Author: Malachi Black
Publisher: Copper Canyon Press
ISBN: 1619321289
Category : Poetry
Languages : en
Pages : 98
Book Description
"To be both visionary and accurate, true to physics and metaphysics at the same time, is rare and puts the poet in some rarefied company. Black, like a few other younger poets, is willing to include all the traditional effects of the lyric poem in his work, but he has set them going in new and lively ways, with the confidence of virtuosity and a belief in the ancient pleasures of pattern and repetition."—Mark Jarman, American Poet Lush and daring, Malachi Black's poems in Storm Toward Morning press all points along the spectrum of human positions, from sickness, isolation, and insomniac disarray to serenity, wonder, and spiritual yearning. Pulsing at the intersections of "eye and I," body and mind, physical and metaphysical, Black brings distinctive voice, vision, and music to matters of universal mortal concern. Query on Typography What is the light inside the opening of every letter: white behind the angles is a language bright because a curvature of space inside a line is visible is script a sign of what it does or does not occupy scripture the covenant of eye and I with word or what the word defines which is source and which is shrine the light of body or the light behind? Malachi Black holds a BA in literature from New York University and an MFA in creative writing from the University of Texas at Austin’s Michener Center for Writers. His poems have appeared in AGNI, Boston Review, Ploughshares, and Poetry. He currently teaches at the University of San Diego and lives in California.
Making Silence Speak
Author: André Lardinois
Publisher: Princeton University Press
ISBN: 0691187592
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
This collection attempts to recover the voices of women in antiquity from a variety of perspectives: how they spoke, where they could be heard, and how their speech was adopted in literature and public discourse. Rather than confirming the old model of binary oppositions in which women's speech was viewed as insignificant and subordinate to male discourse, these essays reveal a dynamic and potentially explosive interrelation between women's speech and the realm of literary production, religion, and oratory. The contributors use a variety of methodologies to mine a diverse array of sources, from Homeric epic to fictional letters of the second sophistic period and from actual letters written by women in Hellenistic Egypt to the poetry of Sappho. Throughout, the term "voice" is used in its broadest definition. It includes not only the few remaining genuine women's voices but also the ways in which male authors render women's speech and the social assumptions such representations reflect and reinforce. These essays therefore explore how fictional female voices can serve to negotiate complex social, epistemological, and aesthetic issues. The contributors include Josine Blok, Raffaella Cribiore, Michael Gagarin, Mark Griffith, André Lardinois, Richard Martin, Lisa Maurizio, Laura McClure, D. M. O'Higgins, Patricia Rosenmeyer, Marilyn Skinner, Eva Stehle, and Nancy Worman.
Publisher: Princeton University Press
ISBN: 0691187592
Category : Literary Criticism
Languages : en
Pages : 317
Book Description
This collection attempts to recover the voices of women in antiquity from a variety of perspectives: how they spoke, where they could be heard, and how their speech was adopted in literature and public discourse. Rather than confirming the old model of binary oppositions in which women's speech was viewed as insignificant and subordinate to male discourse, these essays reveal a dynamic and potentially explosive interrelation between women's speech and the realm of literary production, religion, and oratory. The contributors use a variety of methodologies to mine a diverse array of sources, from Homeric epic to fictional letters of the second sophistic period and from actual letters written by women in Hellenistic Egypt to the poetry of Sappho. Throughout, the term "voice" is used in its broadest definition. It includes not only the few remaining genuine women's voices but also the ways in which male authors render women's speech and the social assumptions such representations reflect and reinforce. These essays therefore explore how fictional female voices can serve to negotiate complex social, epistemological, and aesthetic issues. The contributors include Josine Blok, Raffaella Cribiore, Michael Gagarin, Mark Griffith, André Lardinois, Richard Martin, Lisa Maurizio, Laura McClure, D. M. O'Higgins, Patricia Rosenmeyer, Marilyn Skinner, Eva Stehle, and Nancy Worman.
