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Author: H. W. van Os
Publisher: Pindar Press
ISBN:
Category : Art
Languages : en
Pages : 488
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Book Description
Professor van Os has spent twenty years working on Tuscan painting, and his contributions to the study of the Sienese school are of great importance. This volume brings together for the first time his articles on Tuscan art in the period leading up to the Renaissance in Florence and Siena. They represent one of the most important individual approaches to the subject in recent decades. A number of the studies reprinted here have been specially translated from Dutch for this book. The volume begins with five studies on problems of methodology involved in dealing with the art of this period. Eight further studies follow on the iconography of early Tuscan art. Finally eight studies deal with individual Sienese painters.
Author: H. W. van Os
Publisher: Pindar Press
ISBN:
Category : Art
Languages : en
Pages : 488
Get Book Here
Book Description
Professor van Os has spent twenty years working on Tuscan painting, and his contributions to the study of the Sienese school are of great importance. This volume brings together for the first time his articles on Tuscan art in the period leading up to the Renaissance in Florence and Siena. They represent one of the most important individual approaches to the subject in recent decades. A number of the studies reprinted here have been specially translated from Dutch for this book. The volume begins with five studies on problems of methodology involved in dealing with the art of this period. Eight further studies follow on the iconography of early Tuscan art. Finally eight studies deal with individual Sienese painters.
Author: Bruce Cole
Publisher:
ISBN:
Category : Art, Early Renaissance
Languages : en
Pages : 478
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Book Description
Professor Cole has written extensively over the last twenty years on Italian art of the fourteenth and fifteenth centuries, with monographs published on Giotto, Masaccio and Piero della Francesca, and a standard work on Agnolo Gaddi. He is co-editor of the Corpus of Early Italian Paintings, now in preparation. This book brings together thirty-five of Professor Cole's papers and reviews. They include studies of the great figures of trecento and quattrocento Tuscan art, reconstructions and rediscoveries of works from the period, catalogues of Italian works of art in American collections, and reviews of new and standard works in the field.
Author: Andrew Ladis
Publisher: Pindar Press
ISBN: 1915837189
Category : Art
Languages : en
Pages : 457
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Book Description
Andrew Ladis is Franklin Professor of Art History at the University of Georgia. Over the course of the last twenty years he has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he has made notable contributions to the study of early Italian painting and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolo di Tommaso. But the range of his interests, made apparent by this collection, extends far beyond fourteenth-century Florence and Siena to encompass Tuscan painting of the fifteenth century, Renaissance maiolica, the writings of Giorgio Vasari, biography, and modern historiography. Further, the assembled essays and book reviews embrace a wide array of art historical problems, such as connoisseurship, patronage, workshop procedure, and the relationship between form and meaning. Of particular note is a major interpretive essay on one of the key monuments of the Renaissance, the mural decoration of the Brancacci Chapel painted by Masaccio, Masolino, and Filippino Lippi. Appearing here in revised form, this study is newly accompanied by a copious number of illustrations, including some never before published.
Author: Hayden B. J. Maginnis
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
This book is a revisionist account of central Italian painting in the period 1260 - 1370.
Author: Diana Norman
Publisher: Yale University Press
ISBN: 9780300099331
Category : Art
Languages : en
Pages : 416
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Book Description
The city of Siena, one of Italy's major artistic centers, was home to many celebrated painters, among them Duccio, Simone Martini, Ambrogio and Pietro Lorenzetti, Sassetta and Beccafumi. This generously illustrated book provides a survey of Sienese painting from 1260 to 1555, an era of extraordinary artistic creativity in the Tuscan city. Art historian Diana Norman addresses the style and artistic technique of Sienese painters throughout the three centuries and explores why paintings were made, where they were originally seen, and how they were used and enjoyed by their audiences. The book focuses on works of art made for Siena itself, many of which are still to be seen within the city. Norman organizes the discussion around types of commissions and throughout the book situates the paintings within the context of the political, social, and religious circumstances of late medieval and renaissance Siena.
