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Author: Marie Tanner
Publisher: Harvey Miller
ISBN: 9781909400276
Category : Allegories
Languages : en
Pages : 0
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Book Description
In this study Marie Tanner examines the ways in which Titian incorporates new concepts of sensuality and spirituality in the mythological paintings of King Philip II of Spain, whose originality and ravishing beauty belie their actual their didactic content. Titian's mythological paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip's triumphal parade through the empire as his father's heir apparent. The author proposes that Philip's expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus.
Author: Marie Tanner
Publisher: Harvey Miller
ISBN: 9781909400276
Category : Allegories
Languages : en
Pages : 0
Get Book Here
Book Description
In this study Marie Tanner examines the ways in which Titian incorporates new concepts of sensuality and spirituality in the mythological paintings of King Philip II of Spain, whose originality and ravishing beauty belie their actual their didactic content. Titian's mythological paintings for Philip II, known as the Poesie, are among the most frequently discussed works of art that address a favored Renaissance theme, the influence of the pagan gods on human actions. The commission is traceable to 1549, when Emperor Charles V summoned the artist to Augsburg following Prince Philip's triumphal parade through the empire as his father's heir apparent. The author proposes that Philip's expected elevation prompted the commission and that the subjects form a cohesive program of Hapsburg ethical views and political concerns, and that Titian created new visual idioms to represent the complex issues which the subjects address in part by engaging themes with a significant prior history in family patronage. While Titian's Poesie for Philip II are well known monuments of western culture, they have never before been investigated with this focus.
Author: Edmund Burke
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 326
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Book Description
Author: Jason Neidleman
Publisher: Routledge
ISBN: 1317224701
Category : Philosophy
Languages : en
Pages : 294
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Book Description
In 1758, Rousseau announced that he had adopted "vitam impendere vero" (dedicate life to truth) as a personal pledge. Despite the dramatic nature of this declaration, no scholar has yet approached Rousseau’s work through the lens of truth or truthseeking. What did it mean for Rousseau to lead a life dedicated to truth? This book presents Rousseau’s normative account of truthseeking, his account of what human beings must do if they hope to discover the truths essential to human happiness. Rousseau’s writings constitute a practical guide to these truths; they describe how he arrived at them and how others might as well. In reading Rousseau through the lens of truth, Neidleman traverses the entirety of Rousseau's corpus, and, in the process, reveals a series of symmetries among the disparate themes treated in those texts. The first section of the book lays out Rousseau’s general philosophy of truth and truthseeking. The second section follows Rousseau down four distinct pathways to truth: reverie, republicanism, religion, and reason. With a strong grounding in both the Anglophone and Francophone scholarship on Rousseau, this book will appeal to scholars across a broad range of disciplines.
Author: Pitirim Sorokin
Publisher: Routledge
ISBN: 1351490605
Category : Social Science
Languages : en
Pages : 720
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Book Description
This classic work is a revised and abridged version, in a single volume, of the work which more than any other catapulted Pitirim Sorokin into being one of the most famed figures of twentieth-century sociology. Its original publication occurred before World War II. This revised version, written some twenty years later, reflects a postwar environment. Earlier than most, Sorokin took the consequences of the breakdown of colonialism into account in discussing the renaissance of the great cultures of African and Asian civilization. Other than perhaps F.S.C. Northrop, no individual better incorporated the new role of the Indian, Chinese, Japanese, and Arabic peoples in this postwar world. Sorokin came to view social and cultural dynamics in terms of three major processes: a major shift of mankind's creative center from Europe to the Pacific; a progressive disintegration of the sensate culture; and finally the first blush of the emergence and growth of a new idealistic sociocultural order. This volume is perhaps most famous for revealing Sorokin's remarkable efforts to understand the relationship of war and peace to the process of social and political change. Contrary to received wisdom, he shows that the magnitude and depth of war grows in periods of social, cultural, and territorial expansion by the nation. In short, war is just as often a function of development as it is of social decay. This long-unavailable volume remains one of the major touchstones by which we can judge efforts to create an international social science. There are few areas of social or cultural life that are not covered—from painting, art, and music, to the ethos of universalism and particularism. These are terms which Sorokin introduced into the literature long before the rise of functional doctrines. For all those interested in cultural and historical processes, this volume provides the essence of Sorokin's remarkably prescient effort to achieve sociological transcendence, by takin
Author: Lisa Beaven
Publisher: Medieval Institute Publications
ISBN: 1580442722
Category : Art
Languages : en
Pages : 327
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Book Description
Emotion and the Seduction of the Senses, Baroque to Neo-Baroque examines the relationship between the cultural productions of the baroque in the seventeenth century and the neo-baroque in our contemporary world. The volume illuminates how, rather than providing rationally ordered visual realms, both the baroque and the neo-baroque construct complex performative spaces whose spectacle seeks to embrace, immerse, and seduce the senses and solicit the emotions of the beholder.
Author: Robert R. Clewis
Publisher: Cambridge University Press
ISBN: 0521516684
Category : Philosophy
Languages : en
Pages : 273
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Book Description
This book shows how certain crucial concepts in Kant's aesthetics and practical philosophy fit together and deepen our understanding of his thought.
Author: Victoria Silver
Publisher: Princeton University Press
ISBN: 1400824117
Category : Literary Criticism
Languages : en
Pages : 657
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Book Description
Why do we hate Milton's God? Victoria Silver reengages with a perennial problem in Milton studies, one whose genealogy dates back at least to the Romantics, but which finds its most cogent modern expression in William Empson's revulsion at Milton's God and Stanley Fish's defense. Thoroughly reexamining Milton's theology and its sources in Luther and Calvin, as well as theoretical parallels in the works of Wittgenstein, Cavell, Adorno, and Benjamin, Silver contends that this repugnance is not extrinsic but deliberately cultivated in the theodicy of Paradise Lost. From the vantage of a world riven by injustice, deity can appear to contradict its own revelation, with the result that we experience a God divided against himself. For as Job found in his sufferings, that God appears more ruse than redeemer. Milton's irony recreates this religious predicament in Paradise Lost to the intractable perplexity of his readers, who have in their turn fashioned an equally dissociated Milton--at once unconscious and calculating, heterodox and doctrinaire, heroic and intolerable. Silver argues that, ultimately, these contrary Gods and antithetical Miltons arise from the sense we want to give the speaker's justification, which rather than ratifying our assumptions of meaning and the incoherence they foster, seeks fundamentally to reform them and thus to justify God's ways.
Author: Longinus
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 236
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Book Description
Author: James I. Porter
Publisher: Cambridge University Press
ISBN: 1107037476
Category : History
Languages : en
Pages : 713
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Book Description
Detailed new account of the historical emergence and conceptual reach of the sublime both before and after Longinus.
Author: Church of England
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
