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Author: Sunita Dhir
Publisher: South Asia Books
ISBN: 9788121203937
Category : Acting
Languages : en
Pages : 149
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Book Description
The study seeks to clarify myths and concepts about the different styles of acting on the stage. All the major styles of acting-melodramatic, biomechanical, expressionist, symbolist, psychological-naturalist, epic theater-have been included in the book. The discussion of acting styles is marked by lucidity of expression and clarity of argument chastened by a deep insight of a practitioner of the various styles. The study brings into sharp focus the mechanics and dynamics of each acting style and gives a clear and useful guidance to its practitioner as to how to exploit himself as a player whose instrument, too, he himself is. Frequent reference to the Indian performance scenario makes the book eminently meaningful to the Indian theater person and theater lovers. Several interesting, penetrating conclusions have been thrown up. Such as the theater and acting may be realist-theatrical or theatrical-realist, pointing out the duality of their nature. Or, the basic training on the art of acting in same for all actors, only they have to wear about themselves different techniques for shifting over one to the other acting style-or even the medium. Or, how a muddle-headed theoretical understanding of a style may lead to encountering an impact or communication dynamically opposed to the one intended-a sort of a law of reversal operating in the theater.
Author: Sunita Dhir
Publisher: South Asia Books
ISBN: 9788121203937
Category : Acting
Languages : en
Pages : 149
Get Book Here
Book Description
The study seeks to clarify myths and concepts about the different styles of acting on the stage. All the major styles of acting-melodramatic, biomechanical, expressionist, symbolist, psychological-naturalist, epic theater-have been included in the book. The discussion of acting styles is marked by lucidity of expression and clarity of argument chastened by a deep insight of a practitioner of the various styles. The study brings into sharp focus the mechanics and dynamics of each acting style and gives a clear and useful guidance to its practitioner as to how to exploit himself as a player whose instrument, too, he himself is. Frequent reference to the Indian performance scenario makes the book eminently meaningful to the Indian theater person and theater lovers. Several interesting, penetrating conclusions have been thrown up. Such as the theater and acting may be realist-theatrical or theatrical-realist, pointing out the duality of their nature. Or, the basic training on the art of acting in same for all actors, only they have to wear about themselves different techniques for shifting over one to the other acting style-or even the medium. Or, how a muddle-headed theoretical understanding of a style may lead to encountering an impact or communication dynamically opposed to the one intended-a sort of a law of reversal operating in the theater.
Author: Jerry L. Crawford
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
ISBN:
Category : Performing Arts
Languages : en
Pages : 396
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Book Description
Centering - Focusing - Speaking - Auditioning - Restoration comedy - Realism and naturalism - Didactism - Absurd - Eclectic.
Author: Jerry L. Crawford
Publisher: Waveland Press
ISBN: 1478608390
Category : Performing Arts
Languages : en
Pages : 374
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Book Description
Appropriate for both fundamental and advanced levels, the authors ground their commentary on actor training on the process of personalization and the innovative approaches to voice and movement training. They define the personalization process as one in which the actor discovers and explores in the self, characteristics, qualities, attitudes, and experiences that are legitimate dimensions of the role being created. Part I transitions from essential ingredients used in creating a role, such as focusing and speaking, to guidelines for auditioning and rehearsing, including role analysis. The discussions of basic acting principles are supported by skills-building exercises. Part II explores historical performance styles and shows how basic stylistic elements can be freshly adapted for modern audiences. Thus, in Part II, the authors center their discussions of voice, movement, character, and emotion around theatrical styles prevalent during certain historical periods and around sound acting theories gleaned from a wide range of acting traditions. Each chapter in this part ends with a helpful checklist that summarizes voice, movement, gesture, and other elements common to the era discussed.
Author: Joe Deer
Publisher: Routledge
ISBN: 1135978417
Category : Performing Arts
Languages : en
Pages : 481
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Book Description
Acting in Musical Theatre is the only complete course in approaching a role in a musical. It is the first to combine acting, singing and dancing into a comprehensive guide, combining what have previously been treated as three separate disciplines. This book contains fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft. Drawing on decades of experience in both acting and teaching, the authors provide crucial advice on all elements of the profession, including: fundamentals of acting applied to musical theatre script, score and character analysis personalizing your performance turning rehearsal into performance acting styles in the musical theatre practical steps to a career. Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing related group and solo exercises, making it the definitive textbook for students and practitioners alike.
Author: Elaine Adams Novak
Publisher: Prentice Hall
ISBN:
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
Contains 30 practice scenes for 2 or 3 actors covering basic acting styles. Also gives interpretation suggestions and exercises.
Author: Michael Chekhov
Publisher: Ravenio Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 226
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Book Description
In this practical guide, renowned actor and director Michael Chekhov shares his innovative approach to the craft of acting. Drawing on his extensive experience in the theater and his unique understanding of the actor's creative process, Chekhov presents a comprehensive system of techniques designed to help actors develop their physical, mental, and emotional abilities. Through a series of exercises and principles, actors can learn to create compelling, truthful performances that captivate audiences and bring characters to life on stage and screen.
Author: John Harrop
Publisher: Allyn & Bacon
ISBN:
Category : Business & Economics
Languages : en
Pages : 360
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Book Description
Recognized as a classic in its field, Acting with Style continues to be an invaluable guide to the process of approaching plays. The Third Edition retains all of the significant facts, data, information, and exercises, and offers a clear and warm writing style that expresses a sensitivity to the needs of actors. In addition to presenting the physical approach to actor training, the authors encourage readers to use the text materials and concepts with creativity and imagination, asserting that the process of discovering language is not limited to one specific time, place, or culture. For actors.
Author: Robert Barton
Publisher: Routledge
ISBN: 0429589174
Category : Drama
Languages : en
Pages : 413
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Book Description
Style for Actors is an award-winning handbook and the definitive guide to roles in historical drama. Anyone who has ever struggled with capes, fans, swords, doublets and crinolines should make this third edition their constant companion. The past is a foreign country, and this outstanding book is concerned with exploring it from the actor's point of view. Specific guides to each major period give readers a clear map to discover a range from Greek, Elizabethan, Restoration and Georgian theatre to more contemporary stylings, including Futurism, Surrealism and Postmodernism. New material in this edition covers Commedia dell'arte and non-Western forms of theatre, theatrical fusion and developments in musicals and Shakespeare. The book’s references, images, resource lists and examples have all been updated to support today's diverse performers. Robert Barton takes great care to present the actor with the roles and genres that will most commonly confront them. Containing a huge resource of nearly 150 exercises, suggestions for scene study and applications not only for theatrical performance but also for stylistic challenges in the reader’s own offstage life, this book is an invaluable resource for students and practitioners of acting and drama.
Author:
Publisher: Routledge
ISBN: 1135258392
Category :
Languages : en
Pages : 360
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Book Description
Author: Sharrell Luckett
Publisher: Taylor & Francis
ISBN: 1317441222
Category : Art
Languages : en
Pages : 255
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Book Description
Black Acting Methods seeks to offer alternatives to the Euro-American performance styles that many actors find themselves working with. A wealth of contributions from directors, scholars and actor trainers address afrocentric processes and aesthetics, and interviews with key figures in Black American theatre illuminate their methods. This ground-breaking collection is an essential resource for teachers, students, actors and directors seeking to reclaim, reaffirm or even redefine the role and contributions of Black culture in theatre arts. Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
