Summary: Progressive Hollywood PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Summary: Progressive Hollywood PDF full book. Access full book title Summary: Progressive Hollywood by BusinessNews Publishing,. Download full books in PDF and EPUB format.
Author: BusinessNews Publishing,
Publisher: Primento
ISBN: 2511001497
Category : Social Science
Languages : en
Pages : 19
Get Book Here
Book Description
The must-read summary of Ed Rampell's book: “Progressive Hollywood: A People’s Film History of the United States”. This complete summary of "Progressive Hollywood" by Ed Rampell presents his assessment of the relationship between politics and Hollywood, the major movements in the film industry and the rise of the progressive left in entertainment and how it is countering the industry's right wing. He also describes the impacts of Hollywood on society, the limits imposed by politics and the consequences of their infringement. Added-value of this summary: • Save time • Understand how Hollywood and politics often overlap • Expand your knowledge of American politics and culture To learn more, read "Progressive Hollywood" and discover how the rise of the progressive left wing is shaking up the entertainment industry.
Author: BusinessNews Publishing,
Publisher: Primento
ISBN: 2511001497
Category : Social Science
Languages : en
Pages : 19
Get Book Here
Book Description
The must-read summary of Ed Rampell's book: “Progressive Hollywood: A People’s Film History of the United States”. This complete summary of "Progressive Hollywood" by Ed Rampell presents his assessment of the relationship between politics and Hollywood, the major movements in the film industry and the rise of the progressive left in entertainment and how it is countering the industry's right wing. He also describes the impacts of Hollywood on society, the limits imposed by politics and the consequences of their infringement. Added-value of this summary: • Save time • Understand how Hollywood and politics often overlap • Expand your knowledge of American politics and culture To learn more, read "Progressive Hollywood" and discover how the rise of the progressive left wing is shaking up the entertainment industry.
Author: Thomas Doherty
Publisher: Columbia University Press
ISBN: 0231535147
Category : History
Languages : en
Pages : 449
Get Book Here
Book Description
Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).
Author: Sherry B. Ortner
Publisher: Duke University Press
ISBN: 0822354268
Category : Social Science
Languages : en
Pages : 349
Get Book Here
Book Description
The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are "telling the truth" about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique.
Author: Ben Shapiro
Publisher: Harper Collins
ISBN: 0062092103
Category : Performing Arts
Languages : en
Pages : 418
Get Book Here
Book Description
“Vitally important, devastatingly thorough, and shockingly revealing…. After reading Primetime Propaganda, you’ll never watch TV the same way again.” —Mark Levin Movie critic Michael Medved calls Ben Shapiro, “One of our most refreshing and insightful voices on the popular culture, as well as a conscience for his much-maligned generation.” With Primetime Propaganda, the syndicated columnist and bestselling author of Brainwashed, Porn Generation, and Project President tells the shocking true story of how the most powerful medium of mass communication in human history became a vehicle for spreading the radical agenda of the left side of the political spectrum. Similar to what Bernard Goldberg’s Bias and A Slobbering Love Affair did for the liberal news machine, Shapiro’s Primetime Propaganda is an essential exposé of corrupting media bias, pulling back the curtain on widespread and unrepentant abuses of the Hollywood entertainment industry.
Author: J. Hoberman
Publisher: The New Press
ISBN: 1595587276
Category : Performing Arts
Languages : en
Pages : 471
Get Book Here
Book Description
The film critic’s sweeping analysis of American cinema in the Cold War era is both “utterly compulsive reading [and] majestic” in its “breadth and rigor” (Film Comment). An Army of Phantoms is a major work of film history and cultural criticism by leading film critic J. Hoberman. Tracing the dynamic interplay between politics and popular culture, Hoberman offers “the most detailed year-by-year look at Hollywood during the first decade of the Cold War ever published, one that takes film analysis beyond the screen and sets it in its larger political context” (Los Angeles Review of Books). By “tell[ing] the story not just of what’s on the screen but of what played out behind it,” Hoberman demonstrates how the nation’s deep-seated fears and wishes were projected onto the big screen. In this far-reaching work of historical synthesis, Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic tests are shown on live TV, God talks on the radio, and Joe McCarthy is bracketed with Marilyn Monroe (The American Scholar). From cavalry Westerns to apocalyptic sci-fi flicks, and biblical spectaculars; from movies to media events, congressional hearings and political campaigns, An Army of Phantoms “remind[s] you what criticism is supposed to be: revelatory, reflective and as rapturous as the artwork itself” (Time Out New York). “An epic . . . alternately fevered and measured account of what might be called the primal scene of American cinema.” —Cineaste “There’s something majestic about the reach of Hoberman’s ambitions, the breadth and rigor of his research, and especially the curatorial vision brought to historical data.” —Film Comment
Author: M.B.B. Biskupski
Publisher: University Press of Kentucky
