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Author: Arthur Tilley
Publisher:
ISBN: 9781331922575
Category : Biography & Autobiography
Languages : en
Pages : 360
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Book Description
Excerpt from Studies in the French Renaissance All except two of the papers contained in this volume have appeared before in some form or another. But all have been revised, added to, and in some cases largely rewritten. The result is that nearly half the volume consists of new matter. The first paper, "The University of Caen," was originally printed in a volume entitled Fasciculus Joanni Willis Clark dicatus, in which many friends of the late J.W. Clark united to express their sense of his lifelong devotion to the cause of knowledge and the service of the University. My own contribution seemed a fitting tribute from an alumnus of Henry VI's twin foundations of Eton and Kings College, and I was pleased to find that one of the Rectors of the University of Caen was in many respects a prototype of our friend. He was not only Registrary of his University, but he was distinguished for his devotion to its interests; he gave freely of his books to its library; and he wrote a play for the students, in which he took the chief part. The paper on "The Prose Romances of Chivalry" appeared in French in the Revue du seizieme Steele for 1919; besides translating it I have carefully revised it. "Rabelais and Geographical Discovery" was contributed to the Modern Language Review from 1906 to 1910. "Rabelais and Henri II" is practically new, only six pages having appeared before - in French, in the Revue du seizieme Siecle (1907 and1916). The first part of "Rabelais and the Fifth Book," which relates to the He Sonante, was published in the Modern Language Review for 1906-7; in the second part I have examined the rest of the book. It is for others to determine how far I have solved the long-disputed question of Rabelais's authorship. The account of "Humanism under Francis I" is an expanded and practically rewritten version of an article in the English Historical Review(1900). Even now it does not pretend to be more than a sketch of a small part of a very large subject - the history of French Humanism - which still awaits its historian. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur Tilley
Publisher:
ISBN: 9781331922575
Category : Biography & Autobiography
Languages : en
Pages : 360
Get Book Here
Book Description
Excerpt from Studies in the French Renaissance All except two of the papers contained in this volume have appeared before in some form or another. But all have been revised, added to, and in some cases largely rewritten. The result is that nearly half the volume consists of new matter. The first paper, "The University of Caen," was originally printed in a volume entitled Fasciculus Joanni Willis Clark dicatus, in which many friends of the late J.W. Clark united to express their sense of his lifelong devotion to the cause of knowledge and the service of the University. My own contribution seemed a fitting tribute from an alumnus of Henry VI's twin foundations of Eton and Kings College, and I was pleased to find that one of the Rectors of the University of Caen was in many respects a prototype of our friend. He was not only Registrary of his University, but he was distinguished for his devotion to its interests; he gave freely of his books to its library; and he wrote a play for the students, in which he took the chief part. The paper on "The Prose Romances of Chivalry" appeared in French in the Revue du seizieme Steele for 1919; besides translating it I have carefully revised it. "Rabelais and Geographical Discovery" was contributed to the Modern Language Review from 1906 to 1910. "Rabelais and Henri II" is practically new, only six pages having appeared before - in French, in the Revue du seizieme Siecle (1907 and1916). The first part of "Rabelais and the Fifth Book," which relates to the He Sonante, was published in the Modern Language Review for 1906-7; in the second part I have examined the rest of the book. It is for others to determine how far I have solved the long-disputed question of Rabelais's authorship. The account of "Humanism under Francis I" is an expanded and practically rewritten version of an article in the English Historical Review(1900). Even now it does not pretend to be more than a sketch of a small part of a very large subject - the history of French Humanism - which still awaits its historian. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur Augustus Tilley
Publisher: Forgotten Books
ISBN: 9780484736862
Category : Art
Languages : en
Pages : 48
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Book Description
Excerpt from The French Renaissance The government of Charles VIII. And Louis XII. Was patriarchal rather than despotic, but the essential absolutism of both monarchs is shown by the fact that their Italian expeditions were undertaken against the real interests of the nation, and at the prompting of favourite ministers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur Tilley
Publisher: Forgotten Books
ISBN: 9780266212959
Category : Literary Collections
Languages : en
Pages : 382
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Book Description
Excerpt from The Literature of the French Renaissance, Vol. 1 N 1885 I published as a prologue to a larger work an Introductory Essay', which purported to give a brief summary of the condition of learning and literature in France at the close of the Middle Ages, and to trace the first workings of the Renaissance spirit down to the opening of the reign of Francis I. The First Part of the main history was nearly completed by the beginning of 1890, when ill health added to the claims of other work compelled me practically to lay it aside. It was not until five years ago that I was able to take it up again in more than a desultory fashion. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Associate Professor John Owen, (Au
Publisher: Forgotten Books
ISBN: 9780267594863
Category : Literary Collections
Languages : en
Pages : 430
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Book Description
