Studies in the History of Mediaeval Italian Painting PDF Download
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Author: Edward B. Garrison
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 342
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Book Description
Author: Edward B. Garrison
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 342
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 274
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Book Description
Author: Edward B. Garrison
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 472
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Book Description
The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting. They made available for the first time photographs of all miniatures of the region and period concerned - principally the former Papal States and Tuscany in the twelfth century - which the author was able to track down, along with a generous selection of ornamental initials from almost every decorated manuscript he examined. The contemporary wall-paintings and panels from these regions are also illustrated and discussed. They represent one of the most valuable sources of information about twelfth-century painting in existence, and everyone interested in European art of that period has at some time found himself gratefully using them. A serious attempt has been made to get all this material into order, and the general lines of development have been set out. Together with the author's two volumes already published in our Selected Studies Series (Early Italian Painting: Selected Studies, Vols. I & II) these four volumes make available the complete corpus of Edward Garrison's work on medieval Italian painting. The two principal studies are concerned with 'Twelfth-Century Initial Styles of Central Italy' (serialized here in eleven sections) and 'Twelfth-Century Umbro-Roman painting' (serialized in six sections). Most of the non-serialized items are studies of individual manuscripts, but one should note the presence here of Supplements IV-VI to Garrison's Italian Romanesque Panel-painting: an index (Nos. I-III are available in Early Italian Painting: Selected Studies. Vol. I). The reprinting of these four volumes should be particularly welcome to art-historians, since they were originally issued in fascicule form, and many art-historical libraries lack copies.
Author: Steven F.H. Stowell
Publisher: BRILL
ISBN: 9004283927
Category : History
Languages : en
Pages : 418
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Book Description
Analyzing the literature on art from the fifteenth and sixteenth centuries, The Spiritual Language of Art explores the complex relationship between visual art and spiritual experiences during the Italian Renaissance. Though scholarly research on these writings has predominantly focused on the influence of classical literature, this study reveals that Renaissance authors consistently discussed art using terms, concepts and metaphors derived from spiritual literature. By examining these texts in the light of medieval sources, greater insight is gained on the spiritual nature of the artist’s process and the reception of art. Offering a close re-readings of many important writers (Alberti, Leonardo, Vasari, etc.), this study deepens our understanding of attitudes toward art and spirituality in the Italian Renaissance.
Author: Joseph Manca
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN: 9780866985116
Category : Art, Renaissance
Languages : en
Pages : 0
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Book Description
Accounts by early viewers -- Vasari's lives and other early art histories -- Patrons, commissions, and contracts -- Subject matter and Renaissance art theory -- Words and pictures: poetry, inscriptions, and meaning
Author: Jennifer Dasal
Publisher: Penguin
ISBN: 0525506403
Category : Art
Languages : en
Pages : 289
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Book Description
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
Author: Pia Palladino
Publisher: Metropolitan Museum of Art
ISBN: 1588390306
Category : Illumination of books and manuscripts, Italian
Languages : en
Pages : 205
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Book Description
"Treasures of a Lost Art presents 144 leaves, cuttings, and illuminated manuscript fragments from the collection of Robert Lehman (1891-1969), one of the largest and most impressive private holdings of Italian manuscripts assembled after the First World War. Discussed here - with many of them handsomely illustrated in full color - are important examples of the major schools of illumination in southern Italy, Umbria, Tuscany, Emilia, Lombardy, and the Veneto. Previously unpublished, and perhaps even unknown to scholars, are works by some of the foremost Italian painters of the Middle Ages and Renaissance, including a leaf here attributed for the first time to the Sienese master Duccio di Buoninsegna and cuttings by Stefano da Verona and Cosimo Tura. Lesser-known arists, such as Neri da Rimini, Belbello da Pavia, and Girolamo da Cremona, once renowned for their beautifully illuminated volumes, are also discussed in full."--BOOK JACKET.
Author: Donal Cooper
Publisher: Boydell & Brewer
ISBN: 178327090X
Category :
Languages : en
Pages : 413
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Book Description
Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.
Author: Lorenzo Pericolo
Publisher: Brepols Publishers
ISBN: 9782503555584
Category : Art, Italian
Languages : en
Pages : 0
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Book Description
Jessica N. Richardson, Introduction, Frederic Clark, Antiquitas and the Medium Aevum: The Ancient/Medieval Divide and Italian Humanism, C. Jean Campbell, Vasari in Practice, Or How to Build a Tomb and Make it Work, Eugenio Refini, Shifting Identities: Jacopo Campora's De Immortalitate Anime from Manuscript to Print, Arturo Calzona, Leon Battista Alberti: 'Philology' of Forms and Time in Sant'Andrea, Mantua, Jane Tylus, Did Siena Have a Renaissance?, Dale Kinney, Persistence and Discontinuity in Roman Churches, David Quint, Pulci's Morgante and the End of the Medieval World, Lorenzo Pericolo, Incorporating the Middle Ages: Lazzaro Bastiani, the Bellini, and the Greek and German Architecture of Medieval Venice, Federica Pich, Dante and Petrarch in Giovan Battista Gelli's Lectures at the Florentine Academy, Jessica N. Richardson, Medieval Column Crosses in Early Modern Bologna, Kirstin Noreen, The Assumption Procession in Sixteenth-Century Rome, Elisabeth Oy-Marra, Changing Historical Perspectives? Giovan Pietro Bellori and the Middle Ages in Rome, Frances Gage, Observation and Periodization in Giulio Mancini's Documentation of Early Christian and Medieval Art in Rome, Lorenzo Pericolo, Epilogue: The Shifting Boundaries of the Middle Ages: From Die Kultur der Renaissance in Italien (1860) to Anachronic Renaissance (2010).
Author: Melanie Holcomb
Publisher: Metropolitan Museum of Art
ISBN: 1588393186
Category : Drawing, Medieval
Languages : en
Pages : 204
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Book Description
Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
