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Author: Florentine Mütherich
Publisher: Spotlight Poets
ISBN:
Category : Art
Languages : en
Pages : 592
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Book Description
For the last forty years Florentine Mutherich has worked as editor of the corpus of Carolingian illuminated manuscripts she has recently published the School of Reims and is currently preparing the Franco-Saxon schools. In addition to her work on these volumes, she has explored various aspects of Carolingian book illumination. This volume presents a selection of her studies where the different types of school - court schools, and monastic and episcopal schools - are represented, as well as the different types of manuscripts. These are mostly Bibles, Gospel books, Psalters and Sacramentaries, but also secular works such as copies of late antique authors, Vergil, Aratus and the treatises of Roman land surveyors. Other articles deal with special problems such as the relationship to Roman or to Byzantine art.
Author: Florentine Mütherich
Publisher: Spotlight Poets
ISBN:
Category : Art
Languages : en
Pages : 592
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Book Description
For the last forty years Florentine Mutherich has worked as editor of the corpus of Carolingian illuminated manuscripts she has recently published the School of Reims and is currently preparing the Franco-Saxon schools. In addition to her work on these volumes, she has explored various aspects of Carolingian book illumination. This volume presents a selection of her studies where the different types of school - court schools, and monastic and episcopal schools - are represented, as well as the different types of manuscripts. These are mostly Bibles, Gospel books, Psalters and Sacramentaries, but also secular works such as copies of late antique authors, Vergil, Aratus and the treatises of Roman land surveyors. Other articles deal with special problems such as the relationship to Roman or to Byzantine art.
Author: Beatrice Kitzinger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110579499
Category : Literary Criticism
Languages : en
Pages : 493
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Book Description
A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with the art of the past. Likewise, their handling of subject matter—whether common or new for book illumination—attests to vibrant artistic energy and innovation. On the basis of rarely studied scientific, religious, and literary manuscripts, the contributions in this volume address a range of issues, including the engagement of 10th–11th century bookmakers with their Carolingian and Antique legacies, the interwoven geographies of book production, and matters of modern politics and historiography that have shaped the study of this complex period. .
Author: Beatrice Kitzinger
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110578395
Category : Literary Criticism
Languages : en
Pages : 676
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Book Description
A volume that introduces new sources and offers fresh perspectives on a key era of transition, this book is of value to art historians and historians alike. From the dissolution of the Carolingian empire to the onset of the so-called 12th-century Renaissance, the transformative 10th–11th centuries witnessed the production of a significant number of illuminated manuscripts from present-day France, Belgium, Spain, and Italy, alongside the better-known works from Anglo-Saxon England and the Holy Roman Empire. While the hybrid styles evident in book painting reflect the movement and re-organization of people and codices, many of the manuscripts also display a highly creative engagement with the art of the past. Likewise, their handling of subject matter—whether common or new for book illumination—attests to vibrant artistic energy and innovation. On the basis of rarely studied scientific, religious, and literary manuscripts, the contributions in this volume address a range of issues, including the engagement of 10th–11th century bookmakers with their Carolingian and Antique legacies, the interwoven geographies of book production, and matters of modern politics and historiography that have shaped the study of this complex period.
Author: Eric M. Ramírez-Weaver
Publisher: Penn State Press
ISBN: 0271078251
Category : Art
Languages : en
Pages : 797
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Book Description
In A Saving Science, Eric Ramírez-Weaver explores the significance of early medieval astronomy in the Frankish empire, using as his lens an astronomical masterpiece, the deluxe manuscript of the Handbook of 809, painted in roughly 830 for Bishop Drogo of Metz, one of Charlemagne’s sons. Created in an age in which careful study of the heavens served a liturgical purpose—to reckon Christian feast days and seasons accurately and thus reflect a “heavenly” order—the diagrams of celestial bodies in the Handbook of 809 are extraordinary signifiers of the intersection of Christian art and classical astronomy. Ramírez-Weaver shows how, by studying this lavishly painted and carefully executed manuscript, we gain a unique understanding of early medieval astronomy and its cultural significance. In a time when the Frankish church sought to renew society through education, the Handbook of 809 presented a model in which study aided the spiritual reform of the cleric’s soul, and, by extension, enabled the spiritual care of his community. An exciting new interpretation of Frankish painting, A Saving Science shows that constellations in books such as Drogo’s were not simple copies for posterity’s sake, but functional tools in the service of the rejuvenation of a creative Carolingian culture.