The Pleasures and Horrors of Eating
Author: Marion Gymnich
Publisher: V&R unipress GmbH
ISBN: 3899717759
Category : Cooking
Languages : en
Pages : 466
Book Description
Browsing through books and TV channels we find people pre-occupied with eating, cooking and competing with chefs. Eating and food in today's media have become a form of entertainment and art. A survey of literary history and culture shows to what extent eating used to be closely related to all areas of human life, to religion, eroticism and even to death. In this volume, early modern ideas of feasting, banqueting and culinary pleasures are juxtaposed with post-18th- and 19th-century concepts in which the intake of food is increasingly subjected to moral, theological and economic reservations. In a wide range of essays, various images, rhetorics and poetics of plenty are not only contrasted with the horrors of gluttony, they are also seen in the context of modern phenomena such as the anorexic body or the gourmandizing bête humaine. It is this vexing binary approach to eating and food which this volume traces within a wide chronological framework and which is at the core not only of literature, art and film, but also of a flourishing popular culture. --
Publisher: V&R unipress GmbH
ISBN: 3899717759
Category : Cooking
Languages : en
Pages : 466
Book Description
Browsing through books and TV channels we find people pre-occupied with eating, cooking and competing with chefs. Eating and food in today's media have become a form of entertainment and art. A survey of literary history and culture shows to what extent eating used to be closely related to all areas of human life, to religion, eroticism and even to death. In this volume, early modern ideas of feasting, banqueting and culinary pleasures are juxtaposed with post-18th- and 19th-century concepts in which the intake of food is increasingly subjected to moral, theological and economic reservations. In a wide range of essays, various images, rhetorics and poetics of plenty are not only contrasted with the horrors of gluttony, they are also seen in the context of modern phenomena such as the anorexic body or the gourmandizing bête humaine. It is this vexing binary approach to eating and food which this volume traces within a wide chronological framework and which is at the core not only of literature, art and film, but also of a flourishing popular culture. --
Shakespeare and the Soliloquy in Early Modern English Drama
Author: A. D. Cousins
Publisher: Cambridge University Press
ISBN: 1107172543
Category : Language Arts & Disciplines
Languages : en
Pages : 289
Book Description
This is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy.
Publisher: Cambridge University Press
ISBN: 1107172543
Category : Language Arts & Disciplines
Languages : en
Pages : 289
Book Description
This is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy.
Strict Wildness
Author: Peter Viereck
Publisher: Routledge
ISBN: 1351487868
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
A reviewer once called Peter Viereck's thought "not common sense but inspired, electric common sense." This volume of Viereck's selected essays on poetry and on history, written between 1938 through 2004, exemplifies this quality. Its main theme is suggested in Viereck's coined phrase "strict wildness," which suggests a balance between restraint (which by itself is staid and rigid) and passion (which by itself is incoherent). Frost called free verse tennis without the net. Viereck calls dead mechanical form "net without the tennis." Strict wildness, then, is spontaneity of feeling within strict organic form.The book explores questions of modernism and poetic craft with respect to American poetry. It discusses the controversy over Ezra Pound's politics and its relation to his poetics, as well as the nearly forgotten poet Vachel Lindsay. Viereck offers more general views on poetics, including the fruitful tensions between form and content, and the impact of modern technology on poetic expression. He also discusses history and politics, and contains essays on McCarthyism, the Cold War, political conformity of the Left and Right, and discusses issues of historiography and culture that define Viereck's highly individual, often critical brand of conservatism. In treating representative trends and figures in conservative thought, Viereck insists on clear awareness of what exists to conserve, what ought to be conserved, and why it should be conserved.In their range and originality, the writings brought together in Strict Wildness constitute an ideal introduction to Peter Viereck's literary and political thought and how they come together. It will be of interest to literary scholars, intellectual historians, and social scientists. The introduction allows the reader to grasp a clear sense of the context and background of Viereck's works.
Publisher: Routledge
ISBN: 1351487868
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
A reviewer once called Peter Viereck's thought "not common sense but inspired, electric common sense." This volume of Viereck's selected essays on poetry and on history, written between 1938 through 2004, exemplifies this quality. Its main theme is suggested in Viereck's coined phrase "strict wildness," which suggests a balance between restraint (which by itself is staid and rigid) and passion (which by itself is incoherent). Frost called free verse tennis without the net. Viereck calls dead mechanical form "net without the tennis." Strict wildness, then, is spontaneity of feeling within strict organic form.The book explores questions of modernism and poetic craft with respect to American poetry. It discusses the controversy over Ezra Pound's politics and its relation to his poetics, as well as the nearly forgotten poet Vachel Lindsay. Viereck offers more general views on poetics, including the fruitful tensions between form and content, and the impact of modern technology on poetic expression. He also discusses history and politics, and contains essays on McCarthyism, the Cold War, political conformity of the Left and Right, and discusses issues of historiography and culture that define Viereck's highly individual, often critical brand of conservatism. In treating representative trends and figures in conservative thought, Viereck insists on clear awareness of what exists to conserve, what ought to be conserved, and why it should be conserved.In their range and originality, the writings brought together in Strict Wildness constitute an ideal introduction to Peter Viereck's literary and political thought and how they come together. It will be of interest to literary scholars, intellectual historians, and social scientists. The introduction allows the reader to grasp a clear sense of the context and background of Viereck's works.
Sylvia Plath
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438121717
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
A collection of essays on poet Sylvia Plath's life and work.
Publisher: Infobase Publishing
ISBN: 1438121717
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
A collection of essays on poet Sylvia Plath's life and work.
