Strolling Platers and Drama in the Provinces PDF Download
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Author: Sybil Rosenfeld
Publisher: CUP Archive
ISBN:
Category : English drama
Languages : en
Pages : 374
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Book Description
Author: Sybil Rosenfeld
Publisher: CUP Archive
ISBN:
Category : English drama
Languages : en
Pages : 374
Get Book Here
Book Description
Author: Sybil Marion Rosenfeld
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0
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Book Description
Author: Deborah C. Payne
Publisher: Cambridge University Press
ISBN: 1009398210
Category : Drama
Languages : en
Pages : 303
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Book Description
Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Author: John Miller
Publisher: OUP Oxford
ISBN: 0191537136
Category : History
Languages : en
Pages : 344
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Book Description
The religious and political history of late seventeenth- and early eighteenth-century England is typically written in terms of conflict and division. This was the period when party conflict - exacerbated by religious enmities - became a normal part of English life. Rather than denying the importance of partisan divisions, this book reveals how civic celebration, designed as an expression of unity and amity, was often used for partisan purposes, reaching a peak in the 1710s. The animosities were most marked in elections, which were often corrupt and drunken, and sometimes very violent. But division and conflict were not universal. Many towns avoided electoral contests, not because they were in the pocket of a great aristocrat, but as a matter of deliberate policy. Despite occasional disorder, urban government rarely broke down, and even violent elections ended with bruises rather than fatalities. Professor Miller suggests an explanation for this in the nature of urban governance. While the formal structures of town government were profoundly undemocratic - vacancies on corporations were most often filled by co-option - there was much participation, consultation, and negotiation in the lower levels of government. In addition, corporation members lived in close proximity to, and did business with, their fellow townspeople, and needed to meet their expectations. These expectations might have been modest - they wanted streets to be reasonably clean and kept in adequate repair, sewage and rubbish to be removed, law and order maintained, and the deserving poor relieved. But they were the things that made daily life tolerable, and for many they mattered more than politics.
Author: Edward Moore
Publisher: University of Delaware Press
ISBN: 9780874135305
Category : Drama
Languages : en
Pages : 456
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Book Description
"Finally available to modern scholars, this book is the first critical edition of these two plays by Edward Moore. The success of the initial run of Moore's sentimental comedy The Foundling (1748) was due in part to its cast, which included Susannah Maria Cibber and David Garrick, and the play continued to enjoy moderate success on the London stage. It remained popular among critics throughout the eighteenth century and was reprinted and performed regularly in the nineteenth. In the twentieth century, as the most important and the best sentimental comedy of the mid-eighteenth century, it has been generally accepted by literary historians as the bridge between the comedies of Colley Cibber and Richard Steele in the first part of the century and those of Hugh Kelly and Richard Cumberland in the last. The initial run of Moore's domestic tragedy The Gamester(1753), with Garrick in the title role, was also largely successful. From its first revival in 1771 to its last in 1871, the play was performed by Britain's finest actors and actresses - and performed more frequently on the London stage than any other Restoration or eighteenth-century tragedy." "Anthony Amberg's introduction discusses the sources and composition, production, publication and reception, and final revision of both plays. The text of The Foundling is based on Moore's holograph manuscript, that of The Gamester on the first edition. In both the author's spelling, punctuation, capitalization, and italicization have been retained, and both have been provided with full textual and explanatory notes."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: David Worrall
Publisher: Routledge
ISBN: 1317315499
Category : History
Languages : en
Pages : 272
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Book Description
Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.
Author: Joseph McMinn
Publisher: University of Delaware Press
ISBN: 0874130689
Category : Biography & Autobiography
Languages : en
Pages : 188
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Book Description
Swift is a shrewd and humorous observer of the changing artistic and cultural scene in both Ireland and England, and his views on these changes in public taste are an important, albeit neglected, part of his biography. His correspondence, especially his Journal to Stella, shows us someone very aware of the various arts and of their lively emergence from the enclosed world of the Puritan era. Many of Swift's friends and acquaintances were serious collectors of paintings, sculpture, coins, medals and Swift himself eventually enjoyed an interesting and revealing collection of artistic artifacts, as this study shows.
Author: Cécile de Banke
Publisher: Routledge
ISBN: 1317652797
Category : Performing Arts
Languages : en
Pages : 333
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Book Description
An absorbing and original addition to Shakespeareana, this handbook of production is for all lovers of Shakespeare whether producer, player, scholar or spectator. In four sections, Staging, Actors and Acting, Costume, Music and Dance, it traces Shakespearean production from Elizabethan times to the 1950s when the book was originally published. This book suggests that Shakespeare should be performed today on the type of stage for which his plays were written. It analyses the development of the Elizabethan stage, from crude inn-yard performances to the building and use of the famous Globe. Since the Globe saw the enactment of some of the Bard’s greatest dramas, its construction, properties, stage devices, and sound effects are reviewed in detail with suggestions on how a producer can create the same effects on a modern or reconstructed Elizabethan stage. Shakespeare’s plays were written to fit particular groups of actors. The book gives descriptions of the men who formed the acting companies of Elizabethan London and of the actors of Shakespeare’s own company, giving insights into the training and acting that Shakespeare advocated. With full descriptions and pages of reproductions, the costume section shows the types of dress necessary for each play, along with accessories and trimmings. A table of Elizabethan fabrics and colours is included. The final section explores the little-known and interesting story of the integral part of music and dance in Shakespeare’s works. Scene by scene the section discusses appropriate music or song for each play and supplies substitute ideas for Elizabethan instruments. Various dances are described – among them the pavan, gailliard, canary and courante. This book is an invaluable wealth of research, with extensive bibliographies and extra information.
Author: Hugh Cunningham
Publisher: Routledge
ISBN: 1317268741
Category : History
Languages : en
Pages : 224
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Book Description
First published in 1980. This book is a study of what different classes of society understood by leisure and how they enjoyed it. It argues that many of the assumptions which have underlain the history of leisure are misleading, and in particular the notions that there was a vacuum in popular leisure in the early Industrial Revolution; that with industrialisation there was sharp discontinuity with the past; that cultural forms diffuse themselves only down the social scale, and that leisure helped ease class distinctions. An alternative interpretation is suggested in which popular culture can be seen as an active agent as well as a victim. This title will be of interest to students of history.
Author: Alec Clunes
Publisher: Cambridge University Press
ISBN: 1107475155
Category : History
Languages : en
Pages : 29
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Book Description
This book, first published in 1955, includes a bibliography not only of British theatre in general, but also histories of individual theatres in Britain.
