Author: Milkyway Media
Publisher: Milkyway Media
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 15
Book Description
Get the Summary of Hugh Eakin's Picasso's War in 20 minutes. Please note: This is a summary & not the original book. In "Picasso's War," Hugh Eakin chronicles the struggle to introduce and establish modern art in the United States, focusing on key figures like John Quinn, Alfred Stieglitz, and Alfred Barr. The narrative begins with the early 20th-century resistance to avant-garde art in America, as seen in the commercial failure of Picasso's first U.S. exhibition. Despite the cultural conservatism and censorship prevalent in New York, patrons like Quinn championed modern art, paralleling scientific breakthroughs of the era...
Summary of Hugh Eakin's Picasso's War
Author: Milkyway Media
Publisher: Milkyway Media
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 15
Book Description
Get the Summary of Hugh Eakin's Picasso's War in 20 minutes. Please note: This is a summary & not the original book. In "Picasso's War," Hugh Eakin chronicles the struggle to introduce and establish modern art in the United States, focusing on key figures like John Quinn, Alfred Stieglitz, and Alfred Barr. The narrative begins with the early 20th-century resistance to avant-garde art in America, as seen in the commercial failure of Picasso's first U.S. exhibition. Despite the cultural conservatism and censorship prevalent in New York, patrons like Quinn championed modern art, paralleling scientific breakthroughs of the era...
Publisher: Milkyway Media
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 15
Book Description
Get the Summary of Hugh Eakin's Picasso's War in 20 minutes. Please note: This is a summary & not the original book. In "Picasso's War," Hugh Eakin chronicles the struggle to introduce and establish modern art in the United States, focusing on key figures like John Quinn, Alfred Stieglitz, and Alfred Barr. The narrative begins with the early 20th-century resistance to avant-garde art in America, as seen in the commercial failure of Picasso's first U.S. exhibition. Despite the cultural conservatism and censorship prevalent in New York, patrons like Quinn championed modern art, paralleling scientific breakthroughs of the era...
Picasso's War
Author: Russell Martin
Publisher: Hol Art Books
ISBN: 1936102250
Category : Art
Languages : en
Pages : 296
Book Description
The destruction of a town, and the creation of a masterpiece--On April 26, 1937, in the late afternoon of a busy market day in the Basque town of Gernika in northern Spain, the German Luftwaffe began the relentless bombing and machine-gunning of buildings and villagers at the request of General Francisco Franco and his rebel forces. Three-and-a-half hours later, the village lay in ruins, its population decimated. This act of terror and unspeakable cruelty--the first intentional, large-scale attack against a nonmilitary target in modern warfare--outraged the world and one man in particular, Pablo Picasso. The renowned artist, an expatriate living in Paris, reacted immediately to the devastation in his homeland by creating the canvas that would become widely considered one of the greatest artworks of the twentieth century--Guernica. Weaving themes of conflict and redemption, of the horrors of war and of the power of art to transfigure tragedy, Russell Martin follows this monumental work from its fevered creation through its journey across decades and continents--from Europe to America and, finally and triumphantly, to democratic Spain. Full of historical sweep and deeply moving drama, Picasso's War delivers an unforgettable portrait of a painting, the dramatic events that led to its creation, and its ongoing power today.
Publisher: Hol Art Books
ISBN: 1936102250
Category : Art
Languages : en
Pages : 296
Book Description
The destruction of a town, and the creation of a masterpiece--On April 26, 1937, in the late afternoon of a busy market day in the Basque town of Gernika in northern Spain, the German Luftwaffe began the relentless bombing and machine-gunning of buildings and villagers at the request of General Francisco Franco and his rebel forces. Three-and-a-half hours later, the village lay in ruins, its population decimated. This act of terror and unspeakable cruelty--the first intentional, large-scale attack against a nonmilitary target in modern warfare--outraged the world and one man in particular, Pablo Picasso. The renowned artist, an expatriate living in Paris, reacted immediately to the devastation in his homeland by creating the canvas that would become widely considered one of the greatest artworks of the twentieth century--Guernica. Weaving themes of conflict and redemption, of the horrors of war and of the power of art to transfigure tragedy, Russell Martin follows this monumental work from its fevered creation through its journey across decades and continents--from Europe to America and, finally and triumphantly, to democratic Spain. Full of historical sweep and deeply moving drama, Picasso's War delivers an unforgettable portrait of a painting, the dramatic events that led to its creation, and its ongoing power today.
