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Author: Kathleen Dixon Donnelly
Publisher: K. Donnelly Communications
ISBN: 9781736483107
Category : Biography & Autobiography
Languages : en
Pages : 164
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Book Description
"America was going on the greatest, gaudiest spree in history and there was going to be plenty to tell about it." -F. Scott Fitzgerald That was 100 years ago. So here we are again. At the beginning of the Twenties. Will this be a similar decade? There's one way to tell: To look back at certain points and document what was happening a century before. Based in part on her Ph.D. research at Dublin City University, in "Such Friends" The Literary 1920s, Vol. 1-1920, Kathleen Dixon Donnelly chronicles the events of the first year of the decade that included and affected the creative people in the four main writers' salons in the English-speaking Western world: William Butler Yeats and the Irish Literary Renaissance, Virginia Woolf and the Bloomsbury Group, Gertrude Stein and the Americans in Paris, and Dorothy Parker and the Algonquin Round Table, as well as writers and supporters of the arts who were important to the time such as T. S. Eliot, James Joyce, Edna St. Vincent Millay, Ezra Pound and others. They ate, they drank, they neglected their families. They praised and berated each other privately and publicly; they bickered endlessly. They complained about money and few had day jobs. And they talked. And talked. You can dip in and out of the vignettes in "Such Friends," search to see if your birthday is included, look for mentions of your favorite writers, or read it all straight through from January 1st to December 31st.
Author: Kathleen Dixon Donnelly
Publisher: K. Donnelly Communications
ISBN: 9781736483107
Category : Biography & Autobiography
Languages : en
Pages : 164
Get Book Here
Book Description
"America was going on the greatest, gaudiest spree in history and there was going to be plenty to tell about it." -F. Scott Fitzgerald That was 100 years ago. So here we are again. At the beginning of the Twenties. Will this be a similar decade? There's one way to tell: To look back at certain points and document what was happening a century before. Based in part on her Ph.D. research at Dublin City University, in "Such Friends" The Literary 1920s, Vol. 1-1920, Kathleen Dixon Donnelly chronicles the events of the first year of the decade that included and affected the creative people in the four main writers' salons in the English-speaking Western world: William Butler Yeats and the Irish Literary Renaissance, Virginia Woolf and the Bloomsbury Group, Gertrude Stein and the Americans in Paris, and Dorothy Parker and the Algonquin Round Table, as well as writers and supporters of the arts who were important to the time such as T. S. Eliot, James Joyce, Edna St. Vincent Millay, Ezra Pound and others. They ate, they drank, they neglected their families. They praised and berated each other privately and publicly; they bickered endlessly. They complained about money and few had day jobs. And they talked. And talked. You can dip in and out of the vignettes in "Such Friends," search to see if your birthday is included, look for mentions of your favorite writers, or read it all straight through from January 1st to December 31st.
Author: Mary McAuliffe
Publisher: Rowman & Littlefield
ISBN: 1442253339
Category : History
Languages : en
Pages : 345
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Book Description
When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Années folles, when Parisians emerged from the horrors of war to find that a new world greeted them—one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior. The epicenter of all this creativity, as well as of the era’s good times, was Montparnasse, where impoverished artists and writers found colleagues and cafés, and tourists discovered the Paris of their dreams. Major figures on the Paris scene—such as Gertrude Stein, Jean Cocteau, Picasso, Stravinsky, Diaghilev, and Proust—continued to hold sway, while others now came to prominence—including Ernest Hemingway, Coco Chanel, Cole Porter, and Josephine Baker, as well as André Citroën, Le Corbusier, Man Ray, Sylvia Beach, James Joyce, and the irrepressible Kiki of Montparnasse. Paris of the 1920s unquestionably sizzled. Yet rather than being a decade of unmitigated bliss, les Années folles also saw an undercurrent of despair as well as the rise of ruthless organizations of the extreme right, aimed at annihilating whatever threatened tradition and order—a struggle that would escalate in the years ahead. Through rich illustrations and evocative narrative, Mary McAuliffe brings this vibrant era to life.
Author: John Shelton Reed
Publisher: LSU Press
ISBN: 0807147664
Category : History
Languages : en
Pages : 346
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Book Description
In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists. The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class. A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.
