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Publisher: Stanford University Press
ISBN: 0804765219
Category : Literary Criticism
Languages : en
Pages : 394
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Book Description
Subjects of Terror uses a reading of the French Romantic poet Gérard de Nerval to elucidate and critique a death-based ideology of subjectivity that has remained in force from Kant to Lacan. This model, despite variations, is distinguished by three principal characteristics: that the subject is the self-sameness of individual experience, that as such it functions like language (or, more specifically, like writing), and that this self-sameness is the annihilation of all individual experiences. Theorized by Hegel, Heidegger, Kojève, and Lacan, this abstract and ultimately impersonal notion of the self was not merely theoretical, however. It was, for example, long instantiated and enforced by the guillotine. Even in its more intimate and less spectacular forms, it provoked strong affective responses, as is evidenced by writers of the Romantic period, from Hugo to Mallarmé, Zola, and Nietzsche. As part of this affective reaction, Nerval's writings exemplify not only how this negative self-construction determines self-understanding but also how it determines self-experience, or, in other words, the way it feels to be a self in this cultural and historical context. That feeling is, fundamentally, terror, and the context is still in many ways our own. The book demonstrates that Nerval's works constitute an aesthetic resistance to that ideology of terror and as such helped open the way for the ethical models of subjectivity that will appear in Kristeva, Aulagnier, and Levinas. Although for two centuries, social, theoretical, and aesthetic forces have coerced individuals into experiencing the world through the morbid filter of their own absolute destruction, the author argues through Nerval for the possibility of an alternate, open-ended model of experience based on the libidinization of language itself.
Author:
Publisher: Stanford University Press
ISBN: 0804765219
Category : Literary Criticism
Languages : en
Pages : 394
Get Book Here
Book Description
Subjects of Terror uses a reading of the French Romantic poet Gérard de Nerval to elucidate and critique a death-based ideology of subjectivity that has remained in force from Kant to Lacan. This model, despite variations, is distinguished by three principal characteristics: that the subject is the self-sameness of individual experience, that as such it functions like language (or, more specifically, like writing), and that this self-sameness is the annihilation of all individual experiences. Theorized by Hegel, Heidegger, Kojève, and Lacan, this abstract and ultimately impersonal notion of the self was not merely theoretical, however. It was, for example, long instantiated and enforced by the guillotine. Even in its more intimate and less spectacular forms, it provoked strong affective responses, as is evidenced by writers of the Romantic period, from Hugo to Mallarmé, Zola, and Nietzsche. As part of this affective reaction, Nerval's writings exemplify not only how this negative self-construction determines self-understanding but also how it determines self-experience, or, in other words, the way it feels to be a self in this cultural and historical context. That feeling is, fundamentally, terror, and the context is still in many ways our own. The book demonstrates that Nerval's works constitute an aesthetic resistance to that ideology of terror and as such helped open the way for the ethical models of subjectivity that will appear in Kristeva, Aulagnier, and Levinas. Although for two centuries, social, theoretical, and aesthetic forces have coerced individuals into experiencing the world through the morbid filter of their own absolute destruction, the author argues through Nerval for the possibility of an alternate, open-ended model of experience based on the libidinization of language itself.
Author: Heather Ashley Hayes
Publisher: Springer
ISBN: 1137480998
Category : Political Science
Languages : en
Pages : 217
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Book Description
This work examines violence in the age of the terror wars with an eye toward the technologies of governance that create, facilitate, and circulate that violence. In performing a rhetorical cartography that explores the rise of the US armed drone program as well as moments of resistive violence that occurred during the Arab Spring directed at generating a counter-hegemony by Muslim populations, the author argues that the problem of the global terror wars is best addressed by a rhetorical understanding of the ways that governments, as well as individual subjects, turn to violence as a response to, or product of, the post September 11th terror society. When political examinations of terrorism are facilitated through understandings of discourse, clearer maps emerge of how violence functions to offer mechanisms by which governing bodies, and their subjects, evaluate the success or failure of the “War on Terror.” This book will be of interest to public policymakers and informed general readers as well as students and scholars in the fields of rhetoric, political theory, critical geography, US foreign relations/policy, war and peace studies, and cultural studies.
Author: Saidiya Hartman
Publisher: W. W. Norton & Company
ISBN: 1324021594
Category : History
Languages : en
Pages : 491
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Book Description
The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.
Author: David Simpson
Publisher: University of Chicago Press
ISBN: 022660022X
Category : History
Languages : en
Pages : 285
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Book Description
How have we come to depend so greatly on the words terror and terrorism to describe broad categories of violence? David Simpson offers here a philology of terror, tracking the concept’s long, complicated history across literature, philosophy, political science, and theology—from Plato to NATO. Introducing the concept of the “fear-terror cluster,” Simpson is able to capture the wide range of terms that we have used to express extreme emotional states over the centuries—from anxiety, awe, and concern to dread, fear, and horror. He shows that the choices we make among such words to describe shades of feeling have seriously shaped the attribution of motives, causes, and effects of the word “terror” today, particularly when violence is deployed by or against the state. At a time when terror-talk is widely and damagingly exploited by politicians and the media, this book unpacks the slippery rhetoric of terror and will prove a vital resource across humanistic and social sciences disciplines.
