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Author: Philip Shaw
Publisher: Burns & Oates
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
The distance between Kant and Foucault marks out the philosophical and chronological space within which the textual studies of this book address the complex question of subjectivity in literature. Originally arising from an academic conference held at Liverpool University, these essays represent the work of a new generation of researchers in the vanguard of contemporary literary studies. Combining radical new approaches to established authors in the 'literary canon' as well as pioneering work on important contemporary writers, the subjects treated in this book include Wordsworth, the Bronte's, Wallace Stevens, George Orwell, Philip Larkin, Ray Bradbury, John Folwes, Clarice Lispector, Ian McEwan, Georges Perec and others. A post-script is provided by Professor Vincent Newey.
Author: Philip Shaw
Publisher: Burns & Oates
ISBN:
Category : Literary Criticism
Languages : en
Pages : 200
Get Book Here
Book Description
The distance between Kant and Foucault marks out the philosophical and chronological space within which the textual studies of this book address the complex question of subjectivity in literature. Originally arising from an academic conference held at Liverpool University, these essays represent the work of a new generation of researchers in the vanguard of contemporary literary studies. Combining radical new approaches to established authors in the 'literary canon' as well as pioneering work on important contemporary writers, the subjects treated in this book include Wordsworth, the Bronte's, Wallace Stevens, George Orwell, Philip Larkin, Ray Bradbury, John Folwes, Clarice Lispector, Ian McEwan, Georges Perec and others. A post-script is provided by Professor Vincent Newey.
Author: Sebastian Groes
Publisher: A&C Black
ISBN: 1441139222
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
With a new chapter on Solar, this is an up-to-date guide to critical writing on Ian McEwan, including an interview with the author.
Author: Terence Hawkes
Publisher: Routledge
ISBN: 113486342X
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Author: M. Hutton
Publisher: Bloomsbury Publishing
ISBN: 0230211275
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
Ian McEwan is one of Britain's most established, and controversial, writers. This book introduces students to a range of critical approaches to McEwan's fiction. Criticism is drawn from selections in academic essays and articles, and reviews in newspapers, journals, magazines and websites, with editorial comment providing context, drawing attention to key points and identifying differences in critical perspectives. The book features selections from published interviews with Ian McEwan and covers all of the writer's novels to date, including his latest novel Saturday.
Author: Leo Shtutin
Publisher: Oxford University Press
ISBN: 0192554948
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
This study explores the interrelationship between spatiality and subjecthood in the work of Stéphane Mallarmé, Guillaume Apollinaire, Maurice Maeterlinck, and Alfred Jarry. Concerned with various modes of poetry and drama, it also examines the cross-pollination that can occur between these modes, focusing on a range of core texts including Mallarmé's Igitur and Un Coup de dés; Apollinaire's 'Zone' and various of his calligrammes; Maeterlinck's early one-act plays: L'Intruse, Les Aveugles, and Intérieur; and Jarry's Ubu roi and César-Antechrist.. The poetic and dramatic practices of these four authors are assessed against the broader cultural and philosophical contexts of the fin de siècle. The fin de siècle witnessed a profound epistemological shift: the Newtonian-Cartesian paradigm, increasingly challenged throughout the nineteenth century, was largely dismantled, with ramifications beyond physics, philosophy, and psychology. Chapter 1 introduces three foundational notions—Newtonian absolute space, the unitary Cartesian subject, and subject-object dualism—that were challenged and ultimately overthrown in turn-of-the-century science and art. Developments in theatre architecture and typographic design are examined against this philosophical backdrop with a view to establishing a diachronic and interdisciplinary framework of the authors in question. Chapter 2 focuses on the spatial dimension of Mallarmé's Un Coup de dés and Apollinaire's calligrammes—works which defamiliarise page-space by undermining various (naturalised) conventions of paginal configuration. In Chapter 3, the notion of liminality is implemented in an analysis of character and diegetic space as constructed in Jarry's Ubu roi and Maeterlinck's one-acts. Chapters 4 and Chapter 5 undertake a more abstract investigation of parallel inverse processes-the subjectivisation of space and the spatialisation of the subject—manifest not only in the works of Mallarmé, Maeterlinck, Apollinaire, and Jarry, but in the period's poetry and drama more generally.
