Subcreation: Fictional-World Construction from J.R.R. Tolkien to Terry Pratchett and Tad Williams PDF Download
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Author: Stefanie Schult
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832544194
Category : Language Arts & Disciplines
Languages : en
Pages : 243
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Book Description
The doctorial thesis argues that the term Subcreation with its revised and broadened definition, in part differing from J.R.R. Tolkien's original term sub-creation, may be used for the discussion of the making of fictional worlds in literary discourse. The successful conception of a fictional world depends on the reader's willing suspension of disbelief. This depends both on the author and his skilled composition of the world and all its aspects, as well as on the reader's acceptance of this invented fictional world. The author needs to create a narrative with an inner consistency, which is crucial to achieving the effect of the reader's immersion in the fictional world. The fundamental aspects that an author needs to realize to achieve successful Subcreation have been structured into and analysed in four categories: Language and Linguistic Variation, Physiopoeia, Anthropoeia and Mythopoeia. Furthermore, this thesis shows that, as contemporary examples of fantastic literature, both Tad Williams's and Terry Pratchett's fictional worlds are successfully created through the realization of these aspects of Subcreation. Apart from commenting on the success of the subcreative process, this thesis also remarks upon the cultural influences both authors include in their writings. While both may be considered Anglophone in a general categorization, Pratchett's Discworld retains a feeling of 'Britishness' that is not to be found in Williams's Otherland. The thesis proposes several approaches to Subcreation that may be studied subsequently. So, for example, it may be possible to determine the success of an author's Subcreation by collecting empirical data. Apart from literary works this field of studies may also include other media.
Author: Stefanie Schult
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832544194
Category : Language Arts & Disciplines
Languages : en
Pages : 243
Get Book Here
Book Description
The doctorial thesis argues that the term Subcreation with its revised and broadened definition, in part differing from J.R.R. Tolkien's original term sub-creation, may be used for the discussion of the making of fictional worlds in literary discourse. The successful conception of a fictional world depends on the reader's willing suspension of disbelief. This depends both on the author and his skilled composition of the world and all its aspects, as well as on the reader's acceptance of this invented fictional world. The author needs to create a narrative with an inner consistency, which is crucial to achieving the effect of the reader's immersion in the fictional world. The fundamental aspects that an author needs to realize to achieve successful Subcreation have been structured into and analysed in four categories: Language and Linguistic Variation, Physiopoeia, Anthropoeia and Mythopoeia. Furthermore, this thesis shows that, as contemporary examples of fantastic literature, both Tad Williams's and Terry Pratchett's fictional worlds are successfully created through the realization of these aspects of Subcreation. Apart from commenting on the success of the subcreative process, this thesis also remarks upon the cultural influences both authors include in their writings. While both may be considered Anglophone in a general categorization, Pratchett's Discworld retains a feeling of 'Britishness' that is not to be found in Williams's Otherland. The thesis proposes several approaches to Subcreation that may be studied subsequently. So, for example, it may be possible to determine the success of an author's Subcreation by collecting empirical data. Apart from literary works this field of studies may also include other media.
Author: Frank G. Bosman
Publisher: Routledge
ISBN: 0429018681
Category : Religion
Languages : en
Pages : 229
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Book Description
This book formulates a new theological approach to the study of religion in gaming. Video games have become one of the most important cultural artifacts of modern society, both as mediators of cultural, social, and religious values and in terms of commercial success. This has led to a significant increase in the critical analysis of this relatively new medium, but theology as an academic discipline is noticeably behind the other humanities on this subject. The book first covers the fundamentals of cultural theology and video games. It then moves on to set out a Christian systematic theology of gaming, focusing on creational theology, Christology, anthropology, evil, moral theology, and thanatology. Each chapter introduces case studies from video games connected to the specific theme. In contrast to many studies which focus on online multiplayer games, the examples considered are largely single player games with distinct narratives and ‘end of game’ moments. The book concludes by synthesizing these themes into a new theology of video games. This study addresses a significant aspect of contemporary society that has yet to be discussed in any depth by theologians. It is, therefore, a fantastic resource for any scholar engaging with the religious aspects of digital and popular culture.
Author: Marion Rana
Publisher: Springer
ISBN: 3319672983
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
This book highlights the multi-dimensionality of the work of British fantasy writer and Discworld creator Terry Pratchett. Taking into account content, political commentary, and literary technique, it explores the impact of Pratchett's work on fantasy writing and genre conventions.With chapters on gender, multiculturalism, secularism, education, and relativism, Section One focuses on different characters’ situatedness within Pratchett’s novels and what this may tell us about the direction of his social, religious and political criticism. Section Two discusses the aesthetic form that this criticism takes, and analyses the post- and meta-modern aspects of Pratchett’s writing, his use of humour, and genre adaptations and deconstructions. This is the ideal collection for any literary and cultural studies scholar, researcher or student interested in fantasy and popular culture in general, and in Terry Pratchett in particular.
