Author: Jan Gonda
Publisher:
ISBN: 9780720483680
Category : Vedic language
Languages : en
Pages : 414
Book Description
Stylistic Repetition in the Veda
Author: Jan Gonda
Publisher:
ISBN: 9780720483680
Category : Vedic language
Languages : en
Pages : 414
Book Description
Publisher:
ISBN: 9780720483680
Category : Vedic language
Languages : en
Pages : 414
Book Description
Stylistic Repetition in the Veda
Author: Robert John Goldwater
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Rig-veda Repetitions
Author: Maurice Bloomfield
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
Book Description
Rig-veda Repetitions
Author: Maurice Bloomfield
Publisher:
ISBN:
Category : Vedas
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Vedas
Languages : en
Pages : 516
Book Description
Stylistic repetition in teh Veda
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 413
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 413
Book Description
Jan Gonda
Author: Alfred Bloch
Publisher:
ISBN:
Category :
Languages : de
Pages : 12
Book Description
Publisher:
ISBN:
Category :
Languages : de
Pages : 12
Book Description
Rig Veda Repetitions
Author: Bloomfled Maurice
Publisher: Legare Street Press
ISBN: 9781017316032
Category : Education
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781017316032
Category : Education
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Indra Hymns of the Ṛgveda
Author:
Publisher: Brill Archive
ISBN: 9789004091399
Category : Religion
Languages : en
Pages : 244
Book Description
Publisher: Brill Archive
ISBN: 9789004091399
Category : Religion
Languages : en
Pages : 244
Book Description
Rig-Veda Repetitions
Author: Maurice Bloomfield
Publisher: Rarebooksclub.com
ISBN: 9781458966759
Category :
Languages : en
Pages : 210
Book Description
Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER I: DISPOSITION OF THE REPEATED VERSES IN TEN CLASSES Classification according to extent and interrelations of the Repeated Matter As stated above (p. 4), the number of repetitions in the EV. which involve metrical lines singly, or in distichs, or in stanzas, or in groups of stanzas is about 2,400. This number is exclusive of repetitions of verse-lines within one and the same hymn; exclusive of refrain pfulus; and exclusive of catenary repetitions. But this number includes the pada pairs or groups, described on p. 10, which show considerable similarity, yet not enough to entitle them to be regarded as full repetitions. These are taken account of only occasionally in the following classification. In the majority of cases repetitions may be said to be sporadic, that is, a single pada appears in two or more different parts of the Sariihits. This class is taken for granted, and is not further considered. But repetition is by no means restricted to repetition of single padas: every conceivable group or mass of padas, even up to an entire hymn (see p. 13), is occasionally repeated, in such a way as to call for arrangement according to the size or nature of this group or mass. Accordingly it has been found convenient to deal with this matter under the following ten heads: 1. Groups of stanzas are repeated. 2. Entire single stanzas are repeated unchanged, as refrains at the end of hymns. 3. Entire single stanzas, not refrains, are repeated in any part of a hymn. 4. Substantially identical stanzas are repeated with changes. 5. Similar stanzas. 6. Distichs are repeated unchanged. 7. Distichs are repeated with changes. 8. Single padas are repeated with an added word or words. 9. Two or more unconnected padas recurrent in the same pair of hymns...
Publisher: Rarebooksclub.com
ISBN: 9781458966759
Category :
Languages : en
Pages : 210
Book Description
Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: CHAPTER I: DISPOSITION OF THE REPEATED VERSES IN TEN CLASSES Classification according to extent and interrelations of the Repeated Matter As stated above (p. 4), the number of repetitions in the EV. which involve metrical lines singly, or in distichs, or in stanzas, or in groups of stanzas is about 2,400. This number is exclusive of repetitions of verse-lines within one and the same hymn; exclusive of refrain pfulus; and exclusive of catenary repetitions. But this number includes the pada pairs or groups, described on p. 10, which show considerable similarity, yet not enough to entitle them to be regarded as full repetitions. These are taken account of only occasionally in the following classification. In the majority of cases repetitions may be said to be sporadic, that is, a single pada appears in two or more different parts of the Sariihits. This class is taken for granted, and is not further considered. But repetition is by no means restricted to repetition of single padas: every conceivable group or mass of padas, even up to an entire hymn (see p. 13), is occasionally repeated, in such a way as to call for arrangement according to the size or nature of this group or mass. Accordingly it has been found convenient to deal with this matter under the following ten heads: 1. Groups of stanzas are repeated. 2. Entire single stanzas are repeated unchanged, as refrains at the end of hymns. 3. Entire single stanzas, not refrains, are repeated in any part of a hymn. 4. Substantially identical stanzas are repeated with changes. 5. Similar stanzas. 6. Distichs are repeated unchanged. 7. Distichs are repeated with changes. 8. Single padas are repeated with an added word or words. 9. Two or more unconnected padas recurrent in the same pair of hymns...
Language and Style of the Vedic Rsis
Author: Tat?i?a?na I?A?kovlevna Elizarenkova
Publisher: SUNY Press
ISBN: 9780791416679
Category : Religion
Languages : en
Pages : 350
Book Description
Elizarenkova, perhaps the greatest living scholar of the Rgveda and certainly its greatest linguist, explains here the relationships between a very complicated grammatical system and the peculiarities of style of the archaic religious poetry. The laudatory hymn is treated as an act of verbal communication between the poet Rsi and the deity, with the hymn itself transmitting certain information from man to god. From this viewpoint, the hymn is used as a means to maintain a circular exchange of gifts between the Rsis and their gods.
Publisher: SUNY Press
ISBN: 9780791416679
Category : Religion
Languages : en
Pages : 350
Book Description
Elizarenkova, perhaps the greatest living scholar of the Rgveda and certainly its greatest linguist, explains here the relationships between a very complicated grammatical system and the peculiarities of style of the archaic religious poetry. The laudatory hymn is treated as an act of verbal communication between the poet Rsi and the deity, with the hymn itself transmitting certain information from man to god. From this viewpoint, the hymn is used as a means to maintain a circular exchange of gifts between the Rsis and their gods.