Author: Eckart Marchand
Publisher: Routledge
ISBN:
Category : Art patronage
Languages : en
Pages : 328
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Book Description
Medici dominance in the political and cultural life of Italy, and of Florence in particular has been well explored. Previous patronage studies have shown how the Medici invested great wealth in both private and public art and how the skills of Florentine artists and their products were an important part of the self-representation of Florence and the Medici in Italy and abroad. The six studies in this volume investigate the evidence for patronal interests expressed in a variety of commissions by different social groups and consider how far Medici activity as patrons can be considered paradigmatic. In examining the language in which the work was commissioned and received, the scholars explore the way the work of art reflects the patron's needs, interests or allegiance. New evidence is presented of aspects of the relationship between the patron and artists. Topics covered include commissions for the religious and secular decoration of Florentine villas, the activities and aspirations of Florentine nuns, the early practice of collecting, and the artist's response to the patron's needs through the formal qualities of the works of art. The volume is introduced by Eckart Marchand and Alison Wright who provide an invaluable historical overview of the present state of studies in Italian and especially Tuscan Renaissance art patronage.
Author: Edward B. Garrison
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
The four volumes of Edward Garrison's Studies, published between 1953 and 1962, represented a landmark in the study of medieval Italian painting. They made available for the first time photographs of all miniatures of the region and period concerned - principally the former Papal States and Tuscany in the twelfth century - which the author was able to track down, along with a generous selection of ornamental initials from almost every decorated manuscript he examined. The contemporary wall-paintings and panels from these regions are also illustrated and discussed. They represent one of the most valuable sources of information about twelfth-century painting in existence, and everyone interested in European art of that period has at some time found himself gratefully using them. A serious attempt has been made to get all this material into order, and the general lines of development have been set out. Together with the author's two volumes already published in our Selected Studies Series (Early Italian Painting: Selected Studies, Vols. I & II) these four volumes make available the complete corpus of Edward Garrison's work on medieval Italian painting. The two principal studies are concerned with 'Twelfth-Century Initial Styles of Central Italy' (serialized here in eleven sections) and 'Twelfth-Century Umbro-Roman painting' (serialized in six sections). Most of the non-serialized items are studies of individual manuscripts, but one should note the presence here of Supplements IV-VI to Garrison's Italian Romanesque Panel-painting: an index (Nos. I-III are available in Early Italian Painting: Selected Studies. Vol. I). The reprinting of these four volumes should be particularly welcome to art-historians, since they were originally issued in fascicule form, and many art-historical libraries lack copies.
Author: Edward B. Garrison
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Edward Garrison's work on early Italian panels resulted in the publication in 1949 of the first comprehensive index of Romanesque Italian panel painting, which remains the standard work of reference on the subject. Subsequently, his four-volume Studies in the History of Medieval Italian Painting, published in Florence between 1953 and 1962, represents the most considerable body of research yet published on Italian miniature and panel painting from the eleventh to the thirteenth centuries. These two volumes collect together all the author's articles on Italian fresco and panel painting which have been published in art-historical journals since 1945. This provides both an indispensable supplement to the author's earlier Studies in the History of Medieval Italian Painting, and in including three successive Addenda to his Index of Italian Romanesque Panel Paintings, also serves the function of updating the earlier publications. Contents: Preface The Role of Criticism in the Historiography of Painting Note on the Survival of Thirteenth-Century Panel Paintings in Italy A Berlinghieresque Fresco in S. Stefano, Bologna Ricupero di un affresco del dodicesimo secolo in Lucca Towards a New History of Early Lucchese Painting Elements of Shape as Indices of Date in Florentine Painted Panels A Ducciesque Tabernacle at Oxford The Oxford Christ Church Library Panel and the Milan Sessa Collection Shutters Simeone and Machilone Spoletenses Il Maestro di Forli Dating the Vatican Last Judgment Panel: Monument versus Document Post-War Discoveries in Early Italian Painting, I-V Addenda ad Indicem, I-III Index.
Author: Millard Meiss
Publisher: Princeton University Press
ISBN: 9780691003122
Category : Art
Languages : en
Pages : 300
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Book Description
The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Author: Katherine B. Crum
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
