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Author: Dom Phillips
Publisher: Random House
ISBN: 140702695X
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
"It was about larging it. It was about pulling out a wad of 20s when you were buying your champagne at the bar. It was about buying your cocaine in an eight ball. It was about wearing designer clothes. At that top tier of that club scene, it was about giving it loads." With a foreword by music journalist, Miranda Sawyer, Superstar DJs Here We Go! is the full, unexpurgated story of the biggest pop culture phenomenon of the 1990s: the rise and fall of the superstar DJ. During the 1990s big names such as Sasha, Jeremy Healy, Fatboy Slim, Dave Seaman, Nicky Holloway, Judge Jules, and Pete Tong exploded out of acid house, becoming international jetsetters, flying all over the world just to play a few hours and commanding up to £140,000 a night. The plush, heavily branded 'superclubs' where they performed - clubs like Cream, Ministry, Renaissance and Gatecrasher - were filled with thousands of adoring clubbers, roaring their approval of their DJ gods. For the DJs and promoters, it was a licence to print money and live like a rock star. For clubbers, it was a hedonistic utopia where anyone and everyone could come together to look fabulous, take drugs, and dance the night away. But underneath the shiny surface lurked a darker side, a world of cynical moneymaking, rampant egos and cocaine-fuelled self-indulgence that eventually spiralled out of control leaving behind burnt-out DJs, jobless promoters and a host of bittersweet memories. They went from having the clubbing world at their feet to the world's biggest comedown. Dom Phillips - former editor of clubbers' bible Mixmag - reveals an enthralling and at times jaw-dropping account of flawed people, broken dreams and what really happens when it all goes Pete Tong.
Author: Dom Phillips
Publisher: Random House
ISBN: 140702695X
Category : Biography & Autobiography
Languages : en
Pages : 384
Get Book Here
Book Description
"It was about larging it. It was about pulling out a wad of 20s when you were buying your champagne at the bar. It was about buying your cocaine in an eight ball. It was about wearing designer clothes. At that top tier of that club scene, it was about giving it loads." With a foreword by music journalist, Miranda Sawyer, Superstar DJs Here We Go! is the full, unexpurgated story of the biggest pop culture phenomenon of the 1990s: the rise and fall of the superstar DJ. During the 1990s big names such as Sasha, Jeremy Healy, Fatboy Slim, Dave Seaman, Nicky Holloway, Judge Jules, and Pete Tong exploded out of acid house, becoming international jetsetters, flying all over the world just to play a few hours and commanding up to £140,000 a night. The plush, heavily branded 'superclubs' where they performed - clubs like Cream, Ministry, Renaissance and Gatecrasher - were filled with thousands of adoring clubbers, roaring their approval of their DJ gods. For the DJs and promoters, it was a licence to print money and live like a rock star. For clubbers, it was a hedonistic utopia where anyone and everyone could come together to look fabulous, take drugs, and dance the night away. But underneath the shiny surface lurked a darker side, a world of cynical moneymaking, rampant egos and cocaine-fuelled self-indulgence that eventually spiralled out of control leaving behind burnt-out DJs, jobless promoters and a host of bittersweet memories. They went from having the clubbing world at their feet to the world's biggest comedown. Dom Phillips - former editor of clubbers' bible Mixmag - reveals an enthralling and at times jaw-dropping account of flawed people, broken dreams and what really happens when it all goes Pete Tong.
Author: Nolan Gasser
Publisher: Flatiron Books
ISBN: 1250057205
Category : Music
Languages : en
Pages : 697
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Book Description
From the chief architect of the Pandora Radio’s Music Genome Project comes a definitive and groundbreaking examination of why we respond to music the way we do. Everyone loves music. But what is it that makes music so universally beloved and have such a powerful effect on us? In this sweeping and authoritative book, Dr. Nolan Gasser—a composer, pianist, and musicologist, and the chief architect of the Music Genome Project, which powers Pandora Radio—breaks down what musical taste is, where it comes from, and what our favorite songs say about us. Dr. Gasser delves into the science, psychology, and sociology that explains why humans love music so much; how our brains process music; and why you may love Queen but your best friend loves Kiss. He sheds light on why babies can clap along to rhythmic patterns and reveals the reason behind why different cultures around the globe identify the same kinds of music as happy, sad, or scary. Using easy-to-follow notated musical scores, Dr. Gasser teaches music fans how to become engaged listeners and provides them with the tools to enhance their musical preferences. He takes readers under the hood of their favorite genres—pop, rock, jazz, hip hop, electronica, world music, and classical—and covers songs from Taylor Swift to Led Zeppelin to Kendrick Lamar to Bill Evans to Beethoven, and through their work, Dr. Gasser introduces the musical concepts behind why you hum along, tap your foot, and feel deeply. Why You Like It will teach you how to follow the musical discourse happening within a song and thereby empower your musical taste, so you will never hear music the same way again.