Author: Edmund Wilson
Publisher: Farrar, Straus and Giroux
ISBN: 0374600260
Category : Literary Criticism
Languages : en
Pages : 481
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Book Description
Classics and Commercials: A Literary Chronicle of the Forties showcases Edmund Wilson's critical writings spanning decades and continents. Many of these essays first appeared in the New Yorker. Here is Wilson on Jane Austen, Thackeray, Edith Wharton, Tolstoy, Swift (the classics) as well as brilliant observations on Poe, H.P Lovecraft, detective stories, and other commercial literature. This wide-ranging study from one of the most influential man of letters demonstrates Wilson's supreme skills as both literary and cultural critic.
Author: Kathleen Dixon Donnelly
Publisher: Createspace Independent Publishing Platform
ISBN: 9781503112315
Category : Book editors
Languages : en
Pages : 0
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Book Description
"My goodness, Miss Donnelly, Maxwell Perkins was one of the worst businessmen who ever lived." Interview with Charles Scribner, Jr., Chairman of Scribner's, 1980. One of the many legends surrounding Scribner's editor, Maxwell Perkins (1884-1947) is that he was a terrible businessman. If so, how did he manage to get such classic work out of such volatile creative personalities as F. Scott Fitzgerald, Ernest Hemingway and Thomas Wolfe, among others? And, how did so many of his authors contribute to Scribner's financial success over the decades? Starting with the excellent biography, Max Perkins, Editor of Genius, by A. Scott Berg, Dr. Kathleen Dixon Donnelly combined information from numerous sources, including several collections of letters, to determine what management skills Perkins used to motivate these three larger than life characters. Based on her thesis for her MBA at Duquesne University in her hometown of Pittsburgh, Pennsylvania, this version of Manager as Muse focuses on developing guidelines which today's managers of creative people can use in working with writers, artists, performers-any of those in the creative industries. The principles of management remain the same. What did Perkins do to keep these novelists writing? How much did he push? How much did he keep hands off? Through a detailed analysis of the relationships between Perkins and his three most well-known authors, Manager as Muse gives you insights in to how best to work with the creative people you manage to motivate them to achieve success.
Author: Malcolm Cowley
Publisher: Penguin
ISBN: 1101662670
Category : Biography & Autobiography
Languages : en
Pages : 401
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Book Description
The adventures and attitudes shared by the American writers dubbed "The Lost Generation" are brought to life here by one of the group's most notable members. Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Crowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.
Author:
Publisher: ببلومانيا للنشر والتوزيع
ISBN:
Category : Business & Economics
Languages : en
Pages : 304
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Book Description
You can go after the job you want…and get it! You can take the job you have…and improve it! You can take any situation you’re in…and make it work for you! Since its release in 1936, How to Win Friends and Influence People has sold more than 30 million copies. Dale Carnegie’s first book is a timeless bestseller, packed with rock-solid advice that has carried thousands of now famous people up the ladder of success in their business and personal lives. As relevant as ever before, Dale Carnegie’s principles endure, and will help you achieve your maximum potential in the complex and competitive modern age. Learn the six ways to make people like you, the twelve ways to win people to your way of thinking, and the nine ways to change people without arousing resentment.
Author: Suzanne Rodriguez
Publisher:
ISBN: 9780991533107
Category :
Languages : en
Pages :
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Book Description
Author: Chris Baldick
Publisher: Edinburgh University Press
ISBN: 0748674578
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
The first general account of Twenties literature in Britain
Author: Guillermo Erades
Publisher: Farrar, Straus and Giroux
ISBN: 0374714304
Category : Fiction
Languages : en
Pages : 385
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Book Description
Tuesday night: vodka and dancing at the Hungry Duck. Wednesday morning: posing as an expert on Pushkin at the university. Thursday night: more vodka and girl-chasing at Propaganda. Friday morning: a hungover tour of Gorky's house. Martin came to Moscow at the turn of the millennium hoping to discover the country of Dostoyevsky, Tolstoy, and his beloved Chekhov. Instead he found a city turned on its head, where the grimmest vestiges of Soviet life exist side by side with the nonstop hedonism of the newly rich. Along with his hard-living expat friends, Martin spends less and less time on his studies, choosing to learn about the Mysterious Russian Soul from the city's unhinged nightlife scene. But as Martin's research becomes a quest for existential meaning, love affairs and literature lead to the same hard-won lessons. Russians know: There is more to life than happiness. Back to Moscow is an enthralling story of debauchery, discovery, and the Russian classics. In prose recalling the neurotic openheartedness of Ben Lerner and the whiskey-sour satire of Bret Easton Ellis, Guillermo Erades has crafted an unforgettable coming-of-age story and a complex portrait of a radically changing city.