Picasso's War
Author: Hugh Eakin
Publisher: Crown
ISBN: 0451498496
Category : Art
Languages : en
Pages : 489
Book Description
A riveting story of how dueling ambitions and the power of prodigy made America the cultural center of the world—and Picasso the most famous artist alive—in the shadow of World War II “[Eakin] has mastered this material. . . . The book soars.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Vanity Fair, The New York Times Book Review, The New Yorker In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr., a cultural visionary who, at the age of twenty-seven, became the director of New York’s new Museum of Modern Art. Barr and Quinn’s shared goal would be thwarted in the years to come—by popular hostility, by the Depression, by Parisian intrigues, and by Picasso himself. It would take Hitler’s campaign against Jews and modern art, and Barr’s fraught alliance with Paul Rosenberg, Picasso’s persecuted dealer, to get Picasso’s most important paintings out of Europe. Mounted in the shadow of war, the groundbreaking exhibition Picasso: Forty Years of His Art would launch Picasso in America, define MoMA as we know it, and shift the focus of the art world from Paris to New York. Picasso’s War is the never-before-told story about how a single exhibition, a decade in the making, irrevocably changed American taste, and in doing so saved dozens of the twentieth century’s most enduring artworks from the Nazis. Through a deft combination of new scholarship and vivid storytelling, Hugh Eakin shows how two men and their obsession with Picasso changed the art world forever.
Publisher: Crown
ISBN: 0451498496
Category : Art
Languages : en
Pages : 489
Book Description
A riveting story of how dueling ambitions and the power of prodigy made America the cultural center of the world—and Picasso the most famous artist alive—in the shadow of World War II “[Eakin] has mastered this material. . . . The book soars.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Vanity Fair, The New York Times Book Review, The New Yorker In January 1939, Pablo Picasso was renowned in Europe but disdained by many in the United States. One year later, Americans across the country were clamoring to see his art. How did the controversial leader of the Paris avant-garde break through to the heart of American culture? The answer begins a generation earlier, when a renegade Irish American lawyer named John Quinn set out to build the greatest collection of Picassos in existence. His dream of a museum to house them died with him, until it was rediscovered by Alfred H. Barr, Jr., a cultural visionary who, at the age of twenty-seven, became the director of New York’s new Museum of Modern Art. Barr and Quinn’s shared goal would be thwarted in the years to come—by popular hostility, by the Depression, by Parisian intrigues, and by Picasso himself. It would take Hitler’s campaign against Jews and modern art, and Barr’s fraught alliance with Paul Rosenberg, Picasso’s persecuted dealer, to get Picasso’s most important paintings out of Europe. Mounted in the shadow of war, the groundbreaking exhibition Picasso: Forty Years of His Art would launch Picasso in America, define MoMA as we know it, and shift the focus of the art world from Paris to New York. Picasso’s War is the never-before-told story about how a single exhibition, a decade in the making, irrevocably changed American taste, and in doing so saved dozens of the twentieth century’s most enduring artworks from the Nazis. Through a deft combination of new scholarship and vivid storytelling, Hugh Eakin shows how two men and their obsession with Picasso changed the art world forever.
Making Modernism
Author: Michael C. FitzGerald
Publisher: Univ of California Press
ISBN: 9780520206533
Category : Art
Languages : en
Pages : 334
Book Description
Artists don't achieve financial success and critical acclaim during their lifetimes as a result of chance or luck. Michael FitzGerald's assiduously researched book documents Picasso's courting of dealers, critics, collectors, and curators as he established his reputation during the first forty years of the twentieth century. FitzGerald describes the care, patience, and resourcefulness invested by Paul Rosenberg, Picasso's dealer and close collaborator from 1918 to 1940, in building the financial value and public acceptance of Picasso's art. The book is based on and quotes generously from previously unpublished correspondence between Picasso and dealers, collectors, and museum curators.