Shakespeare, Dramatic Poetry and Value
Author: MacDonald P. Jackson
Publisher: Taylor & Francis
ISBN: 1040269338
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
This book redirects attention to a truth largely ignored by recent criticism—that Shakespeare’s excellence as a playwright is inextricable from his excellence as a poet. It explores the diverse means by which Shakespeare’s poetry enriches his drama, illustrating how particular words in a particular order render his dialogue distinctive and create supreme literary and dramatic value. By examining many passages, long and short and from a variety of Shakespeare’s plays—comedies, histories, tragedies, later plays—the author aids understanding of the poetic effects that make Shakespeare preeminent. His analyses, alert to textual variants and cruxes, are illuminated by comparisons: Shakespeare’s early verse is compared with his later verse and samples of Shakespearean dialogue are compared with versions in later adaptations, in modernizations, and inferior quarto texts, as well as with contributions by his co-authors to collaborative plays. The contrasts throw into relief the surpassing vitality and expressiveness of Shakespeare’s own language. Since the rhythmic vitality of Shakespeare’s verse is essential to how and what it communicates, an appendix on the principles of iambic pentameter is included to support those aspects of the analyses that refer to acoustic subtleties.
Publisher: Taylor & Francis
ISBN: 1040269338
Category : Literary Criticism
Languages : en
Pages : 195
Book Description
This book redirects attention to a truth largely ignored by recent criticism—that Shakespeare’s excellence as a playwright is inextricable from his excellence as a poet. It explores the diverse means by which Shakespeare’s poetry enriches his drama, illustrating how particular words in a particular order render his dialogue distinctive and create supreme literary and dramatic value. By examining many passages, long and short and from a variety of Shakespeare’s plays—comedies, histories, tragedies, later plays—the author aids understanding of the poetic effects that make Shakespeare preeminent. His analyses, alert to textual variants and cruxes, are illuminated by comparisons: Shakespeare’s early verse is compared with his later verse and samples of Shakespearean dialogue are compared with versions in later adaptations, in modernizations, and inferior quarto texts, as well as with contributions by his co-authors to collaborative plays. The contrasts throw into relief the surpassing vitality and expressiveness of Shakespeare’s own language. Since the rhythmic vitality of Shakespeare’s verse is essential to how and what it communicates, an appendix on the principles of iambic pentameter is included to support those aspects of the analyses that refer to acoustic subtleties.
Unadjusted Man in the Age of Overadjustment
Author:
Publisher: Transaction Publishers
ISBN: 9781412840606
Category : Literary Criticism
Languages : en
Pages : 404
Book Description
The great critic Peter Viereck, in a volume that both reproduces an earlier effort and presents an entirely new work on the intersection of history and literature, offers a biting critique of the American desire for normalcy that leads to a culture of the surrender of personality. In contrast to this voluntary thought control process is the unadjusted person. Cast in the mold of great individualists from Thomas More to Friedrich Nietzsche, such a person responds to fundamental values of conscience rather than conformity built exclusively on ego gratification and icon worship. Viereck's book is a stinging critique of the liberal presumption of a monopoly in critical thought. He argues to the contrary, that most varieties of liberal expression offer little else than the common platitude dressed up as critique. In such a cultural environment, conservatism is the skeleton in the liberal closet. The virtue of conservatism is that in its very stress on liberty as dependent on tradition and law, it permits the human being an opportunity to test all transient things by the touchstone of all lasting ideas. "Unadjusted Man" cuts deep and in many directions: against left totalitarian regimes of Europe and right wannabes like McCarthyism in America. For Viereck, the art of conserving is not an embrace of utopias to come or empires that were, but retaining the sense of individuality over against the senselessness of the "massman." Civil liberties in this approach are a right to non-conspiratorial dissent informed by fundamental values. The new material is presented unabashedly--without an attempt to rewrite personal history, and with an admission that not every prediction made in the original edition has come to fruition. That said, the underlying themes of the original are not so much repeated as expanded upon. For those seeking a work in the classic mold of conservatism, rather than the strident reactionary views that have come to dominate much of the conservative dialogue, this will be a special book, a special entrance to the mind of a great figure in American culture wars of present as well as past.