Author: Charles Burdett
Publisher: Liverpool University Press
ISBN: 178962729X
Category : Language Arts & Disciplines
Languages : en
Pages : 416
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Book Description
Transnational Italian Studies is specifically targeted at a student audience and is designed to be used as a key text when approaching the disciplinary field of Italian studies. It allows the study of Italian culture to be construed and practised not simply as the inquiry into a national tradition but as the study of the interaction of cultural practices both within Italy itself and in those parts of the world that have witnessed the extent of Italian mobility. The text argues that Italian culture needs to be considered in a transnational/transcultural perspective and that an understanding of linguistic and cultural translation underlies all approaches to the study of Italian culture in a global context. Contributions deploy a range of methodological approaches to understand and illustrate how language operates, how culture inhabits and constitutes public and private space, how notions of time operate within people’s lives, and the multiple ways in which people experience a sense of personhood. Chapters stretch from the medieval period to the present and demonstrate how transnational Italian culture can be critically addressed through the examination of carefully chosen examples. Contributors: Alessandra Diazzi, Andrea Rizzi, Barbara Spadaro, Charles Burdett, Clorinda Donato, David Bowe, Derek Duncan, Donna Gabaccia, Eugenia Paulicelli, Fabio Camilletti, Giuliana Muscio, Jennifer Burns, Loredana Polezzi, Marco Santello, Monica Jansen, Naomi Wells, Nathalie Hester, Serena Bassi, Stefania Tufi, Teresa Fiore and Tristan Kay.
Author: Andrei Ionescu
Publisher: Bloomsbury Publishing USA
ISBN: 1501362445
Category : Social Science
Languages : en
Pages : 215
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Book Description
Disrupted Intersubjectivity investigates two classes of phenomena creating failures of understanding in social interaction, referred to as 'paralysis' and 'invasion.' Both can be understood as disrupted forms of intersubjectivity, the former being characterized by a lack/deficiency of ways of relating to others, and the latter by an unnecessary surplus. By studying the literary accounts of these phenomena in a selection of Ian McEwan's literary works (“Homemade,” On Chesil Beach, Enduring Love, and Atonement), Andrei Ionescu sheds light on the epistemological potential of literature and the structure of human relationships in general. Part of the developing field of cognitive literary studies, Disrupted Intersubjectivity not only uses cognitive scientific theories in order to clarify literary issues, but also investigates to what extent can literature itself contribute to the process of understanding the workings of the human mind. By investigating the metacognitive issues staged and reflected upon in literary works, Ionescu challenges and refines contemporary cognitive and philosophical approaches to intersubjectivity and opens directions for further theoretical and empirical research.
Author: Scott Hess
Publisher: Routledge
ISBN: 1135875162
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
Drawing upon historicist and cultural studies approaches to literature, this book argues that the Romantic construction of the self emerged out of the growth of commercial print culture and the expansion and fragmentation of the reading public beginning in eighteenth-century Britain. Arguing for continuity between eighteenth-century literature and the rise of Romanticism, this groundbreaking book traces the influence of new print market conditions on the development of the Romantic poetic self.
Author: Richard M. Hogg
Publisher: Cambridge University Press
ISBN: 9780521264778
Category : Language Arts & Disciplines
Languages : en
Pages : 828
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Book Description
The volumes of The Cambridge history of the English language reflect the spread of English from its beginnings in Anglo-Saxon England to its current role as a multifaceted global language that dominates international communication in the 21st century.
Author: Loraine Saunders
Publisher: Routledge
ISBN: 1317012798
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
In a timely and radically new reappraisal of George Orwell's fiction, Loraine Saunders reads Orwell's novels as tales of successful emancipation rather than as chronicles of failure. Contending that Orwell's novels have been undervalued as works of art, she offers extensive textual analysis to reveal an author who is in far more control of his prose than has been appreciated. Persuasively demonstrating that Orwell's novels of the 1930s such as A Clergyman's Daughter and Keep the Aspidistra Flying are no less important as literature than Animal Farm and Nineteen Eighty-Four, Saunders argues they have been victims of a critical tradition whose practitioners have misunderstood Orwell's narrative style, failed to appreciate Orwell's political stance, and were predisposed to find little merit in Orwell's novels. Saunders devotes significant attention to George Gissing's influence on Orwell, particularly with regard to his representations of women. She also examines Orwell's socialism in the context of the political climate of the 1930s, finding that Orwell, in his successful negotiation of the fine balance between art and propaganda, had much more in common with Charlie Chaplin than with writers like Stephen Spender or W. H. Auden. As a result of Saunders's detailed and accessible analysis, which illuminates how Orwell harmonized allegory with documentary, polyphonic voice with monophonic, and elegy with comedy, Orwell's contributions to the genre of political fiction are finally recognized.
