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Author: William W. Austin
Publisher: Urbana [Ill.] : University of Illinois Press
ISBN:
Category : Music
Languages : en
Pages : 464
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Book Description
The music of celebrated composer Stephen Foster--whose two hundred songs include 'Camptown Races' and 'My Old Kentucky Home' as well as 'Susanna, ' 'Jeanie with the Light Brown Hair, ' and 'The Old Folks at Home'--has influenced such famous composers and popular singers as Antonin Dvorak, Charles Ives, George Gershwin, Pete Seeger, and Ray Charles. Now, more than one hundred years after they were written, these songs are still popular. William Austin shows how generations of Americans have kept them alive, weaving them into the changing fabric of American life.
Author: William W. Austin
Publisher: Urbana [Ill.] : University of Illinois Press
ISBN:
Category : Music
Languages : en
Pages : 464
Get Book Here
Book Description
The music of celebrated composer Stephen Foster--whose two hundred songs include 'Camptown Races' and 'My Old Kentucky Home' as well as 'Susanna, ' 'Jeanie with the Light Brown Hair, ' and 'The Old Folks at Home'--has influenced such famous composers and popular singers as Antonin Dvorak, Charles Ives, George Gershwin, Pete Seeger, and Ray Charles. Now, more than one hundred years after they were written, these songs are still popular. William Austin shows how generations of Americans have kept them alive, weaving them into the changing fabric of American life.
Author: William W. Austin
Publisher: New York : Macmillan Publishing Company ; London: Collier Macmillan
ISBN:
Category : Music
Languages : en
Pages : 458
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Book Description
Author: William W. Austin
Publisher: Urbana [Ill.] : University of Illinois Press
ISBN:
Category : Music
Languages : en
Pages : 464
Get Book Here
Book Description
The music of celebrated composer Stephen Foster--whose two hundred songs include 'Camptown Races' and 'My Old Kentucky Home' as well as 'Susanna, ' 'Jeanie with the Light Brown Hair, ' and 'The Old Folks at Home'--has influenced such famous composers and popular singers as Antonin Dvorak, Charles Ives, George Gershwin, Pete Seeger, and Ray Charles. Now, more than one hundred years after they were written, these songs are still popular. William Austin shows how generations of Americans have kept them alive, weaving them into the changing fabric of American life.
Author: Carol Kimball
Publisher: Hal Leonard Corporation
ISBN: 9781423412809
Category : Music
Languages : en
Pages : 604
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Book Description
Naslagwerk van de liedkunst en de literatuur hierover.
Author: W. H. A. Williams
Publisher: University of Illinois Press
ISBN: 9780252065514
Category : Irish
Languages : en
Pages : 348
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Book Description
The image of the Irish in the United States changed drastically over time, from that of hard-drinking, rioting Paddies to genial, patriotic working-class citizens. In 'Twas Only an Irishman's Dream, William H. A. Williams traces the change in this image through more than 700 pieces of sheet music--popular songs from the stage and for the parlor--to show how Americans' opinions of Ireland and the Irish went practically from one extreme to the other. Because sheet music was a commercial item it had to be acceptable to the broadest possible song-buying public. "Negotiations" about their image involved Irish songwriters, performers, and pressured groups, on the one hand, and non-Irish writers, publishers, and audiences on the other. Williams ties the contents of song lyrics to the history of the Irish diaspora, suggesting how ethnic stereotypes are created and how they evolve within commercial popular culture.
Author: Eric Lott
Publisher: Oxford University Press
ISBN: 0199361630
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery. This new edition celebrates the twentieth anniversary of this landmark volume. It features a new foreword by renowned critic Greil Marcus that discusses the book's influence on American cultural studies as well as its relationship to Bob Dylan's 2001 album of the same name, "Love & Theft." In addition, Lott has written a new afterword that extends the study's range to the twenty-first century.
Author: Alice Sparberg Alexiou
Publisher: Fordham Univ Press
ISBN: 153150728X
Category : History
Languages : en
Pages : 313
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Book Description
Devil’s Mile tells the rip-roaring story of New York’s oldest and most unique street The Bowery was a synonym for despair throughout most of the 20th century. The very name evoked visuals of drunken bums passed out on the sidewalk, and New Yorkers nicknamed it “Satan’s Highway,” “The Mile of Hell,” and “The Street of Forgotten Men.” For years the little businesses along the Bowery—stationers, dry goods sellers, jewelers, hatters—periodically asked the city to change the street’s name. To have a Bowery address, they claimed, was hurting them; people did not want to venture there. But when New York exploded into real estate frenzy in the 1990s, developers discovered the Bowery. They rushed in and began tearing down. Today, Whole Foods, hipster night spots, and expensive lofts have replaced the old flophouses and dive bars, and the bad old Bowery no longer exists. In Devil’s Mile, Alice Sparberg Alexiou tells the story of the Bowery, starting with its origins, when forests covered the surrounding area, and through the pre–Civil War years, when country estates of wealthy New Yorkers lined this thoroughfare. She then describes the Bowery’s deterioration in stunning detail, starting in the post-bellum years. She ends her historical exploration of this famed street in the present, bearing witness as the old Bowery buildings, and the memories associated with them, are disappearing.
Author: Nicholas Gebhardt
Publisher: University of Chicago Press
ISBN: 022644872X
Category : Music
Languages : en
Pages : 192
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Book Description
If you enjoy popular music and culture today, you have vaudeville to thank. From the 1870s until the 1920s, vaudeville was the dominant context for popular entertainment in the United States, laying the groundwork for the music industry we know today. In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of theatres, each part of a circuit and administered from centralized booking offices. Gebhardt shows us how vaudeville transformed relationships among performers, managers, and audiences, and argues that these changes affected popular music culture in ways we are still seeing today. Drawing on firsthand accounts, Gebhardt explores the practices by which vaudeville performers came to understand what it meant to entertain an audience, the conditions in which they worked, the institutions they relied upon, and the values they imagined were essential to their success.
Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 9780674372993
Category : Biography & Autobiography
Languages : en
Pages : 1048
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Book Description
Biographaical dictionary emphisizes classicaland art music; also gives ample attention to the classics as well as Jazz, Blues, rock and pop, and hymns and showtunes across the ages.
Author: Gilbert Chase
Publisher: University of Illinois Press
ISBN: 9780252062759
Category : Music
Languages : en
Pages : 768
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Book Description
A history of American music, its diversity, and the cultural influences that helped it develop.