Author: Samantha Bennett
Publisher: Bloomsbury Publishing USA
ISBN: 1501344110
Category : Music
Languages : en
Pages : 257
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Book Description
From the Fairlight CMI through MIDI to the digital audio workstations at the turn of the millennium, Modern Records, Maverick Methods examines a critical period in commercial popular music record production: the transformative digital age from the late 1970s until 2000. Drawing on a discography of more than 300 recordings across pop, rock, hip hop, dance and alternative musics from artists such as the Beastie Boys, Madonna, U2 and Fatboy Slim, and extensive and exclusive ethnographic work with many world-renowned recordists, Modern Records presents a fresh and insightful new perspective on one of the most significant eras in commercial music record production. The book traces the development of significant music technologies through the 1980s and 1990s, revealing how changing attitudes and innovative techniques of recording personnel reimagined recording processes and, finally, exemplifies the impact of these technologies and techniques via six comprehensive tech-processual analyses. This meticulously researched and timely book reveals the complexity of recordists' responses to a technological landscape in flux.
Author: Matt Anniss
Publisher: Arcturus Publishing
ISBN: 1838578382
Category : Juvenile Nonfiction
Languages : en
Pages : 77
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Book Description
Take a journey through the radical history of techno and dance music. Find out about the origins of house, techno, hardcore, and chill out music. Witness how the synthesizer changed the dance music world forever and meet the world's biggest superstar DJs. ABOUT THE SERIES: This heavily illustrated, magazine-style series tells the story of music from the 50s to the present day, featuring quotes from contemporary artists about their influences and inspirations.
Author: Dave Haslam
Publisher: Simon and Schuster
ISBN: 0857207008
Category : Music
Languages : en
Pages : 607
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Book Description
Nightclubs and music venues are often the source of a lifetime's music taste, best friends and vivid memories. They can define a town, a city or a generation, and breed scenes and bands that change music history. In Life After DarkDave Haslam reveals and celebrates a definitive history of significant venues and great nights out. Writing with passion and authority, he takes us from vice-ridden Victorian dance halls to acid house and beyond; through the jazz decades of luxurious ballrooms to mods in basement dives and the venues that nurtured the Beatles, the Stones, Northern Soul and the Sex Pistols; from psychedelic light shows to high street discos; from the Roxy to the Hacienda; from the Krays to the Slits; and from reggae sound systems to rave nights in Stoke. In a journey to dozens of towns and cities, taking in hundreds of unforgettable stories on the way, Haslam explores the sleaziness, the changing fashions, the moral panics and the cultural and commercial history of nightlife. He interviews clubbers and venue owners, as well as DJs and musicians; he meets one of the gangsters who nearly destroyed Manchester's nightlife and discusses Goth clubs in Leeds with David Peace.
Author: Bernardo Attias
Publisher: Bloomsbury Publishing USA
ISBN: 1623564379
Category : Music
Languages : en
Pages : 342
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Book Description
The DJ stands at a juncture of technology, performance and culture in the increasingly uncertain climate of the popular music industry, functioning both as pioneer of musical taste and gatekeeper of the music industry. Together with promoters, producers, video jockeys (VJs) and other professionals in dance music scenes, DJs have pushed forward music techniques and technological developments in last few decades, from mashups and remixes to digital systems for emulating vinyl performance modes. This book is the outcome of international collaboration among academics in the study of electronic dance music. Mixing established and upcoming researchers from the US, Canada, the UK, Germany, Austria, Sweden, Australia and Brazil, the collection offers critical insights into DJ activities in a range of global dance music contexts. In particular, chapters address digitization and performativity, as well as issues surrounding the gender dynamics and political economies of DJ cultures and practices.
Author: Russ Hepworth-Sawyer
Publisher: CRC Press
ISBN: 042987586X
Category : Psychology
Languages : en
Pages : 303
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Book Description
The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industry leaders, practitioners, and academics to present and analyze the situation of gender within the wider context of music production as well as to propose potential directions for the future of the field. This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges and opportunities for change. Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students, and researchers working in the field of music production today.
Author: Ewa Mazierska
Publisher: Bloomsbury Publishing USA
ISBN: 1501379593
Category : Music
Languages : en
Pages : 305
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Book Description
The Evolution of Electronic Dance Music establishes EDM's place on the map of popular music. The book accounts for various ambiguities, variations, transformations, and manifestations of EDM, pertaining to its generic fragmentation, large geographical spread, modes of consumption and, changes in technology. It focuses especially on its current state, its future, and its borders – between EDM and other forms of electronic music, as well as other forms of popular music. It accounts for the rise of EDM in places that are overlooked by the existing literature, such as Russia and Eastern Europe, and examines the multi-media and visual aspects such as the way EDM events music are staged and the specificity of EDM music videos. Divided into four parts – concepts, technology, celebrity, and consumption – this book takes a holistic look at the many sides of EDM culture.
Author: Matthew Collin
Publisher: Serpent's Tail
ISBN: 1782831452
Category : Music
Languages : en
Pages : 479
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Book Description
Electronic dance music was once the utopian frontier of pop culture. But three decades after the acid house 'summer of love', it has gone from subculture to the global mainstream. Does it still have the same power to inspire? From the pleasure palaces of Ibiza and Las Vegas to 'new frontiers' like Shanghai and Dubai, raving is now a multi-million-dollar business. But there are still hardcore believers upholding its DIY ethos - the techno idealists of Berlin and Detroit and the queer subcults of New York, the post-apartheid party people of South Africa and the outlaw techno travellers of France. In Rave On, Matthew Collin travels the world to experience these unique scenes first-hand, talk to the key players and hear the story of how dance culture went global - and find out if its maverick spirit can survive its own success.
Author: Simon A. Morrison
Publisher: Bloomsbury Publishing USA
ISBN: 1501357689
Category : Music
Languages : en
Pages : 265
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Book Description
Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve. The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.
