Sursum Corda!: 1947-1957 PDF Download
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Author: Malcolm Lowry
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 1044
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Book Description
Author: Malcolm Lowry
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 1044
Get Book Here
Book Description
Author: Malcolm Lowry
Publisher:
ISBN:
Category : Authors, English
Languages : en
Pages : 810
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Book Description
Author: Joshua Blu Buhs
Publisher: University of Chicago Press
ISBN: 0226831485
Category : History
Languages : en
Pages : 395
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Book Description
"This book is about Charles Fort, his followers, and the surprising influence they have had on science fiction, the avant-garde, UFOlogy, and more broadly on the role of spirituality and conspiracy in the modern world. Fort was an author and maverick philosopher who wrote four non-fiction books about anomalies-rains of frogs, mysterious disappearances, unexplained lights in the sky-for which he offered hypotheses that even he did not (always) accept as true. His books developed into a monistic philosophy that denounced science as a machine for generating truth. In his view, science was a small part of a larger system in which truth and falsity were constantly transforming one into the other. This was not a rejection of the modern world but, instead, its fulfillment: Fort prophesied the next stage in intellectual evolution after the scientific era. He inspired four overlapping groups: members of the Fortean Society; science fiction fans and writers; avant-garde artists; and flying saucer enthusiasts. First We Must Think to New Worlds takes up each of these groups in turn to ask: How can the human imagination be expanded? What is the fundamental structure of the universe? And, how does power move? As they developed their responses, Fort's followers mixed Forteanism with Fundamentalism, New Agery, and conspiracy, as well as a host of other forms of modern enchantments, such as the ironic imagination, scientific wonder, and Theosophical syncretism. Each chapter is interrupted by and concludes with shorter sections that focus on particular Forteans or Fortean events as a way to deepen themes"--
Author: Harry Bruce
Publisher: Douglas Gibson Books
ISBN: 1551993171
Category : Language Arts & Disciplines
Languages : en
Pages : 362
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Book Description
A witty round-up of writers' habits that includes all the big names, such as Dickens, Flaubert, Tolstoy, Hemingway At public events readers always ask writers how they write. The process fascinates them. Now they have a very witty book that ranges around the world and throughout history to answer their questions. All the great writers are here — Dickens, dashing off his work; Henry James dictating it; Flaubert shouting each word aloud in the garden; Hemingway at work in cafés with his pencil. But pencil or pen, trusty typewriter or computer, they all have their advocates. Not to mention the writers who can only keep the words flowing by writing naked, or while walking or listening to music — and generally obeying the most bizarre superstitions. On Shakespeare’s works: “Fantastic. And it was all done with a feather!” — Sam Goldwyn “I write nude, seated on a thick towel, and perhaps with a second towel around me.” — Paul West “I’ve never heard of anyone getting plumber’s block, or traffic cop’s block.” — Allan Gurganus “I’m a drinker with a writing problem.” — Brendan Behan
Author: Richard J. Lane
Publisher: University of Ottawa Press
ISBN: 0776623427
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
This collection focuses on Lowry’s spatial dynamics, from the psychogeography of the Letterist and the Situationist International, through musical forms (especially jazz), cinema, photography, and spatial poetic writing, to the spaces of exception, bio-politics, and the creaturely. It presents previously unpublished essays by both established and new international Lowry scholars, as well as innovative ways of conceiving of his aesthetic practice. In each of the book’s three sections, critics engage in the notion of Lowry as a multi-media artist who influenced and was deeply influenced by a broad range of modernist and early postmodernist aesthetic practices. Acutely aware of and engaged in the world of film, sensitive to the role of the graphical surface in advertising and propaganda, and deeply immersed in a vast range of literary traditions and the avant-garde, Lowry worked within an intertextual space that is also a mediascape, one which tends to transgress, or at least exceed, neatly controlled borders or aesthetic boundaries. These new approaches to Lowry’s life and work, which make use of new and recent theoretical perspectives, will encourage fresh debate around Lowry’s writing. Publié en anglais.
