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Author: Hans-Jost Frey
Publisher: Stanford University Press
ISBN: 9780804724692
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
This study of four major poets - Mallarme, Baudelaire, Rimbaud, and Holderlin - examines the self-reflexivity of modern poetry, exploring questions concerning what it means for a poem to be "about" its own process of saying. What does it mean to read and understand a text that is focused not on its content but on its saying? What kind of relation does a writer have to the language used in a text? How are we to think about the relation of content to the saying? In the chapter on Mallarme, the author uses several close readings to investigate the referentiality of literature in general and the concept of "undecidability" in Mallarme. For example, in "A la nue accablante tu" he shows the way undecidability operates in syntax, metaphorics, sounds, and plays on individual letters of the alphabet. The chapter on Rimbaud explores the significance of the poet's famous statement "JE est un autre" ("I is an other"), leading to a meditation on the question of the control of the author, the relationship between saying and that which is said, the way in which language overwhelms the speaker. In the Baudelaire chapter, the author analyzes the themes of memory and imagination in Baudelaire's writings on painting and Victor Hugo, showing how these themes reveal the writer's thoughts on artistic conception and execution. The author then reads Holderlin's hymn "Der Rhein" with the fifth of Rousseau's "Reveries du promeneur solitaire," showing how in Holderlin's poem and other texts the crucial issue is a paradoxical relationship between lack and fullness or perfection. The final Holderlin chapter presents a sustained critique of Heidegger's exegesis of Holderlin, opening new avenues in the discussions of both Holderlin and Heidegger.
Author: Hans-Jost Frey
Publisher: Stanford University Press
ISBN: 9780804724692
Category : Literary Criticism
Languages : en
Pages : 220
Get Book
Book Description
This study of four major poets - Mallarme, Baudelaire, Rimbaud, and Holderlin - examines the self-reflexivity of modern poetry, exploring questions concerning what it means for a poem to be "about" its own process of saying. What does it mean to read and understand a text that is focused not on its content but on its saying? What kind of relation does a writer have to the language used in a text? How are we to think about the relation of content to the saying? In the chapter on Mallarme, the author uses several close readings to investigate the referentiality of literature in general and the concept of "undecidability" in Mallarme. For example, in "A la nue accablante tu" he shows the way undecidability operates in syntax, metaphorics, sounds, and plays on individual letters of the alphabet. The chapter on Rimbaud explores the significance of the poet's famous statement "JE est un autre" ("I is an other"), leading to a meditation on the question of the control of the author, the relationship between saying and that which is said, the way in which language overwhelms the speaker. In the Baudelaire chapter, the author analyzes the themes of memory and imagination in Baudelaire's writings on painting and Victor Hugo, showing how these themes reveal the writer's thoughts on artistic conception and execution. The author then reads Holderlin's hymn "Der Rhein" with the fifth of Rousseau's "Reveries du promeneur solitaire," showing how in Holderlin's poem and other texts the crucial issue is a paradoxical relationship between lack and fullness or perfection. The final Holderlin chapter presents a sustained critique of Heidegger's exegesis of Holderlin, opening new avenues in the discussions of both Holderlin and Heidegger.
Author: Myriam Díaz-Diocaretz
Publisher: John Benjamins Publishing
ISBN: 9027279748
Category : Language Arts & Disciplines
Languages : en
Pages : 177
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Book Description
Translating Poetic Discourse argues in favor of a critical model that bridges between translation and women’s studies on theoretical and practical levels. It proposes key-elements to be integrated into the problem of interpretation of contemporary poetry by women, and discusses the links between gender markers and the speech situation in feminist discourse as a systematic problem. This book will be of interest to scholars of Translation Studies, Women’s Studies, Poetry, Comparative Literature and Discourse.
Author: Antony Easthope
Publisher: Routledge
ISBN: 113503365X
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
First published in 2002. It is easy to see that we are living in a time of rapid and radical social change. New Accents is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change, to stretch rather than reinforce the boundaries that currently define literature and its academic study. This study presents insights into poetry as discourse ooking at language, conventual literary theory, and then a detailed look at the iambic pentameter, ballads in English Poetry, looking at Shakespeare's Sonnet 73. Also included is commentary on transparency looking at Pope's The Rape of the Lock, and Romanticism in the Preface to the Lyrical Ballads and Wordworth's Tintern Abbey. Before ending on the future of poetry there is also a section on the Modernism of T.S. Eliot and Ezra Pound.
