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Author: Yvonne Whittal
Publisher: Harlequin Books
ISBN: 9780373024124
Category : Love stories
Languages : en
Pages : 188
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Author: Yvonne Whittal
Publisher: Harlequin Books
ISBN: 9780373024124
Category : Love stories
Languages : en
Pages : 188
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Book Description
Author: Jessie Van Eerden
Publisher:
ISBN: 9780996439756
Category : History
Languages : en
Pages : 0
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Book Description
In this collection of portraits, the eye is the vital ''lamp of the body, '' a spiritual organ van Eerden uses to craft essays that are as much encounters as they are likenesses, as much being seen as seeing. Historical subjects like Simone Weil and the Beguines confront the author's imaginative and intellectual being, while the viscerally close foci of family and a lost marriage must also be reckoned with. The author's religious tradition and the rural landscape of Terra Alta, West Virginia are two backgrounds that are neither chosen nor fully understood, but van Eerden's attention to these matters becomes its own form of devotion, a longing to see and to believe--the longing itself taking on the robustness of faith. This is the common goal of these essays, to fully meet each subject and return to it some form of wholeness, a quest full of lush imagery and insights. -- From Amazon description.
Author: Francis Berger
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Author:
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 94
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Author:
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 324
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Author: Guy Gavriel Kay
Publisher: Penguin
ISBN: 1101663995
Category : Fiction
Languages : en
Pages : 422
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Book Description
Taken to a realm of magic and war, five men and women from our world embark on an epic journey in the first novel in Guy Gavriel Kay’s classic, critically acclaimed fantasy trilogy, The Fionavar Tapestry. It begins with a chance meeting that introduces the five to a man who will change their lives: a mage who brings them to the first of all worlds, Fionavar. In this land of gods and myth, each of them is forced to discover what they are and what they are willing to do, as Fionavar stands on the brink of a terrifying war against a dark, vengeful god...
Author: Franklin Jacob Crider
Publisher:
ISBN:
Category : Love grass
Languages : en
Pages : 96
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Author: Andrew Lang
Publisher: Library of Alexandria
ISBN: 1465527419
Category : Fiction
Languages : en
Pages : 18996
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When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
Author: Joshua John Skinner
Publisher:
ISBN:
Category : Cotton
Languages : en
Pages : 828
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 3116
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Book Description
A world list of books in the English language.