Author: J. K. S. Makokha
Publisher: Logos Verlag Berlin
ISBN: 9783832528164
Category : East African literature
Languages : en
Pages : 0
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Book Description
East African Literature: Essays on Written and Oral Traditions is a wide-ranging collection of essays by seasoned and younger literary critics based in universities across the eastern region of Africa. The contributors offer illuminating criticism on issues of gender, sexuality, historiography, stylistics and narratology in representative works by writers such as: Ngugi, Okot p'Bitek, Julius Ocwinyo, Goretti Kyomuhendo, Ebrahim Hussein, Ben Mtobwa, M. G. Vassanji, Elieshi Lema, Rebeka Njau, Kyallo Wadi Wamitila, Ken Walibora, Katini Mwachofi, Margaret Ogola, Jared Angira, Tsegaye Gebre-Medhin, Dagniachew Worku and Nuruddin Farah. Transcribed works by popular oral artists working in major vernacular languages across the region have also been examined. Several essays offer critical perspectives on stylistic trends and thematics in Kenyan, Tanzanian, Somalian and Djiboutian drama. Read collectively, these critical essays expand the field of East African literary thought at the levels of criticism, texts and issues. Fresh analyses underpinned by a number of theoretical frameworks are conducted on scriptural and oral texts by established and emergent writers. The result is a panorama of East African literature from the turn of the century to the present moment. The book breaks new ground by expanding the conventional meaning of East Africa to include not only Kenya, Uganda and Tanzania but also Ethiopia, Somalia and Djibouti.
Author: Sukanya Venkatraghavan
Publisher:
ISBN: 9789388322027
Category : Drama
Languages : en
Pages : 0
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Book Description
"A compelling collection of stories that speak of love, rage, rebellion, choices and chances, this book brings together some of the strongest female voices in contemporary Indian writing"--Publisher
Author: Bradford Lee Eden
Publisher: McFarland
ISBN: 0786456604
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
The twentieth century witnessed a dramatic rise in fantasy writing and few works became as popular or have endured as long as the novels of J.R.R. Tolkien. Surprisingly, little critical attention has been paid to the presence of music in his novels. This collection of essays explores the multitude of musical-literary allusions and themes intertwined throughout Tolkien's body of work. Of particular interest is Tolkien's scholarly work with medieval music and its presentation and performance practice, as well as the musical influences of his Victorian and Edwardian background. Discographies of Tolkien-influenced music of the 20th and 21st centuries are included.
Author: Weronika Łaszkiewicz
Publisher: McFarland
ISBN: 1476671702
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
The debate surrounding the Christian aspects of C.S. Lewis's The Chronicles of Narnia, J.R.R. Tolkien's The Lord of the Rings, Philip Pullman's His Dark Materials and J.K. Rowling's Harry Potter has revealed not only the prominence of religious themes in fantasy fiction, but also readers' concerns over portrayals of religion in fantasy. Yet while analyses of these works fill many volumes, other fantasy series have received much less attention. This critical study explores the fantastic religions and religious themes in American and Canadian works by Stephen R. Donaldson (Chronicles of Thomas Covenant), Guy Gavriel Kay (Fionavar Tapestry), Celia S. Friedman (Coldfire Trilogy), and Brandon Sanderson (Mistborn). References to biblical tradition and Christian teachings reveal these writers' overall approach to Christianity and the relationship between Christianity and the fantasy genre.
Author: Alberto Manguel
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156008723
Category : Literary Criticism
Languages : en
Pages : 780
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Book Description
Describes and visualizes over 1,200 magical lands found in literature and film, discussing such exotic realms as Atlantis, Tolkien's Middle Earth, and Oz.
Author: Mark Doyle
Publisher: Rowman & Littlefield
ISBN: 1498598684
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
Utopia and Dystopia in Tolkien’s Legendarium explores how Tolkien’s works speak to many modern people’s utopian desires despite the overwhelming dominance of dystopian literature in the twentieth and twenty-first centuries. It also examines how Tolkien’s malevolent societies in his legendarium have the unique ability to capture the fears and doubts that many people sense about the trajectory of modern society. Tolkien’s works do this by creating utopian and dystopian longing while also rejecting the stilted conventions of most literary utopias and dystopias. Utopia and Dystopia in Tolkien’s Legendarium traces these utopian and dystopian motifs through a variety of Tolkien’s works including The Hobbit, The Lord of the Rings, The Silmarillion, Book of Lost Tales, Leaf by Niggle,and some of his early poetry. The book analyzes Tolkien’s ideal and evil societies from a variety of angles: political and literary theory, the sources of Tolkien’s narratives, the influence of environmentalism and Catholic social doctrine, Tolkien’s theories about and use of myth, and finally the relationship between Tolkien’s politics and his theories of leadership. The book’s epilogue looks at Tolkien’s works compared to popular culture adaptations of his legendarium.
Author: Weronika Łaszkiewicz
Publisher: Cambridge Scholars Publishing
ISBN: 1443892114
Category :
Languages : en
Pages : 205
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Book Description
This volume brings together papers that examine American literary texts and cultural phenomena as manifestations and/or expressions of nostalgia. Inspired by Svetlana Boym’s seminal study The Future of Nostalgia (2001), the authors of the sixteen chapters demonstrate that this sentiment proves to be a useful key in the process, opening up new interpretive vistas and enabling new critical insights. The experience that comes under scrutiny in these texts is informed by the fundamental division into a certain “present,” which is the domain of insatiability, and a certain “past” – the locus of at-homeness, often irretrievably lost.