Author: Rochelle Tobias
Publisher: JHU Press
ISBN: 9780801882906
Category : Literary Criticism
Languages : en
Pages : 180
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Author: Antony Easthope
Publisher: Routledge
ISBN: 1135033668
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
First published in 2002. It is easy to see that we are living in a time of rapid and radical social change. New Accents is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change, to stretch rather than reinforce the boundaries that currently define literature and its academic study. This study presents insights into poetry as discourse ooking at language, conventual literary theory, and then a detailed look at the iambic pentameter, ballads in English Poetry, looking at Shakespeare's Sonnet 73. Also included is commentary on transparency looking at Pope's The Rape of the Lock, and Romanticism in the Preface to the Lyrical Ballads and Wordworth's Tintern Abbey. Before ending on the future of poetry there is also a section on the Modernism of T.S. Eliot and Ezra Pound.
Author: Cees Koster
Publisher: BRILL
ISBN: 9004489770
Category : Language Arts & Disciplines
Languages : en
Pages : 261
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Book Description
In this book one of the old traditions of translation studies is revived: the tradition of the comparative study of translation and original. The aim of the author is to develop an armamentarium, a set of analytical instruments and a procedure, for the systematic study of poetic discourse in translation. The armamentarium provides the means to describe the ‘translational interpretation’, that is: the interpretation of the original as it emerges from the translation and may be constructed in the course of a comparison between the two texts. The practical result of this study is based on a solid theoretical foundation. This study most of all reflects on the possibilities of translation comparison and description per se. It is one of the few books in which an in-depth study is undertaken into the principles of translation comparison itself, into its limits and possibilities, and into its central concepts (‘shift’, ‘unit of comparison’ etcetera). Before presenting his own proposal for a comparative procedure, the author critically evaluates several existing methods, particularly those of Toury, Van Leuven-Zwart and the German transfer-oriented approach. The theoretical considerations in this book are amply illustrated by analyses of translated works of poets as Rutger Kopland and Robert Lowell. The book also contains an extensive case study into the translations, by the German poet Paul Celan, of a selection of William Shakespeare’s sonnets.
Author: William Webbe
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 106
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Book Description
Author: Ludmila Makuchowska
Publisher: Cambridge Scholars Publishing
ISBN: 1443869759
Category : Religion
Languages : en
Pages : 150
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Book Description
Scientific Discourse in John Donne’s Eschatological Poetry offers a compelling critique of John Donne’s religious and erotic poetry, focusing on the intersection of two seemingly antithetical discourses: the language of the scientific revolution and of Christian eschatology. Throughout its three chapters, which correspond to three scientific disciplines – cartography, physics and alchemy – the volume examines the ways in which the references to early modern and medieval science in Donne’s poetry contribute to conceptualizing the Christian mystery of death.
Author: Stefan Holander
Publisher: Routledge
ISBN: 1135914001
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
This study examines Wallace Stevens' ideas and practice of poetic language with a focus on the 1930s, an era in which Stevens persistently thematized a keenly felt pressure for the possible social involvement and political utility of poetic language. The argument suggests how mutually implicated elements of his poetry such as diction, prosody and metaphor are relied on to signify or enact aesthetic closure; both in the negative terms of expressive impotence and unethical isolation and the positive ones of imaginative and linguistic change. In this respect, the study deals closely with the epistemologically and ethically fraught issue of the ambiguous and volatile role of non-semantic elements and linguistic difficulty in Stevens' language. Assuming that these facets are not exclusive to this period but receive a very clear, and therefore instructive, formulation in it, the discussion outlines some of Stevens' most central tropes for poetic creativity at this stage of his career, suggesting ways in which they came to form part of his later discourse on poetic functionality, when polemical concepts for the imagination, such as "evasion" and "escapism," became central. Stevens' prosody is discussed from within an eclectic analytical framework in which cumulative rhythmics is complemented by traditional metrics as a way of doing justice to his rich, varied and cognitively volatile use of verse language. The expressive potency of prosodic patterning is understood both as an effect of its resistance to semantic interpretation and by assuming a formal drive to interpret them in relation to the semantic and metaphoric staging of individual poems. A poem, in turn, is understood both as a strategic, stylistically deviant response to the challenges of a particular historical moment, and as an attempt to communicate through creating a sense of linguistic resistance and otherness.
Author: S. D. S. Chhibber
Publisher: Vantage Press
ISBN:
Category : Language and languages
Languages : en
Pages : 220
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Book Description