Excerpt from The Skeptics of the French Renaissance Baptiste Morin, Gilles de Roberval, Jean Stilla, and Pierre Gassendi, were superior to those who followed in the steps and propagated the teaching of Galileo Galilei. We must regard as part of this larger learning in mathematics and physical science, the greater amplitude and diversity of skeptical free-thought which we have already asserted to characterize French philosophy. The bearing of this point on the subject - matter of the present volume is that which its readers ought especially to bear in mind. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur Tilley
Publisher: Forgotten Books
ISBN: 9781331611615
Category :
Languages : en
Pages : 382
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Book Description
Excerpt from The Literature of the French Renaissance, Vol. 2 The League and the legitimists; Dorleans and Belloy. The two Discours of hurault DU fay the anti-espagnol of arnaud. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Arthur Tilley
Publisher:
ISBN: 9781331672449
Category : History
Languages : en
Pages : 240
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Book Description
Excerpt from The Literature of the French Renaissance: An Introductory Essay Histories of literature are apt to be confined to biography and criticism. The writers of them concern themselves, not so much with the broad main stream of a nation s literary developement, as with the rivers, sometimes indeed with the tiniest rivulets, which feed it. Thus they produce works, which however interesting and instructive they may be, are hardly entitled to be called histories. For a history, I take it, should have at any rate two features. It should be a continuous story, and it should deal with causes and effects. Into the vexed question of what is the province of History par excellence, whether it should confine itself to an account of the organisation of states, or whether it should more fully deserve its preeminence by dealing with the whole life of a nation, I need not happily enter. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Walter Pater
Publisher:
ISBN:
Category : History
Languages : en
Pages : 258
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Book Description
Author: Arthur Tilley
Publisher: Forgotten Books
ISBN: 9781528276375
Category : History
Languages : en
Pages : 502
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Book Description
Excerpt from Medieval France: A Companion to French Studies Considerations of space have made short and select biblio graphies imperative, but, as these comprise, whenever possible, works which contain full bibliographies, and also the more important recent authorities, it is hoped that the reader who wishes also to be a student will find his way to the chief sources of knowledge. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: HardPress
Publisher: Hardpress Publishing
ISBN: 9781313503426
Category :
Languages : en
Pages : 372
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Walter Pater
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
[1] THE history of the Renaissance ends in France, and carries us away from Italy to the beautiful cities of the country of the Loire. But it was in France also, in a very important sense, that the Renaissance had begun. French writers, who are fond of connecting the creations of Italian genius with a French origin, who tell us how Saint Francis of Assisi took not his name only, but all those notions of chivalry and romantic love which so deeply penetrated his thoughts, from a French source, how Boccaccio borrowed the outlines of his stories from the old French fabliaux, and how Dante himself expressly connects the origin of the art of miniature-painting with the city of Paris, have often dwelt on this notion of a Renaissance in the end of the twelfth and the beginning of the thirteenth century, a Renaissance within the limits of the middle age itself-a brilliant, but in part abortive effort to do for human life and the human mind what was afterwards done in the fifteenth. The word Renaissance, indeed, is now generally used to denote not [2] merely the revival of classical antiquity which took place in the fifteenth century, and to which the word was first applied, but a whole complex movement, of which that revival of classical antiquity was but one element or symptom. For us the Renaissance is the name of a many-sided but yet united movement, in which the love of the things of the intellect and the imagination for their own sake, the desire for a more liberal and comely way of conceiving life, make themselves felt, urging those who experience this desire to search out first one and then another means of intellectual or imaginative enjoyment, and directing them not only to the discovery of old and forgotten sources of this enjoyment, but to the divination of fresh sources thereof-new experiences, new subjects of poetry, new forms of art. Of such feeling there was a great outbreak in the end of the twelfth and the beginning of the following century. Here and there, under rare and happy conditions, in Pointed architecture, in the doctrines of romantic love, in the poetry of Provence, the rude strength of the middle age turns to sweetness; and the taste for sweetness generated there becomes the seed of the classical revival in it, prompting it constantly to seek after the springs of perfect sweetness in the Hellenic world. And coming after a long period in which this instinct had been crushed, that true "dark age," in which so many sources of intellectual and imaginative enjoyment had [3] actually disappeared, this outbreak is rightly called a Renaissance, a revival.Theories which bring into connexion with each other modes of thought and feeling, periods of taste, forms of art and poetry, which the narrowness of men's minds constantly tends to oppose to each other, have a great stimulus for the intellect, and are almost always worth understanding. It is so with this theory of a Renaissance within the middle age, which seeks to establish a continuity between the most characteristic work of that period, the sculpture of Chartres, the windows of Le Mans, and the work of the later Renaissance, the work of Jean Cousin and Germain Pilon, thus healing that rupture between the middle age and the Renaissance which has so often been exaggerated.
