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Author:
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ISBN:
Category :
Languages : it
Pages : 416
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Author:
Publisher:
ISBN:
Category :
Languages : it
Pages : 416
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Author: Internationale Vereinigung für Vergleichende Rechtswissenschaft und Volkswirtschaftslehre zu Berlin
Publisher:
ISBN:
Category : Berlin (Germany)
Languages : en
Pages : 1046
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Author: Luigi Lucchini
Publisher:
ISBN:
Category :
Languages : it
Pages : 406
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Author: Steven Jay Schneider
Publisher: Manchester University Press
ISBN: 9780719067235
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
Exploring the depiction of violence and related issues in Hollywood productions, this book focuses on the motivations and cultural politics of violence on the big screen, as well as its effects on viewers and society as a whole.
Author: Joseph Cardinal Ratzinger
Publisher: Ignatius Press
ISBN: 1586179977
Category : Religion
Languages : en
Pages : 258
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Book Description
New Softcover Edition with Index! Considered by Ratzinger devotees as his greatest work on the Liturgy, this profound and beautifully written treatment of the "great prayer of the Church" will help readers rediscover the Liturgy in all its hidden spiritual wealth and transcendent grandeur as the very center of our Christian life. Among the many liturgical issues that he covers in this work, Cardinal Ratzinger discusses fundamental misunderstandings of the Second Vatican Council's intentions for liturgical renewal, especially the orientation of prayer at the Eucharistic sacrifice, the placement of the tabernacle, and the posture of kneeling. Other important topics he discusses include the following: the essence of worship; Jewish roots and new elements of the Christian Liturgy; the historic and cosmic dimensions of the Liturgy; the relationship of the Liturgy to time and space; art, music, and the Liturgy; active participation of all the faithful; gestures, posture, and vestments. "My purpose here is to assist this renewal of understanding of the Liturgy. Its basic intentions coincide with what Guardini wanted to achieve. The only difference is that I have had to translate what Guardini did at the end of the First World War, in a totally different historical situation, into the context of our present-day questions, hopes, and dangers. Like Guardini, I am not attempting to involve myself with scholarly discussion and research. I am simply offering an aid to the understanding of the faith and to the right way to give the faith its central form of expression in the Liturgy." - Joseph Cardinal Ratzinger, from the preface
Author: Denis Lejeune
Publisher: Rodopi
ISBN: 9401207267
Category : Art
Languages : en
Pages : 269
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Book Description
To many, chance and art are antagonistic terms. But a number of 20th century artists have turned this notion on its head by attempting to create artworks based on randomness. Among those, three in particular articulated a well-argued and thorough theory of the radical use of chance in art: André Breton (writer), John Cage (composer) and François Morellet (visual artist). The implications of such a move away from established aesthetics are far-reaching, as much in conceptual as in practical terms, as this book hopes to make clear. Of paramount importance in this coincidentia oppositorum is the suggested possibility of a correlation between the artistic use of chance and a system of thought itself organised around chance. Indeed placing randomness at the centre of one’s art may have deeper philosophical consequences than just on the aesthetical level.
Author: Herbert Molderings
Publisher: Columbia University Press
ISBN: 0231519745
Category : Philosophy
Languages : en
Pages : 277
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Book Description
Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the "possible." He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art. Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance.
Author: Joel Black
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
"What connects the Romantic essays of Thomas De Quincey and the violent cinema of Brian De Palma? Or the "beautiful" suicides of Hedda Gabler and Yukio Mishima? Or the shootings of John Lennon and Ronald Reagan? In The Aesthetics of Murder, Joel Black explores the sometimes gruesome interplay between life and art, between actual violence and images of violence in a variety of literary texts, paintings, and films. Rather than exclude murder from critical consideration by dismissing it as a crime, Black urges us to ponder the killer's artistic role -- and our own experience as audience, witness, or voyeur. Black examines murder as a recurring, obsessive theme in the Romantic tradition, approaching the subject from an aesthetic rather than a moral, psychological, or philosophical perspective. And he brings into his discussion contemporary instances of sensational murders and assassinations, treating these as mimetic or cathartic activities in their own right. Combining historical documentation with theoretical insights, Black shows that the possibilities of representing violence -- and of experiencing it -- as art were recognized early in the nineteenth century as logical extensions of Romantic theories of the sublime. Since then, both traditional art forms and the modern mass media have contributed to the growing aestheticization of daily experience -- including murder, suicide, and terrorism." -- Book cover.
Author: James Elkins
Publisher: Routledge
ISBN: 1135963568
Category : Art
Languages : en
Pages : 343
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Book Description
With bracing clarity, James Elkins explores why images are taken to be more intricate and hard to describe in the twentieth century than they had been in any previous century. Why Are Our Pictures Puzzles? uses three models to understand the kinds of complex meaning that pictures are thought to possess: the affinity between the meanings of paintings and jigsaw-puzzles; the contemporary interest in ambiguity and 'levels of meaning'; and the penchant many have to interpret pictures by finding images hidden within them. Elkins explores a wide variety of examples, from the figures hidden in Renaissance paintings to Salvador Dali's paranoiac meditations on Millet's Angelus, from Persian miniature paintings to jigsaw-puzzles. He also examines some of the most vexed works in history, including Watteau's "meaningless" paintings, Michelangelo's Sistine Ceiling, and Leonardo's Last Supper.
Author: David Kerekes
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