ISBN: 0813139325
Category : Performing Arts
Languages : en
Pages : 326
Get Book Here
Book Description
“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In this prize-winning study, Polish historian M. B. B. Biskupski explores why. Biskupski presents a close critical study of prewar and wartime films such as To Be or Not to Be, In Our Time, and None Shall Escape. Through memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors, Biskupski examines how the political climate, and especially pro-Soviet sentiment, influenced Hollywood films of the time. Winner of the Oscar Halecki Prize A Choice Outstanding Academic Title
Author: SNAP Summaries
Publisher: ZIP Reads
ISBN:
Category : Political Science
Languages : en
Pages : 23
Get Book Here
Book Description
PLEASE NOTE: This is a summary and analysis of the book and not the original book. SNAP Summaries is wholly responsible for this content and is not associated with the original author in any way. If you are the author, publisher, or representative of the original work, please contact info[at]snapsummaries[dot]com with any questions or concerns. If you'd like to purchase the original book, please paste this link in your browser: https://amzn.to/3eDcBDY In Don’t Burn This Book, Dave Rubin bares his soul as he describes why and how he walked away from the leftist agenda. He exposes the way progressives are tearing America apart with their authoritarian actions and offers guidance to those who seek to come out of the political and personal closet. What does this SNAP Summary Include? - Synopsis of the original book - Key takeaways from each chapter - How the Left shames people into agreeing with its agenda - How to see past prejudices and understand the truth about America - Editorial Review - Background on Dave Rubin About the Original Book: The political left has always prided itself as a movement that fights for social justice and freedoms. As a result, liberals tend to attack the right as a bunch of oppressive, conservative bigots. But in his book, Don’t Burn this Book, Dave Rubin counters this narrative by arguing that it is the liberals who are racist and authoritarian. As a former leftist, Rubin argues that liberals are only interested in bullying everyone into believing a particular narrative. But despite their attempts, America’s hope lies in the hands of those who are willing to be independent free thinkers rather, not those who adopt a herd mentality. DISCLAIMER: This book is intended as a companion to, not a replacement for, Don't Burn This Book. SNAP Summaries is wholly responsible for this content and is not associated with the original author in any way. If you are the author, publisher, or representative of the original work, please contact info[at]snapsummaries.com with any questions or concerns. Please follow this link: https://amzn.to/3eDcBDY to purchase a copy of the original book.
Author: Robert P. Kolker
Publisher: Rutgers University Press
ISBN: 1978820941
Category : Performing Arts
Languages : en
Pages : 149
Get Book Here
Book Description
The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences. Triumph Over Containment offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture. This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.
Author: Daniel Marcus
Publisher: Routledge
ISBN: 1317534158
Category : Social Science
Languages : en
Pages : 235
Get Book Here
Book Description
Contemporary Documentary offers a rich survey of the rapidly expanding landscape of documentary film, television, video, and new media. The collection of original essays addresses the emerging forms, popular genres, and innovative approaches of the digital era. The anthology highlights geographically and thematically diverse examples of documentaries that have expanded the scope and impact of non-fiction cinema and captured the attention of global audiences over the past three decades. It also explores the experience of documentary today, with its changing dynamics of production, collaboration, distribution, and exhibition, and its renewed political and cultural relevance. The twelve chapters - featuring engaging case studies and written from a wide range of perspectives including film theory, social theory, ethics, new media, and experience design - invite students to think critically about documentary as a vibrant field, unrestricted in its imagination and quick in its response to new forms of filmmaking. Offering a methodical exploration of the expansive reach of documentary as a creative force in the media and society of the twenty-first century, Contemporary Documentary is an ideal collection for students of film, media, and communication who are studying documentary film.
Author: Barbara Klinger
Publisher: Indiana University Press
ISBN: 9780253208750
Category : Drama
Languages : en
Pages : 226
Get Book Here
Book Description
Melodrama and Meaning is a major addition to the new historical approach to film studies. Barbara Klinger shows how institutions most associated with Hollywood cinema—academia, the film industry, review journalism, star publicity, and the mass media—create meaning and ideological identity for films. Chapters focus on Sirk's place in the development of film studies from the 1950s through the 1980s, as well as the history of the critical reception (both academic and popular) of Sirk's films, a history that outlines journalism's role in public tastemaking. Other chapters are devoted to Universal's selling of Written on the Wind, the machinery of star publicity and the changing image of Rock Hudson, and the contemporary "institutionalized" camp response to Sirk that has resulted from developments in mass culture.
