Author: Dorothea McEwan
Publisher: Taylor & Francis
ISBN: 1000849759
Category : History
Languages : en
Pages : 382
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Book Description
Originally published in German, Italian and French these articles have been translated into English for the first time by the author, the former archivist of The Warburg Institute, London. Aby Warburg’s research and writings centred on images, their origins and metamorphoses, and their explanations and interpretations. The articles include discussions of Warburg’s academic work with colleagues such as James Loeb, the American Hellenist and philanthropist, and founder of the Loeb Classical Library, and with Josef Strzygowski, the Polish-Austrian art historian of the Vienna School of Art History. Further articles include notes on Warburg’s Serpent Ritual lecture of 1923; his politico-cultural initiative in 1914–1915; his work on caricature, in particular the Struwwelpeter topic; and discussions on the topic of Judaica. The Viennese art historian Fritz Saxl became his trusted friend and collaborator helping to gather Warburg’s large collection of books and photographs into the foundation of an academic institution in Hamburg in the 1920s, and then for a second time in London in the 1930s. The Warburg Institute has become one of the world’s leading centres of intellectual history. (CS 1109).
Author: Aby Warburg
Publisher: Hatje Cantz
ISBN: 9783775746939
Category :
Languages : en
Pages : 176
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Book Description
From 1925 until his death in 1929 the Hamburg-based art and cultural scholar Aby Warburg worked on his Mnemosyne Atlas, a volume of plates that has, in the meanwhile, taken on mythical status in the study of modern art and visual studies. With this project, Warburg created a visual reference system that was far ahead of its time. Roberto Ohrt and Axel Heil have now undertaken the task of finding all of the individual pictures from the atlas and displaying these reproductions of artworks from the Middle East, European antiquity, and the Renaissance in the same way that Warburg himself showed them, on panels hung with black fabric. This folio volume and the exhibition in Haus der Kulturen der Welt, Berlin succeed in restoring Warburg's vanished legacy-something that researchers have long considered impossible.
Author: Aby Warburg
Publisher: Getty Publications
ISBN: 9780892365371
Category : Art
Languages : en
Pages : 872
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Book Description
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
Author: Philippe Despoix
Publisher:
ISBN: 0773554637
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
A new approach to the legacy of the Warburg Library and a companion to the pioneering work Saturn and Melancholy.
Author: Gertrud Bing
Publisher:
ISBN: 9780854811199
Category : Art historians
Languages : en
Pages : 0
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Book Description
This essay, first published in 1957 in Fritz Saxl, 1890-1948. A Volume of Memorial Essays from his Friends in England, edited by D.J. Gordon, is reprinted in conjunction with the conference held in November 1998 to mark the 50th anniversary year of Saxl's death.
Author: Emily J. Levine
Publisher: University of Chicago Press
ISBN: 022606171X
Category : Art
Languages : en
Pages : 466
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Book Description
Deemed by Heinrich Heine a city of merchants where poets go to die, Hamburg was an improbable setting for a major intellectual movement. Yet it was there, at the end of World War I, at a new university in this commercial center, that a trio of twentieth-century pioneers in the humanities emerged. Working side by side, Aby Warburg, Ernst Cassirer, and Erwin Panofsky developed new avenues in art history, cultural history, and philosophy, changing the course of cultural and intellectual history in Weimar Germany and throughout the world. In Dreamland of Humanists, Emily J. Levine considers not just these men, but the historical significance of the time and place where their ideas took form. Shedding light on the origins of their work on the Renaissance and the Enlightenment, Levine clarifies the social, political, and economic pressures faced by German-Jewish scholars on the periphery of Germany’s intellectual world. By examining the role that context plays in our analysis of ideas, Levine confirms that great ideas—like great intellectuals—must come from somewhere.
Author: Georges Didi-Huberman
Publisher: Penn State University Press
ISBN: 9780271072098
Category : Art
Languages : en
Pages : 0
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Book Description
Originally published in French in 2002, examines the life and work of art historian Aby Warburg. Demonstrates the complexity and importance of Warburg's ideas, addressing broader questions regarding art historians' conceptions of time, memory, symbols, and the relationship between art and the rational and irrational forces of the psyche.
Author: Aby Warburg
Publisher: Cornell University Press
ISBN: 9780801484353
Category : Art
Languages : en
Pages : 132
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Book Description
Aby M. Warburg (1866-1929) is recognized not only as one of the century's preeminent art and renaissance historians but also as a founder of twentieth-century methods in iconology and cultural studies in general. Warburg's 1923 lecture, first published in German in 1988 and now available in the first complete English translation, offers at once a window on his career, a formative statement of his cultural history of modernity, and a document in the ethnography of the American Southwest. This edition includes thirty-nine photographs, many of them originally presented as slides with the speech, and a rich interpretive essay by the translator. The presentation grew out of Warburg's 1895 encounter with the Hopi Indians, an experience he claimed generated his theory of the Renaissance. In this powerfully written piece, Warburg investigates the relationships among ethnography, iconography, and cultural studies to develop a multicultural history of modernity. As an independent scholar in Hamburg, Warburg led the intellectual circle that included Erwin Panofsky and Ernst Cassirer, pioneers in the investigation of cultural history through the analysis of visual art and the interpretation of symbols. When Warburg wrote this exposition, however, he was a mental patient in a Kreuzlingen sanatorium. Warburg's vulnerable state of mind lends urgency and passion to his discussion of human rationality and cultural demons.
Author: Uwe Fleckner
Publisher: de Gruyter
ISBN: 9783110438307
Category : Humanities libraries
Languages : de
Pages : 0
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Book Description
In 1933, the Kulturwissenschaftliche Bibliothek Warburg left its home in Hamburg and went into exile in London, salvaging the books and painting collection of its founder Aby Warburg from the Nazis. Essays by internationally renowned scholars are dedicated to how the intellectual approach of the K.W.B. contributed to the English scholar community. The publication also examines how the move to London affected the research of the K.B.W
Author: Charlotte Schoell-Glass
Publisher: Wayne State University Press
ISBN: 9780814332559
Category : Art
Languages : en
Pages : 272
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Book Description
A landmark study on Aby Warburg's life and work, translated into English. In Aby Warburg and Anti-Semitism, Charlotte Schoell-Glass provides an unprecedented look at the life and writings of cultural critic Aby Warburg through the prism of Warburg's little-known political views. Schoell-Glass argues provocatively based on archival research that Warburg's work and teachings developed as a reaction to the growing anti-Semitism in Germany, which he saw as a threat to classical education and university scholarship. Translated into English for the first time, Aby Warburg and Anti-Semitism sheds much needed light on Warburg's views on Judaism and the politics of his time. Aby Warburg, scion of a well-known Jewish banking family in Hamburg, sacrificed his birthright to pursue a career as a private scholar. As an independent art historian, he devoted himself almost exclusively to reinterpreting the revival of antiquity within the Renaissance, urging other art historians to approach their work as a brand of the larger study of image making and philosophy. In this study, Schoell-Glass examines Warburg's most influential essays on Dürer, Rembrandt, and the Sassetti Chapel and his most innovative concepts--the accessories of motion, the pathos formula, and the afterlife of antiquity--to illustrate how Warburg persistently showed a deep concern over a disappointing and unstable outside world within his own work. Schoell-Glass shows how Warburg attempts to make a response to anti-Semitism the only way he knew how, despite his awareness of the diminishing societal relevance of that response. From this study of Warburg, Schoell-Glass produces a multilayered case study of the encounter between twentieth-century politics and scholarship. Art historians, German historians, and scholars of Jewish studies and cultural studies will be grateful for this volume.
