Studies in the Choice and Iconography of Everyday Scenes on Fourth-century Athenian Vases PDF Download
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Author: Efthalia-Thalia Sini
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 204
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Book Description
Author: Efthalia-Thalia Sini
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 204
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Book Description
Author: John H. Oakley
Publisher: University of Wisconsin Press
ISBN: 0299327248
Category : Art
Languages : en
Pages : 301
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Book Description
Painted vases are the richest and most complex images that remain from ancient Greece. Over the past decades, a great deal has been written on ancient art that portrays myths and rituals. Less has been written on scenes of daily life, and what has been written has been tucked away in hard-to-find books and journals. A Guide to Scenes of Daily Life on Athenian Vases synthesizes this material and expands it: it is the first comprehensive volume to present visual representations of everything from pets and children's games to drunken revelry and funerary rituals. John H. Oakley's clear, accessible writing provides sound information with just the right amount of detail. Specialists of Greek art will welcome this book for its text and illustrations. This guide is an essential and much-needed reference for scholars and an ideal sourcebook for classics and art history.
Author: Amalia Avramidou
Publisher: Univ of Wisconsin Press
ISBN: 029924783X
Category : History
Languages : en
Pages : 258
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Book Description
The Codrus Painter was a painter of cups and vases in fifth-century B.C.E. Athens with a distinctive style; he is named after Codrus, a legendary Athenian king depicted on one of his most characteristic vases. He was active as an artist during the rule of Pericles, as the Parthenon was built and then as the troubled times of the Peloponnesian War began. In contrast to the work of fellow artists of his day, the vases of the Codrus Painter appear to have been created almost exclusively for export to markets outside Athens and Greece, especially to the Etruscans in central Italy and to points further west. Amalia Avramidou offers a thoroughly researched, amply illustrated study of the Codrus Painter that also comments on the mythology, religion, arts, athletics, and daily life of Greece depicted on his vases. She evaluates his style and the defining characteristics of his own hand and of the minor painters associated with him. Examining the subject matter, figure types, and motifs on the vases, she compares them with sculptural works produced during the same period. Avramidou’s iconographic analysis not only encompasses the cultural milieu of the Athenian metropolis, but also offers an original and intriguing perspective on the adoption, meaning, and use of imported Attic vases among the Etruscans.
Author: John Howard Oakley
Publisher:
ISBN: 9780299327231
Category : Electronic books
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 458
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Book Description
Theses on any subject submitted by the academic libraries in the UK and Ireland.
Author: Richard T. Neer
Publisher:
ISBN: 9780521791113
Category : Art
Languages : en
Pages : 306
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Book Description
In this study of Athenian vases of the late Archaic period, Neer tracks the design and imagery of the symposium, with its elaborate riddles and poems and the development of "naturalistic" techniques, such as foreshortening and shading. He also traces the birth of self-portraiture at the end of the sixth century and the treatment of overtly political subject-matter in the early democracy. The author thus reexamines basic ideas about Greek art and history, with particular regard to naturalism, realism, allegory, and the relation of ceramics to social life. Neer further demonstrates how formal ambiguity provided vase painters and their audiences with a means of creating new conceptions of civic identity.
Author: Oliver Taplin
Publisher: Getty Publications
ISBN: 0892368071
Category : Greek drama (Tragedy)
Languages : en
Pages : 322
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Book Description
This interdisciplinary study opens up a fascinating interaction between art and theater. It shows how the mythological vase-paintings of fourth-century B.C. Greeks, especially those settled in southern Italy, are more meaningful for those who had seen the myths enacted in the popular new medium of tragedy. Of some 300 relevant vases, 109 are reproduced and accompanied by a picture-by-picture discussion. This book supplies a rich and unprecedented resource from a neglected treasury of painting.
Author: Geralda Jurriaans-Helle
Publisher:
ISBN: 9789042945555
Category :
Languages : en
Pages : 328
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Book Description
All Athenian black-figure vases - unique masterpieces as well as mass-produced vases - reflect the conventions of Athenian pictorial language. The starting point for this study is that knowledge of this pictorial language provides a better comprehension of the meaning of the representations. Athenians in the 6th century BCE knew its conventions intimately, and one can assume they could easily understand vase-paintings because a few elements or a specific combination of elements were sufficient for them to identify the whole picture. The modern viewer, however, can only approach the intuitive knowledge of the ancient viewer by studying and analysing the surviving images. This study focuses on mass-produced vases, because large numbers provide vital statistical evidence for understanding the meaning of gestures, attributes, and other details, which makes it possible to deduce the rules of Athenian pictorial language and to recognise what is usual and normal, or unusual and exceptional. The methodology is demonstrated in an introductory case study of the type scene 'Fighting men separated'. Since the visual artists' use of pictorial language resembles the way in which in oral poetry a singer tells the story by using type scenes, formulaic verses, and epitheta ornantia while adding, omitting, or varying details and names, in this study terms are used that are borrowed from literary studies of Homer's oral poetry like type scene (the compositional schema or general arrangement of a depiction), subtypes, and typical elements (e.g., figure types, attributes, gestures, and other details). In this study the imagery of more than 1,200 Athenian black-figure vase-paintings of the type scene 'Chariot in profile' is examined. Three subtypes are distinguished: 'Hoplites and other men leaving' (with a hoplite and charioteer in or near the chariot, and representations with an unarmed man instead of the hoplite in or near the chariot), 'Wedding Procession' (with a woman as passenger in the chariot and a man holding the reins), and 'Apotheosis of Herakles and divine departures' (with Herakles and Athena in or near the chariot, and related representations of gods driving chariots). The conclusions of this investigation are that Athenian vase-painters composed their paintings according to a commonly understood system of pictorial language; that they were free to make variations, additions, and omissions, but stayed within the boundaries of the system and did not randomly add or omit figures; that innovative compositions were based upon existing compositions with a related meaning, since new images had to be easily and quickly understandable by the public; and that typical elements could have different meanings depending on their context. Since the painters composed the paintings according to a commonly understood system of pictorial language, knowledge of this system will help the modern viewer to understand the deeper meanings of paintings that at first sight are hard to grasp.
Author: John Boardman
Publisher: Thames and Hudson
ISBN: 9780500201381
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
"Will undoubtedly become a standard work of reference."—Journal of Hellenic Studies Athenian black figure vases bear the work of consummate artists like Exekias, who depicted on them scenes of myth and everyday life that deepen our knowledge and understanding of Greek antiquity. John Boardman enables the reader to study the many aspects of the vases, and to grasp the essential style of a painter or group of painters, without having to consult a number of expensive, and not always easily accessible, publications. A final section is devoted to the mythological scenes and other decorative features of the vases.
Author: John Oakley
Publisher: Oxbow Books
ISBN: 1782976663
Category : History
Languages : en
Pages : 313
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Book Description
Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops – Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms – plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters’ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers – chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.