Author: Christine Battersby
Publisher: Routledge
ISBN: 1134753799
Category : Philosophy
Languages : en
Pages : 235
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Book Description
Christine Battersby is a leading thinker in the field of philosophy, gender studies and visual and literary aesthetics. In this important new work, she undertakes an exploration of the nature of the sublime, one of the most important topics in contemporary debates about modernity, politics and art. Through a compelling examination of terror, transcendence and the ‘other’ in key European philosophers and writers, Battersby articulates a radical ‘female sublime’. A central feature of The Sublime, Terror and Human Difference is its engagement with recent debates around ‘9/11’, race and Islam. Battersby shows how, since the eighteenth century, the pleasures of the sublime have been described in terms of the transcendence of terror. Linked to the ‘feminine’, the sublime was closed off to flesh-and-blood women, to ‘Orientals’ and to other supposedly ‘inferior’ human types. Engaging with Kant, Burke, the German Romantics, Nietzsche, Derrida, Lyotard, Irigaray and Arendt, as well as with women writers and artists, Battersby traces the history of these exclusions, while finding resources within the history of western culture for thinking human differences afresh The Sublime, Terror and Human Difference is essential reading for students of continental philosophy, gender studies, aesthetics, literary theory, visual culture, and race and social theory.
Author: Daniel Mendelsohn
Publisher: New York Review of Books
ISBN: 1681374056
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
“The role of the critic,” Daniel Mendelsohn writes, “is to mediate intelligently and stylishly between a work and its audience; to educate and edify in an engaging and, preferably, entertaining way.” His latest collection exemplifies the range, depth, and erudition that have made him “required reading for anyone interested in dissecting culture” (The Daily Beast). In Ecstasy and Terror, Mendelsohn once again casts an eye at literature, film, television, and the personal essay, filtering his insights through his training as a scholar of classical antiquity in illuminating and sometimes surprising ways. Many of these essays look with fresh eyes at our culture’s Greek and Roman models: some find an arresting modernity in canonical works (Bacchae, the Aeneid), while others detect a “Greek DNA” in our responses to national traumas such as the Boston Marathon bombings and the assassination of JFK. There are pieces on contemporary literature, from the “aesthetics of victimhood” in Hanya Yanagihara’s A Little Life to the uncomfortable mixture of art and autobiography in novels by Henry Roth, Ingmar Bergman, and Karl Ove Knausgård. Mendelsohn considers pop culture, too, in essays on the feminism of Game of Thrones and on recent films about artificial intelligence—a subject, he reminds us, that was already of interest to Homer. This collection also brings together for the first time a number of the award-winning memoirist’s personal essays, including his “critic’s manifesto” and a touching reminiscence of his boyhood correspondence with the historical novelist Mary Renault, who inspired him to study the Classics.
Author: Ariane de Waal
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110517086
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities.
Author: Frank Lentricchia
Publisher: University of Chicago Press
ISBN: 0226472086
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Do killers, artists, and terrorists need one another? In Crimes of Art and Terror, Frank Lentricchia and Jody McAuliffe explore the disturbing adjacency of literary creativity to violence and even political terror. Lentricchia and McAuliffe begin by anchoring their penetrating discussions in the events of 9/11 and the scandal provoked by composer Karlheinz Stockhausen's reference to the destruction of the World Trade Center as a great work of art, and they go on to show how political extremism and avant-garde artistic movements have fed upon each other for at least two centuries. Crimes of Art and Terror reveals how the desire beneath many romantic literary visions is that of a terrifying awakening that would undo the West's economic and cultural order. This is also the desire, of course, of what is called terrorism. As the authority of writers and artists recedes, it is criminals and terrorists, Lentricchia and McAuliffe suggest, who inherit this romantic, destructive tradition. Moving freely between the realms of high and popular culture, and fictional and actual criminals, the authors describe a web of impulses that catches an unnerving spirit. Lentricchia and McAuliffe's unorthodox approach pairs Dostoevsky's Crime and Punishment with Martin Scorsese's King of Comedy and connects the real-life Unabomber to the surrealist Joseph Cornell and to the hero of Bret Easton Ellis's bestselling novel American Psycho. They evoke a desperate culture of art through thematic dialogues among authors and filmmakers as varied as Don DeLillo, Joseph Conrad, Francis Ford Coppola, Jean Genet, Frederick Douglass, Hermann Melville, and J. M. Synge, among others. And they conclude provocatively with an imagined conversation between Heinrich von Kleist and Mohamed Atta. The result is a brilliant and unflinching reckoning with the perilous proximity of the impulse to create transgressive art and the impulse to commit violence.
Author: Jean-Joseph Goux
Publisher: Stanford University Press
ISBN: 9780804729703
Category : Philosophy
Languages : en
Pages : 244
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Book Description
This volume of twelve essays focuses on two interrelated issues. First, it addresses the historical and cultural determinants that have given rise to what frequently has been described as the French exception, the unusually conflictual French political process inherited from the revolutionary past in the eighteenth and nineteenth centuries and its accompanying avant-gardism in artistic, literary, and philosophical practice, both of which distinguish France from other European countries. Second, the contributors assess the exhaustion of this tradition in recent yearsnoted prominently on the occasion of the celebration of the bicentennial of the Revolution in 1989in a progressive normalization of French society that has been the final outcome of the liquidation of the colonial empire, the collapse of Marxism as a social force, and the integration of France into the European Union. The contributors are Jean-Marie Apostolidès, Marc Augé, Barbara Cassin, Françoise Gaillard, Maurice Godelier, Jean-Joseph Goux, Françoise Lionnet, Jean-François Lyotard, Mark Poster, Pierre Saint-Amand, Susan Suleiman, and Philip R. Wood.
Author: Jonathan Lake Crane
Publisher: SAGE
ISBN: 9780803958494
Category : Language Arts & Disciplines
Languages : en
Pages : 196
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Book Description
How does the horror in film relate to the horror we experience in everyday life? This is one of the questions addressed in this examination of the genre of horror film. The author argues that horror films today have broken with the tradition of the genre to embrace far more violent imagery, images that are in keeping with the escalating violence in society. By examining the horror film, its history and its current trends, the author hopes to further our understanding of the meaning of the genre in today's culture and our fascination with violence.
