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Author: Nahma Sandrow
Publisher:
ISBN: 9780061315992
Category : Art
Languages : en
Pages : 180
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Book Description
Author: Nahma Sandrow
Publisher:
ISBN: 9780061315992
Category : Art
Languages : en
Pages : 180
Get Book Here
Book Description
Author: Sharon Peters
Publisher: Troll Communications
ISBN: 9780893752880
Category : Juvenile Nonfiction
Languages : en
Pages : 36
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Book Description
Who ruined Mrs. Baker's rose garden?
Author: Nahma Sandrow
Publisher: Dissertation.com
ISBN: 9780595169085
Category : Surrealism
Languages : en
Pages : 0
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Book Description
The lively young artists of the Surrealist Movement shocked Paris in the 1920's with the first strong statement of many tendencies which still drive the avant-garde today. They centered art in the artist's identity while including spectators in the act of creation; denied distinctions between life and art, sense and nonsense; and conceived not only drama and film, but also painting, poetry, and music as theatrical performance. CHAPTERS: Historical Background; Dada and Surrealism; The Artist; The Art; The Audience. ILLUSTRATIONS: paintings and sculpture, performance photos, film stills. Bibliography, appendices. Original translation of Surrealist play.
Author: J. L. Styan
Publisher: Cambridge University Press
ISBN: 9780521296298
Category : Drama
Languages : en
Pages : 238
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Book Description
Jarry - Garcia Lorca - Satre - Camus - Beckett - Ritual theatre and Jean Genet - Fringe theatre in Britain__
Author: J. H. Matthews
Publisher: [Syracuse, N.Y.] : Syracuse University Press
ISBN:
Category : Art
Languages : en
Pages : 316
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Book Description
Examines the history of avant-garde drama and examines its effects on the development of traditional theatre in the twentieth century.
Author: Michael Elsohn Ross
Publisher: Chicago Review Press
ISBN: 1613742754
Category : Education
Languages : en
Pages : 145
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Book Description
The bizarre and often humorous creations of René Magritte, Joan Mir&ó, Salvador Dal&í, and other surrealists are showcased in this activity guide for young artists. Foremost among the surrealists, Salvador Dal&í was a painter, filmmaker, designer, performance artist, and eccentric self-promoter. His famous icons, including the melting watches, double images, and everyday objects set in odd contexts, helped to define the way people view reality and encourage children to view the world in new ways. Dal&í's controversial life is explored while children trace the roots of some familiar modern images. These wild and wonderful activities include making Man Ray&–inspired solar prints, filming a Dali-esque dreamscape video, writing surrealist poetry, making collages, and assembling art with found objects.
Author: Susan H. Smith
Publisher: Univ of California Press
ISBN: 9780520050952
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Author: Robert Knopf
Publisher: Yale University Press
ISBN: 0300206739
Category : Drama
Languages : en
Pages : 512
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Book Description
An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.
Author: Vassiliki Rapti
Publisher: Routledge
ISBN: 1317103092
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
Taking as its point of departure the complex question about whether Surrealist theatre exists, this book re-examines the much misunderstood artistic medium of theatre within Surrealism, especially when compared to poetry and painting. This study reconsiders Surrealist theatre specifically from the perspective of ludics-a poetics of play and games-an ideal approach to the Surrealists, whose games blur the boundaries between the 'playful' and the 'serious.' Vassiliki Rapti's aims are threefold: first, to demystify André Breton's controversial attitude toward theatre; second, to do justice to Surrealist theatre, by highlighting the unique character that derives from its inherent element of play; and finally, to trace the impact of Surrealist theatre in areas far beyond its generally acknowledged influence on the Theatre of the Absurd-an impact being felt even on the contemporary world stage. Beginning with the Surrealists' 'one-into-another' game and its illustration of Breton's ludic dramatic theory, Rapti then examines the traces of this kind of game in the works of a wide variety of Surrealist and Post-Surrealist playwrights and stage directors, from several different countries, and from the 1920s to the present: Roger Vitrac, Antonin Artaud, Günter Berghaus, Nanos Valaoritis, Robert Wilson, and Megan Terry.
Author: Enoch Brater
Publisher: Oxford University Press
ISBN: 0195362039
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
Beyond Minimalism explores Beckett's drama of the '70s and '80s, examining the ways in which play text and performance merge through the playwright's poetic idiom. Beginning with Not I and continuing through Catastrophe and What Where, Brater examines the plays not only as texts but also as theater pieces. Discussing the technical and aesthetic demands that productions like Footfalls and Rockaby make on actor, director, and spectator, Brater clarifies the essential relationship between Beckett's achievement in the context of the breakdown of genre, performance poetry, and the electronic intrusion of the recorded voice as a new theatrical convention. In the course of his analysis Brater demonstrates how Beckett's late style in the theater both continues and clarifies the dramatic lyricism that is the hallmark of earlier works such as Endgame and Waiting for Godot.