Publisher: Univ of California Press
ISBN: 9780520206533
Category : Art
Languages : en
Pages : 334
Book Description
Artists don't achieve financial success and critical acclaim during their lifetimes as a result of chance or luck. Michael FitzGerald's assiduously researched book documents Picasso's courting of dealers, critics, collectors, and curators as he established his reputation during the first forty years of the twentieth century. FitzGerald describes the care, patience, and resourcefulness invested by Paul Rosenberg, Picasso's dealer and close collaborator from 1918 to 1940, in building the financial value and public acceptance of Picasso's art. The book is based on and quotes generously from previously unpublished correspondence between Picasso and dealers, collectors, and museum curators.
Picasso and American Art
Author: Michael C. FitzGerald
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 408
Book Description
100
Author: Patricia Ellis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
On 17 April, 2003 Charles Saatchi will open the new Saatchi Gallery in a spectacular renovated County Hall across the river from Westminster. The enterprise will be the focus for Saatchi's vision of radical, ground-breaking British art in a venue that is accessible to the widest public.100 is the book that will mark the occasion with one hundred works that Saatchi believes made a difference to the perception of British art. The work of twenty-seven artists has been chosen from Saatchi's collection and of course the selection includes the shark and the sheep in formaldehyde, the head made of blood and Tracey's bed. It will be a landmark publication for a landmark occasion. After the provocation of the famous Sensation show at the Royal Academy in 1997, a generation of young artists have become household names. What was once so provocative has now entered the visual vocabulary of a wider public. What was once so daring is now demonstrated to be more than ephemeral. Saatchi's vision is defined in 100.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
On 17 April, 2003 Charles Saatchi will open the new Saatchi Gallery in a spectacular renovated County Hall across the river from Westminster. The enterprise will be the focus for Saatchi's vision of radical, ground-breaking British art in a venue that is accessible to the widest public.100 is the book that will mark the occasion with one hundred works that Saatchi believes made a difference to the perception of British art. The work of twenty-seven artists has been chosen from Saatchi's collection and of course the selection includes the shark and the sheep in formaldehyde, the head made of blood and Tracey's bed. It will be a landmark publication for a landmark occasion. After the provocation of the famous Sensation show at the Royal Academy in 1997, a generation of young artists have become household names. What was once so provocative has now entered the visual vocabulary of a wider public. What was once so daring is now demonstrated to be more than ephemeral. Saatchi's vision is defined in 100.
Alfred H. Barr, Jr. and the Intellectual Origins of the Museum of Modern Art
Author: Sybil Kantor
Publisher: MIT Press
ISBN: 9780262611961
Category : Art
Languages : en
Pages : 500
Book Description
An intellectual biography of Alfred H. Barr, Jr. founding director of the Museum of Modern Art. Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book—part intellectual biography, part institutional history—Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements. Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr's vision. At the same time, she shows how Barr's ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art. Drawing on interviews with Barr's contemporaries as well as on Barr's extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.
Publisher: MIT Press
ISBN: 9780262611961
Category : Art
Languages : en
Pages : 500
Book Description
An intellectual biography of Alfred H. Barr, Jr. founding director of the Museum of Modern Art. Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book—part intellectual biography, part institutional history—Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr's career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements. Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr's vision. At the same time, she shows how Barr's ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art. Drawing on interviews with Barr's contemporaries as well as on Barr's extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.
Cézanne to Picasso
Author: Rebecca A. Rabinow
Publisher: Metropolitan Museum of Art
ISBN: 1588391957
Category : Art dealers
Languages : en
Pages : 466
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588391957
Category : Art dealers
Languages : en
Pages : 466
Book Description
Picasso's Demoiselles
Author: Suzanne Preston Blier
Publisher: Duke University Press
ISBN: 1478002042
Category : Art
Languages : en
Pages : 633
Book Description
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.
Publisher: Duke University Press
ISBN: 1478002042
Category : Art
Languages : en
Pages : 633
Book Description
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.
The Complete Paintings of the Van Eycks
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description