Author: Jonathan James Graham Alexander
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 448
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Book Description
A comprehensive selection of Professor Alexander's papers that consider Italian manuscript illumination through the medieval and Renaissance periods. The volume includes a new essay on marginal illustrations as well as older papers which discuss some of the most celebrated works of the period, and have been revised and updated here. Accompanied by a comprehensive index and new introduction.
Author: Lucy Freeman Sandler
Publisher: Pindar Press
ISBN: 1915837243
Category : Art
Languages : en
Pages : 813
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Book Description
The author is Helen Gould Sheppard Professor of Art History at New York University , Institute of Fine Arts, and a leading authority on English medieval manuscript illumination. This volume bring together twenty-six of Professor Sandler's studies, focusing on illustrated manuscripts produced in England in the thirteenth and fourteenth centuries, particularly on the illuminated psalters. The marginal illustrations in these psalters are a topic of particular interest, and there are a number of iconographic studies derived from this material. A separate section deals with the illustrated encyclopedias of the period, particularly the Omne bonum.
Author: John Henry Middleton
Publisher: Cambridge : University Press
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 306
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Book Description
Author: Carl Adam Johan Nordenfalk
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 396
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Book Description
15 papers on medieval manuscript illumination, from the origins of the art in late antiquity to late medieval French illumination
Author: Joseph Salvatore Ackley
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110637081
Category : Literary Criticism
Languages : en
Pages : 740
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Book Description
The presence of gold, silver, and other metals is a hallmark of decorated manuscripts, the very characteristic that makes them “illuminated.” Medieval artists often used metal pigment and leaf to depict metal objects both real and imagined, such as chalices, crosses, tableware, and even idols; the luminosity of these representations contrasted pointedly with the surrounding paints, enriching the page and dazzling the viewer. To elucidate this key artistic tradition, this volume represents the first in-depth scholarly assessment of the depiction of precious-metal objects in manuscripts and the media used to conjure them. From Paris to the Abbasid caliphate, and from Ethiopia to Bruges, the case studies gathered here forge novel approaches to the materiality and pictoriality of illumination. In exploring the semiotic, material, iconographic, and technical dimensions of these manuscripts, the authors reveal the canny ways in which painters generated metallic presence on the page. Illuminating Metalwork is a landmark contribution to the study of the medieval book and its visual and embodied reception, and is poised to be a staple of research in art history and manuscript studies, accessible to undergraduates and specialists alike.
Author: John J. Contreni
Publisher: Variorum Publishing
ISBN:
Category : Education
Languages : en
Pages : 370
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Book Description
The essays collected in this volume (including one hitherto unpublished, one in a revised version, and others now provided with additional notes) examine the intellectual and cultural life of early medieval western Europe from a number of different perspectives. The author argues that Carolingian learning must be seen within the general context of the Dynasty's attempt to reform society along Christian lines, and not as a medieval renaissance or revival of classical culture. The efforts of Carolingian leaders and scholars often led to varied results - one of the hallmarks of intellectual and cultural life of the period. Several of the essays focus on prominent themes in 9th century intellectual history - the arts, Bible, education, the role of the Irish - while others shed new light major Carolingian figures such as John Scottus Eriugena, Martin Scottus, Haimo of Auxerre, and Hincmar of Laon. The centrality of the manuscript to the reconstruction of intellectual life of the period is a theme common to all the essays.