Publisher: Transaction Publishers
ISBN: 9781412840606
Category : Literary Criticism
Languages : en
Pages : 404
Book Description
The great critic Peter Viereck, in a volume that both reproduces an earlier effort and presents an entirely new work on the intersection of history and literature, offers a biting critique of the American desire for normalcy that leads to a culture of the surrender of personality. In contrast to this voluntary thought control process is the unadjusted person. Cast in the mold of great individualists from Thomas More to Friedrich Nietzsche, such a person responds to fundamental values of conscience rather than conformity built exclusively on ego gratification and icon worship. Viereck's book is a stinging critique of the liberal presumption of a monopoly in critical thought. He argues to the contrary, that most varieties of liberal expression offer little else than the common platitude dressed up as critique. In such a cultural environment, conservatism is the skeleton in the liberal closet. The virtue of conservatism is that in its very stress on liberty as dependent on tradition and law, it permits the human being an opportunity to test all transient things by the touchstone of all lasting ideas. "Unadjusted Man" cuts deep and in many directions: against left totalitarian regimes of Europe and right wannabes like McCarthyism in America. For Viereck, the art of conserving is not an embrace of utopias to come or empires that were, but retaining the sense of individuality over against the senselessness of the "massman." Civil liberties in this approach are a right to non-conspiratorial dissent informed by fundamental values. The new material is presented unabashedly--without an attempt to rewrite personal history, and with an admission that not every prediction made in the original edition has come to fruition. That said, the underlying themes of the original are not so much repeated as expanded upon. For those seeking a work in the classic mold of conservatism, rather than the strident reactionary views that have come to dominate much of the conservative dialogue, this will be a special book, a special entrance to the mind of a great figure in American culture wars of present as well as past.
The Ends of Meter in Modern Japanese Poetry
Author: Scott Mehl
Publisher: Cornell University Press
ISBN: 1501761196
Category : Poetry
Languages : en
Pages : 254
Book Description
In The Ends of Meter in Modern Japanese Poetry, Scott Mehl analyzes the complex response of Meiji-era Japanese poets and readers to the challenge introduced by European verse and the resulting crisis in Japanese poetry. Amidst fierce competition for literary prestige on the national and international stage, poets and critics at the time recognized that the character of Japanese poetic culture was undergoing a fundamental transformation, and the stakes were high: the future of modern Japanese verse. Mehl documents the creation of new Japanese poetic forms, tracing the first invention of Japanese free verse and its subsequent disappearance. He examines the impact of the acclaimed and reviled shintaishi, a new poetic form invented for translating European-language verse and eventually supplanted by the reintroduction of free verse as a Western import. The Ends of Meter in Modern Japanese Poetry draws on materials written in German, Spanish, English, and French, recreating the global poetry culture within which the most ambitious Meiji-era Japanese poets vied for position.
Publisher: Cornell University Press
ISBN: 1501761196
Category : Poetry
Languages : en
Pages : 254
Book Description
In The Ends of Meter in Modern Japanese Poetry, Scott Mehl analyzes the complex response of Meiji-era Japanese poets and readers to the challenge introduced by European verse and the resulting crisis in Japanese poetry. Amidst fierce competition for literary prestige on the national and international stage, poets and critics at the time recognized that the character of Japanese poetic culture was undergoing a fundamental transformation, and the stakes were high: the future of modern Japanese verse. Mehl documents the creation of new Japanese poetic forms, tracing the first invention of Japanese free verse and its subsequent disappearance. He examines the impact of the acclaimed and reviled shintaishi, a new poetic form invented for translating European-language verse and eventually supplanted by the reintroduction of free verse as a Western import. The Ends of Meter in Modern Japanese Poetry draws on materials written in German, Spanish, English, and French, recreating the global poetry culture within which the most ambitious Meiji-era Japanese poets vied for position.
James Wright
Author: Jonathan Blunk
Publisher:
ISBN: 0374178593
Category : Biography & Autobiography
Languages : en
Pages : 513
Book Description
"The sweeping authorized biography of one of America's most complex, influential, and enduring poets" --
Publisher:
ISBN: 0374178593
Category : Biography & Autobiography
Languages : en
Pages : 513
Book Description
"The sweeping authorized biography of one of America's most complex, influential, and enduring poets" --
Stopping By Woods on a Snowy Evening
Author: Robert Frost
Publisher: Abrams
ISBN: 1641706066
Category : Juvenile Fiction
Languages : en
Pages : 34
Book Description
The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. From the illustrator of the world’s first picture book adaptation of Robert Frost’s “The Road Not Taken” comes a new interpretation of another classic Frost poem: “Stopping By Woods on a Snowy Evening.” Weaving a simple story of love, loss, and memories with only illustrations and Frost’s iconic lines, this stirring picture book introduces young readers to timeless poetry in an unprecedented way.
Publisher: Abrams
ISBN: 1641706066
Category : Juvenile Fiction
Languages : en
Pages : 34
Book Description
The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. From the illustrator of the world’s first picture book adaptation of Robert Frost’s “The Road Not Taken” comes a new interpretation of another classic Frost poem: “Stopping By Woods on a Snowy Evening.” Weaving a simple story of love, loss, and memories with only illustrations and Frost’s iconic lines, this stirring picture book introduces young readers to timeless poetry in an unprecedented way.