Author: Joseph Tabbi
Publisher: Cornell University Press
ISBN: 1501717650
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
The convergence of twentieth-century narrative and technology is one of the most important developments in current literary study. A decade after the founding of the Society for Literature and Science and the appearance of such influential books as Kathleen Woodward's Culture of Information and William Paulson's The Noise of Culture, Joseph Tabbi and Michael Wutz have edited a landmark volume to summarize this still-emerging field. Twelve original essays and the editors' introductory overview show how these theoretical concerns can contribute to the practical study of narrative. Reading Matters covers the range of contemporary literature, from the canonical novels of high modernism and postmodernism through subjects new to the academic agenda, such as cyberpunk and hypertext fiction. In an age that has proclaimed the death of the novel many times over, the contributors argue persuasively for the continued vitality of literary narrative. By responding in ingenious ways to the capabilities of other media, they assert, the novel has enlarged and redefined its territory of representation and its range of techniques and play, while maintaining its viability in the new media assemblage.
Author: Frederick Asals
Publisher: University of Georgia Press
ISBN: 9780820318264
Category : Drama
Languages : en
Pages : 494
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Book Description
Ten years in the making, Under the Volcano is the best-known work of writer Malcolm Lowry. Published first in 1947, it is a brilliant, moving, and complex novel, perhaps the last fictional masterpiece to emerge from the modernist movement. As the years went by, Lowry's obsessive rewriting took him further and further into his book, which changed relatively little in the outer semblance of action and main characters but became utterly transformed in texture from the thin and mediocre version of 1940 to the rich tapestry of 1947. The numerous manuscripts allow a look at the processes by which Lowry created not only his masterwork but also his own reputation as a modernist genius. This study offers an extended examination of individual drafts as the novel slowly developed and, in a final chapter, an appraisal of the implications of Lowry's revisions for the book as published, an appraisal that suggests bases for new readings of Under the Volcano.
Author: Andrew Wilson
Publisher: Bloomsbury Publishing USA
ISBN: 159691968X
Category : Biography & Autobiography
Languages : en
Pages : 578
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Book Description
The life of Patricia Highsmith was as secretive and unusual as that of many of the best-known characters who people her "peerlessly disturbing" thrillers and short stories. Yet even as her work has found new popularity in the last few years, the life of this famously elusive writer has remained a mystery. For Beautiful Shadow, the first biography of Highsmith, British journalist Andrew Wilson mined the vast archive of diaries, notebooks, and letters she left behind, astonishing in their candor and detail. He interviewed her closest friends and colleagues as well as some of her many lovers. But Wilson also traces Highsmith's literary roots in the work of Poe, noir, and existentialism, locating the influences that helped distinguish Highsmith's writing so startlingly from more ordinary thrillers. The result is both a serious critical biography and one that reveals much about a brilliant and contradictory woman, one who despite her acclaim and affairs always maintained her solitude.
Author: Faculté des lettrres et des sciences humaines. Société conradienne française
Publisher: Presses Univ. Limoges
ISBN: 9782842871697
Category :
Languages : en
Pages : 208
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Book Description
Ce numéro de L'Époque Conradienne rassemble la plupart des communications présentées lors du colloque international organisé en septembre 1999 à l'Université Lumière - Lyon II sur le thème : Conrad and Lowry : l'esth-éthique de la fiction. Les comparaisons, rapprochements éthiques et divergences esthétiques entre ces deux auteurs dominent donc dans cette livraison et enrichissent notre vision de deux œuvres majeures du XXe siècle. Conrad, moins omniprésent que d'habitude, profite cependant de ces regards croisés qui soulignent, une fois de plus, son rôle fondamental dans l'éclosion de la modernité.
Author: Claude Maisonnat
Publisher: Cambridge Scholars Publishing
ISBN: 1443816159
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
This volumes includes a series of 17 selected essays, preceded by a methodological introduction, whose purpose is to offer a fresh outlook on the question of rewriting-reprising. The argument, taking for granted the phenomenon of intertextuality, develops along three main axes: the first one reconsiders the already debated issue of authority on post-structuralist premises, arguing that the origin of a text is untraceable. The second looks at a phenomenon often associated with reprising, especially in a post-colonial context: trauma, whether individual or historical, in relation to creative repetition. The third axis offers a re-reading of the question of voice, introducing the notion of the textual voice, understood as that part of the enunciative act over which the author has no control. When writers make of reprising a deliberate practise, we are tempted to believe that their position, between homage and pillage, presupposes the existence of a traceable source of the literary Word. We must however face the problematic nature of enunciation, the void on which is is founded. Which leads us to the proposition that the act of reprising is a creation ex nihilo: a certain mode of organisation around that void. Besides, in a century of major man-made traumas, whose effect was the tearing up of social fabrics, reprising will assume a more complex significance: the symptomatic, repetitive stitching of what is being constantly ripped up.
