, Inc.
ISBN: 1611729335
Category : Religion
Languages : en
Pages : 309
Book Description
The swastika has been used for over three thousand years by billions of people in many cultures and religions—including Buddhism, Jainism and Hinduism—as an auspicious symbol of the sun and good fortune. However, beginning with its hijacking and misappropriation by Nazi Germany, it has also been used, and continues to be used, as a symbol of hate in the Western World. Hitler's device is in fact a "hooked cross." Rev. Nakagaki's book explains how and why these symbols got confused, and offers a path to peace, understanding, and reconciliation. Please note: Photographs in the digital edition of the books are in color. Photographs in the print edition are in black and white.
The Rock Cover Song
Author: Doyle Greene
Publisher: McFarland
ISBN: 1476615071
Category : Music
Languages : en
Pages : 215
Book Description
Cover songs operate as a form of cultural discourse across various musical genres and different societal, historical and political conditions. Case studies include a comparative analysis of Jimi Hendrix's and Whitney Houston's versions of "The Star-Spangled Banner" as well as a mapping of the trajectory of "(I Can't Get No) Satisfaction" from the original version by the Rolling Stones through cover versions by Otis Redding, Devo, and Britney Spears. The radical deconstruction of pop and rock songs by the Residents and Laibach is also examined, with additional studies of cover songs by such as Van Halen, Kim Wilde, Rufus Harley, the Four Tops, Pat Boone and Johnny Cash. Rather than questions of quality or how a cover song measures up as "better or worse" than other versions, this book focuses on the ideological implications and social stakes of the "same old songs" as they are reconfigured to consider, comment on and confront political issues of gender, sexuality, race, the nation-state and the generation gap.
Publisher: McFarland
ISBN: 1476615071
Category : Music
Languages : en
Pages : 215
Book Description
Cover songs operate as a form of cultural discourse across various musical genres and different societal, historical and political conditions. Case studies include a comparative analysis of Jimi Hendrix's and Whitney Houston's versions of "The Star-Spangled Banner" as well as a mapping of the trajectory of "(I Can't Get No) Satisfaction" from the original version by the Rolling Stones through cover versions by Otis Redding, Devo, and Britney Spears. The radical deconstruction of pop and rock songs by the Residents and Laibach is also examined, with additional studies of cover songs by such as Van Halen, Kim Wilde, Rufus Harley, the Four Tops, Pat Boone and Johnny Cash. Rather than questions of quality or how a cover song measures up as "better or worse" than other versions, this book focuses on the ideological implications and social stakes of the "same old songs" as they are reconfigured to consider, comment on and confront political issues of gender, sexuality, race, the nation-state and the generation gap.
Animation Under the Swastika
Author: Rolf Giesen
Publisher: McFarland
ISBN: 0786489693
Category : Performing Arts
Languages : en
Pages : 245
Book Description
Among their many idiosyncrasies, Adolf Hitler and Joseph Goebbels, the Nazi minister of propaganda, remained serious cartoon aficionados throughout their lives. They adored animation and their influence on German animation after World War II continues to this day. This study explores Hitler and Goebbels' efforts to establish a German cartoon industry to rival Walt Disney's and their love-hate relationship with American producers, whose films they studied behind locked doors. Despite their ambitious dream, all that remains of their efforts are a few cartoon shorts--advertising and puppet films starring dogs, cats, birds, hedgehogs, insects, Teutonic dwarves, and other fairy-tale ensemble. While these pieces do not hold much propaganda value, they perfectly illustrate Hannah Arendt's controversial description of those who perpetrated the Holocaust: the banality of evil.
Publisher: McFarland
ISBN: 0786489693
Category : Performing Arts
Languages : en
Pages : 245
Book Description
Among their many idiosyncrasies, Adolf Hitler and Joseph Goebbels, the Nazi minister of propaganda, remained serious cartoon aficionados throughout their lives. They adored animation and their influence on German animation after World War II continues to this day. This study explores Hitler and Goebbels' efforts to establish a German cartoon industry to rival Walt Disney's and their love-hate relationship with American producers, whose films they studied behind locked doors. Despite their ambitious dream, all that remains of their efforts are a few cartoon shorts--advertising and puppet films starring dogs, cats, birds, hedgehogs, insects, Teutonic dwarves, and other fairy-tale ensemble. While these pieces do not hold much propaganda value, they perfectly illustrate Hannah Arendt's controversial description of those who perpetrated the Holocaust: the banality of evil.