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Author: Christopher Warley
Publisher: Cambridge University Press
ISBN: 1107052920
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Through detailed readings of six canonical Renaissance works, this book shows the unique ability of literary criticism to describe class.
Author: Christopher Warley
Publisher: Cambridge University Press
ISBN: 1107052920
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
Through detailed readings of six canonical Renaissance works, this book shows the unique ability of literary criticism to describe class.
Author: Michael Bryson
Publisher: Open Book Publishers
ISBN: 1783743514
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 610
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Book Description
Author: University of Michigan. Department of English
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author:
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 194
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Book Description
Author: University of Michigan. Department of English
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 262
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Book Description
Author: Shakespeare Association of America
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 1034
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Book Description
Includes list of members, v. 1, 3-
Author: Hilton Landry
Publisher: Univ of California Press
ISBN:
Category : Drama
Languages : en
Pages : 200
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Book Description
Recurrent principles and interests in the sonnets are isolated in close studies of individual sonnets to show Shakespeare's pattern of mind. The study suggests various groupings by which the nature of Shakespeare's response to a number of stimuli can be gauged.
Author: Leora Lucile Long
Publisher:
ISBN:
Category :
Languages : en
Pages : 176
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Book Description
Author: Murray Roston
Publisher:
ISBN:
Category : History
Languages : en
Pages : 280
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Book Description
Deconstructionist critics have argued that literary works contain conflicting or contradictory meanings, thus creating an aporia, or impasse, that prevents readers from interpreting the work. Here, however, Murray Roston offers detailed and essentially new analyses of works by Shakespeare, Spenser, Jonson, and Donne, arguing that the seemingly contradictory presence of traditional and subversive elements in their major works actually creates the source of much of their literary achievement. Chapters explore The Merchant of Venice, Hamlet, Faerie Queene, Volpone, and the Meditations of John Donne, highlighting the creative tension between centripetal and centrifugal factors (borrowing Bakhtin's terms). As Roston demonstrates, this tension exists in a variety of genres, including poetry, epic and drama, and even in religious prose which, he acknowledges, might be thought to be exempt from such inner conflict because of its doctrinal and theological focus. The tension between tradition and subversion, both linguistic and cultural, then, can be seen to produce not aporia in any negative sense, but a positive complexity of response from the audience, animating and profoundly enriching each work. In The Merchant of Venice, for example, Shakespeare merges the previously despised figure of the merchant with a Christ-like figure, brilliantly reasserting the Christian condemnation of profiteering while simultaneously advocating its seeming opposite, a validation of the burgeoning mercantile activity of the Renaissance. Tradition and Subversion in Renaissance Literary Studies is a thoughtful study, rich in both historical scholarship and in its survey of modern criticism. Even those who are quite familiar with the texts discussed here will find Roston's focus on the tension between maintaining the expectations of the culture and pulling toward new ideas an illuminating way to freshly consider these literary works.
