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Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871941
Category : Performing Arts
Languages : en
Pages : 169
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Book Description
Film critic Steve Hutchison breaks down 29 monster and maniac archetypes, and 33 subgenres from 2782 horror movies reviewed, rated, ranked, and classified. Character and subgenre spreads include the four top-ranking films in each category, their average star rating, the character/subgenre’s relative frequency in the genre, a list of the 10 simplest films, and a list of the 10 most complex ones. This book offers a unique perspective on horror cinema whether you’re looking for niched films to watch, film data for research, or writing inspiration.
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871941
Category : Performing Arts
Languages : en
Pages : 169
Get Book Here
Book Description
Film critic Steve Hutchison breaks down 29 monster and maniac archetypes, and 33 subgenres from 2782 horror movies reviewed, rated, ranked, and classified. Character and subgenre spreads include the four top-ranking films in each category, their average star rating, the character/subgenre’s relative frequency in the genre, a list of the 10 simplest films, and a list of the 10 most complex ones. This book offers a unique perspective on horror cinema whether you’re looking for niched films to watch, film data for research, or writing inspiration.
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871917
Category : Performing Arts
Languages : en
Pages : 72
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Book Description
Film critic Steve Hutchison breaks down 33 subgenres from 2782 horror movies reviewed, rated, ranked, and classified. Subgenre spreads include the four top-ranking films in each category, their average star rating, the subgenre’s relative frequency in the genre, a list of the 10 simplest films, and a list of the 10 most complex ones. This book offers a unique perspective on horror cinema whether you’re looking for niched films to watch, film data for research, or writing inspiration.
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 177887178X
Category : Performing Arts
Languages : en
Pages : 98
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Book Description
Film critic Steve Hutchison breaks down 29 monster and maniac archetypes from 2782 horror movies reviewed, rated, ranked, and classified. Character spreads include the four top-ranking films in each category, their average star rating, the character’s relative frequency in the genre, a list of the 10 simplest films, and a list of the 10 most complex ones. This book offers a unique perspective on horror cinema whether you’re looking for niched films to watch, film data for research, or writing inspiration.
Author: Bryan Turnock
Publisher: Liverpool University Press
ISBN: 1911325906
Category : Performing Arts
Languages : en
Pages : 526
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Book Description
Aimed at teachers and students new to the subject, Studying Horror Cinema is a comprehensive survey of the genre from silent cinema to its twenty-first century resurgence. Structured as a series of thirteen case studies of easily accessible films, it covers the historical, production, and cultural context of each film, together with detailed textual analysis of key sequences. Sitting alongside such acknowledged classics as Psycho and Rosemary’s Baby are analyses of influential non-English language films as Kwaidan, Bay of Blood, and Let the Right One In. The author concludes with a chapter on 2017’s blockbuster It, the most financially successful horror film of all time, making Studying Horror Cinema the most up-to-date overview of the genre available.
Author: Chris Vander Kaay
Publisher: McFarland
ISBN: 1476622833
Category : Performing Arts
Languages : en
Pages : 243
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Book Description
More horror movies are produced and released each year than any other film genre. While horror enjoys broad popularity, many hardcore fans voraciously consume films from their favorite subgenres while avoiding others entirely. This says something interesting about the films and their audiences. This primer and reference guide defines and explores 75 alphabetically listed subgenres of horror film, from Abduction to Witchcraft and two Zombie subgenres. Each sizeable entry provides a critical survey of the subgenre, a detailed examination of its characteristic elements and themes, and a discussion of three or four exemplary titles as well as other titles of interest.
Author: Eddie Falvey
Publisher: University of Wales Press
ISBN: 1786836351
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
The taste for horror is arguably as great today as it has ever been. Since the turn of the millennium, the horror genre has seen various developments emerging out of a range of contexts, from new industry paradigms and distribution practices to the advancement of subgenres that reflect new and evolving fears. New Blood builds upon preceding horror scholarship to offer a series of critical perspectives on the genre since the year 2000, presenting a collection of case studies on topics as diverse as the emergence of new critical categories (such as the contentiously named ‘prestige horror’), new subgenres (including ‘digital folk horror’ and ‘desktop horror’) and horror on-demand (‘Netflix horror’), and including analyses of key films such as The Witch and Raw and TV shows like Stranger Things and Channel Zero. Never losing sight of the horror genre’s ongoing political economy, New Blood is an exciting contribution to film and horror scholarship that will prove to be an essential addition to the shelves of researchers, students and fans alike.
Author: Sarah Rehberg
Publisher: GRIN Verlag
ISBN: 3638626857
Category : Literary Collections
Languages : en
Pages : 18
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Book Description
Seminar paper from the year 2004 in the subject American Studies - Culture and Applied Geography, grade: 2,0, Ernst Moritz Arndt University of Greifswald (Institut für Angelistik und Amerikanistik), course: American Beliefs and Popular Culture, language: English, abstract: “Fear is the most powerful emotion in the human race and fear of the unknown is probably the most ancient. You are dealing with stuff everybody has felt...If you are making a horror film, you get to play with the audiences feelings.” John Carpenter Horror movies originate from fictional work that portrays the dark side of life with the primary aim of frightening and terrifying its audience. By presenting horrifying images, of several incorporating sub-genres and repeated themes, such as vampires and werewolves, demonic possessions, evil children, cannibals and zombies, alien invasion and mindcontrol, film makers like John Carpenter create a world where the worst nightmares become true. According to the adolescents who are providing the genre’s target group, monster movies always deal with the irresistible temptation of the unknown and forbidden, and therefore shock with a horrific impact of terrifying elements. (...) Since horror and monster movies stand for an important part of the American film industry and with it of its popular culture throughout the last eight decades, it is useful to look at the development of the horror genre in its historical and cultural context, and thus to focus again on the question of interpretive perspective. As horror movies, despite all obscurity, still deal with real fears of a society or the urge to break with social conventions, concentrating on the change of themes, styles and characters of the genre, means to learn more about the American collective consciousness and what was bothering a whole society during the 20th century.
Author: Murray Leeder
Publisher: Bloomsbury Publishing USA
ISBN: 1501314432
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
An introduction to the horror film genre.
Author: Harry M. Benshoff
Publisher: John Wiley & Sons
ISBN: 0470672609
Category : Performing Arts
Languages : en
Pages : 608
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Book Description
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike
Author: John Kenneth Muir
Publisher: Hal Leonard Corporation
ISBN: 1480366811
Category : Performing Arts
Languages : en
Pages : 394
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Book Description
(FAQ). Horror Films FAQ explores a century of ghoulish and grand horror cinema, gazing at the different characters, situations, settings, and themes featured in the horror film, from final girls, monstrous bogeymen, giant monsters and vampires to the recent torture porn and found footage formats. The book remembers the J-Horror remake trend of the 2000s, and examines the oft-repeated slasher format popularized by John Carpenter's Halloween (1978) and Friday the 13th (1980). After an introduction positioning the horror film as an important and moral voice in the national dialogue, the book explores the history of horror decade by decade, remembering the women's liberation horrors of the 1970s, the rubber reality films of the late 1980s, the serial killers of the 1990s, and the xenophobic terrors of the 9/11 age. Horror Films FAQ also asks what it means when animals attack in such films as The Birds (1963) or Jaws (1975), and considers the moral underpinnings of rape-and-revenge movies, such as I Spit on Your Grave (1978) and Irreversible (2002). The book features numerous photographs from the author's extensive personal archive, and also catalogs the genre's most prominent directors.
